Leather Archives & Museum: 25 Years
The official catalog celebrating the 25th Anniversary of the Leather Archives & Museum. The catalog features essays, collection photographs, and highlights over the LA&M's institutional life.
The official catalog celebrating the 25th Anniversary of the Leather Archives & Museum. The catalog features essays, collection photographs, and highlights over the LA&M's institutional life.
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Foundations: Dom Orejudos, the artist Etienne<br />
I<br />
am an archives volunteer at the <strong>Leather</strong><br />
<strong>Archives</strong> & <strong>Museum</strong>, an archivist by<br />
profession, and an unabashedly proud<br />
Etienne devotee. Some of my earliest<br />
experiences of self-acceptance and<br />
celebration as a young leatherman involved<br />
locating my desires within Etienne’s<br />
amazing artwork in the pages of Drummer,<br />
In-Touch For Men, the Storytime series and<br />
the complete Meatmen comic. I couldn’t get<br />
enough of his art! I made visits to the Glad<br />
Day Bookstore in Toronto while still a<br />
student to gobble up all I could find of his life<br />
and artwork.<br />
When I heard of Dom’s passing in the gay<br />
press, I think it was the first time I had ever<br />
cried over the loss of someone I didn’t even<br />
personally know. More than anything or<br />
anyone else, Etienne lead me to the LA&M.<br />
By the late 1990’s, I had heard that his<br />
works had been collected, preserved, and<br />
exhibited there; I knew I had to make a<br />
pilgrimage, if for no other reason than to feel<br />
his presence, thank him in spirit, and offer<br />
my own services to help preserve his legacy<br />
in any way I could.<br />
The first time I visited the LA&M and entered<br />
the Auditorium, I was overwhelmed—blown<br />
away, actually. A sense of profuse warmth<br />
washed over me and I sat down, quietly and<br />
by myself, surrounded by all these<br />
wonderful original murals. My emotions<br />
overwhelmed me and tears just started<br />
rolling down my face. I think it was so many<br />
things: the joy of being with his spirit; being<br />
in Chicago, where his leather life and lore<br />
began. And simultaneously feeling sadness,<br />
knowing that he left us far too early, like so<br />
many of his generation and those since. To<br />
be honest, those same feelings still wash<br />
over me every time I enter the LA&M.<br />
Most know and celebrate Dom Orejudos as<br />
the gay erotic artist Etienne and/or Stephen,<br />
but he was also a dancer, choreographer,<br />
humorist, voracious reader, observer,<br />
teacher, lover, storyteller and kinkster. He<br />
was a devoted and caring man to both his<br />
biological and chosen families. Dom was a<br />
man of immense talent, humility and honor.<br />
Founding Editor-in-Chief of Drummer<br />
magazine and gay historian Jack Fritscher<br />
described him as, “a sweet, gentle man.”<br />
Domingo (‘Dom’) Francisco Stephen<br />
Orejudos was a man whose life and art was<br />
intrinsically woven into the evolution of gay<br />
and <strong>Leather</strong> culture in the second half of<br />
twentieth century America. His legacy<br />
remains a beacon for <strong>Leather</strong> and Kink folk<br />
around the world, and his story opens the<br />
door to enjoying and learning all the <strong>Leather</strong><br />
<strong>Archives</strong> & <strong>Museum</strong> has to offer. More than<br />
perhaps any other person, his spirit<br />
pervades the LA&M and its raison d’etre, the<br />
Etienne Artwork Collection.<br />
Dom Orejudos, the artist Etienne<br />
Born of Italian and Philippino parents in<br />
1933 Chicago, Dom Orejudos grew up with<br />
an impish and driven desire to draw, often<br />
sketching in grammar school class. As a<br />
young adult, his early influences included<br />
famed gay artist George Quaintance, whose<br />
classical style and settings were reflected in<br />
Dom’s seminal works in the 1950’s and<br />
early 1960’s. His men were often presented<br />
in period and situational settings and this<br />
would become a trademark of his<br />
renderings. Etienne, however, took gay<br />
erotic art to new levels Quaintance only<br />
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