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Leather Archives & Museum: 25 Years

The official catalog celebrating the 25th Anniversary of the Leather Archives & Museum. The catalog features essays, collection photographs, and highlights over the LA&M's institutional life.

The official catalog celebrating the 25th Anniversary of the Leather Archives & Museum. The catalog features essays, collection photographs, and highlights over the LA&M's institutional life.

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These drawings were accompanied by story<br />

text, written by Dom himself, as well as<br />

notable kink writers such as Jeff Kincaid. The<br />

comic series gave Dom an opportunity to<br />

introduce a high degree of dry humor. He put<br />

his men into situations entirely implausible or<br />

impossible in real life and often with<br />

excruciating degrees of BDSM, but his<br />

humor brought them down to earth and<br />

made them accessible. His drawings were<br />

perversely enjoyable, especially at a time<br />

when the scourge of AIDS was making reallife<br />

hedonism less and less possible. His Trip<br />

to <strong>Leather</strong>land series, with its array of fun<br />

gadgets, is a prime example.<br />

Perhaps most famously, Dom painted<br />

original murals for the Gold Coast (starting in<br />

1960 at the 1130 North Clark Street location,<br />

Man’s Country, Zolar’s, Mineshaft, and Club<br />

Baths Kansas City. After the murals at the<br />

original Gold Coast location (1130 North<br />

Clark Street) had to be painted over when<br />

the bar moved, Etienne used plywood and<br />

masonite so they could be transported from<br />

location to location; it was this incredible<br />

foresight that allows the LA&M to preserve<br />

and exhibit these incredible murals today.<br />

Occasionally, he referenced friends and<br />

lovers in his works. For example, in the<br />

Garage series, he pays tribute to his friend<br />

Durk Dehner, Tom of Finland Foundation<br />

Chair and inaugural IML contestant. As<br />

another example of the importance of Dom’s<br />

chosen family as expressed in his art, the<br />

final panel of his Subway Savages series<br />

shows newspapers which, on close reading,<br />

give a nod to partners Renslow and Bob<br />

Yuhnke, amongst others.<br />

While a large number of Dom’s original<br />

works were destroyed in a studio flood, the<br />

LA&M has amassed much of Dom’s early<br />

oeuvre in the Periodicals in the Rose Library,<br />

the Original Art and Posters collections in the<br />

archive, and within the Dom Orejudos<br />

Collections, the Chuck Renslow Collection<br />

and the Bob Yuhnke Collection on Dom<br />

Orejudos.<br />

37

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