Leather Archives & Museum: 25 Years
The official catalog celebrating the 25th Anniversary of the Leather Archives & Museum. The catalog features essays, collection photographs, and highlights over the LA&M's institutional life.
The official catalog celebrating the 25th Anniversary of the Leather Archives & Museum. The catalog features essays, collection photographs, and highlights over the LA&M's institutional life.
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These drawings were accompanied by story<br />
text, written by Dom himself, as well as<br />
notable kink writers such as Jeff Kincaid. The<br />
comic series gave Dom an opportunity to<br />
introduce a high degree of dry humor. He put<br />
his men into situations entirely implausible or<br />
impossible in real life and often with<br />
excruciating degrees of BDSM, but his<br />
humor brought them down to earth and<br />
made them accessible. His drawings were<br />
perversely enjoyable, especially at a time<br />
when the scourge of AIDS was making reallife<br />
hedonism less and less possible. His Trip<br />
to <strong>Leather</strong>land series, with its array of fun<br />
gadgets, is a prime example.<br />
Perhaps most famously, Dom painted<br />
original murals for the Gold Coast (starting in<br />
1960 at the 1130 North Clark Street location,<br />
Man’s Country, Zolar’s, Mineshaft, and Club<br />
Baths Kansas City. After the murals at the<br />
original Gold Coast location (1130 North<br />
Clark Street) had to be painted over when<br />
the bar moved, Etienne used plywood and<br />
masonite so they could be transported from<br />
location to location; it was this incredible<br />
foresight that allows the LA&M to preserve<br />
and exhibit these incredible murals today.<br />
Occasionally, he referenced friends and<br />
lovers in his works. For example, in the<br />
Garage series, he pays tribute to his friend<br />
Durk Dehner, Tom of Finland Foundation<br />
Chair and inaugural IML contestant. As<br />
another example of the importance of Dom’s<br />
chosen family as expressed in his art, the<br />
final panel of his Subway Savages series<br />
shows newspapers which, on close reading,<br />
give a nod to partners Renslow and Bob<br />
Yuhnke, amongst others.<br />
While a large number of Dom’s original<br />
works were destroyed in a studio flood, the<br />
LA&M has amassed much of Dom’s early<br />
oeuvre in the Periodicals in the Rose Library,<br />
the Original Art and Posters collections in the<br />
archive, and within the Dom Orejudos<br />
Collections, the Chuck Renslow Collection<br />
and the Bob Yuhnke Collection on Dom<br />
Orejudos.<br />
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