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first in a series of personal odysseys that explore sacred earth sites. A joint project by photographer Scott Angus and Emily Sopensky.

first in a series of personal odysseys that explore sacred earth sites. A joint project by photographer Scott Angus and Emily Sopensky.

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C o n v e r s a t i o n s w i t h t h e A r t i s t<br />

Here is another instance when I was simply arrested by what I saw from the highway.<br />

I was driving by myself when I saw such an amazing height. It seemed to rise from<br />

the ground instantaneously. I don’t know if it is officially a sacred site but it is for<br />

me. The pull was too strong to resist. I stopped and took this head-on picture.<br />

The colors are subtle. They run up the slopes so gently and softly that if feels like<br />

this is a huge giant resting peacefully. The energy was strong. I took this shot with<br />

the road behind me. I wanted the brushes to help frame it in the foreground.<br />

This dead-on angle resulted because the hill is so big. The focus is on the mountain.<br />

I wouldn’t crop this at all. See the quad-band? I like the equal balance among<br />

these bands of color and weight. The gold dominates foreground. But the mountain<br />

is overwhelming in its immensity. The viewer’s eyes go to the big ridge and the big<br />

slope.<br />

This is very powerful resting energy. I think the mountain looks like it can get up<br />

and move.<br />

With the black-and-white photo, there is a mysticism to this that suggests layers<br />

of history from ancient to modern times. It’s almost as if you can insert yourself<br />

within each fold of earth’s history. It trends toward a darker history.<br />

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