25.11.2016 Views

Leather Archives & Museum: 25 Years

The official catalog celebrating the 25th Anniversary of the Leather Archives & Museum. The catalog features essays, collection photographs, and highlights over the LA&M's institutional life.

The official catalog celebrating the 25th Anniversary of the Leather Archives & Museum. The catalog features essays, collection photographs, and highlights over the LA&M's institutional life.

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FROM THE FOUNDER:<br />

ON <strong>25</strong> YEARS OF LEATHER HISTORY<br />

This year the <strong>Leather</strong> <strong>Archives</strong> and <strong>Museum</strong> celebrates its <strong>25</strong> th<br />

anniversary. Officially, LA&M began in 1991, but the real story<br />

is much older. It began in the 1950's when my partner, Dom<br />

Orejudos, and I opened Kris Studios. Through Dom's artistic<br />

ingenuity and my photography skills we produced photo sets of<br />

bodybuilders – beefcake, the predecessor of gay porn. We took<br />

the best of these photos back home to our basement for<br />

packaging and fulfillment. Unfortunately, a sewer flood in the<br />

1960's destroyed the best of the negatives and left me very<br />

aware of the necessity for safe storage.<br />

As the artist Etienne, Dom continued to produce drawings and<br />

paintings starting in the 1950's and continuing until his too early<br />

death in 1991. A noted erotic artist, Dom's art had been used<br />

to promote and identify a number of businesses around the<br />

world, including our own International Mr. <strong>Leather</strong>, The Gold<br />

Coast <strong>Leather</strong> Bar and Man’s Country Baths. Left with this<br />

treasure trove of sketches and finished pieces, and concerned<br />

about their preservation, I began contacting art museums in<br />

Chicago, San Francisco and New York. Each<br />

museum expressed an interest, but they all wanted<br />

to pick and choose which pieces they'd accept into<br />

their collections. I felt it better to keep the entire<br />

collection intact. I decided to create a foundation<br />

to hold Dom's art.<br />

During a conversation with my good friend and<br />

Drummer publisher, Tony DeBlase, I mentioned<br />

the foundation. Tony talked me down. He felt<br />

foundations didn't last. “What you need is a<br />

museum,” he suggested. By the time that<br />

conversation ended, the concept of LA&M was<br />

born. In addition to all of Etienne's art, I'd pledged<br />

my Gold Coast, IML and Kris Studios archives and<br />

Tony pledged his archives from Drummer<br />

Magazine.<br />

Our first museum was a storefront at 5013 N. Clark<br />

Street, next door to my bathhouse and my<br />

office. It had a small display area and larger back<br />

storage room which quickly overflowed with other<br />

collections and donations arriving every week. We<br />

were in the thick of the AIDS epidemic and with<br />

each death, families and friends were unknowingly<br />

17

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