Dolce melodia FORUM
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DOLCE MELODIA
BADRUL HISHAM BIN ABDUL WAHAB (VOICE)<br />
Irama Desa by Iskandar & Mochtar Embut<br />
Lagu yang memberikan gambaran tentang sebuah dusun<br />
atau desa yang berada dibalik sebuah gunung. Lagu ini<br />
sungguh menyentuh, dengan syair sederhana tapi<br />
bermakna dalam. Tersusun indah syairnya yang<br />
menggambarkan sebuah kesunyian, keheningan,<br />
ketenangan, ketentraman yang dilingkupi oleh kedamaian.<br />
Kesunyiaan, ketenangan dan kedamaian itulah yang<br />
sekarang ini menjadi dambaan setiap kaum perantauan<br />
yang tinggal di kota – kota besar.
BADRUL HISHAM BIN ABDUL WAHAB (VOICE)<br />
Nel cor più non mi sento by Giovanni Paisiello<br />
(1740-1816)<br />
When Alessandro Parisotti included this work in his<br />
collection of Arie Antiche (1885), he created a solo<br />
version by including only the first 28 measures of the duet.<br />
He also changed the key to F major and added ornaments<br />
without preserving the original melody. The song was later<br />
included in G. Schirmer's Twenty-Four Italian Songs and<br />
Arias. It is in this form that the duet has become familiar to<br />
modern audiences. In concert, it is typically repeated with<br />
the repeat being more heavily ornamented.
PUTERI NAJIHA BINTI MUSTAFA (VOICE)<br />
Irama Desa by Iskandar & Mochtar Embut<br />
Lagu yang memberikan gambaran tentang sebuah dusun<br />
atau desa yang berada dibalik sebuah gunung. Lagu ini<br />
sungguh menyentuh, dengan syair sederhana tapi<br />
bermakna dalam. Tersusun indah syairnya yang<br />
menggambarkan sebuah kesunyian, keheningan,<br />
ketenangan, ketentraman yang dilingkupi oleh kedamaian.<br />
Kesunyiaan, ketenangan dan kedamaian itulah yang<br />
sekarang ini menjadi dambaan setiap kaum perantauan<br />
yang tinggal di kota – kota besar.
PUTERI NAJIHA BINTI MUSTAFA (VOICE)<br />
Edelweiss by Rodgers & Hammerstein<br />
"Edelweiss" is a show tune from the 1959 Rodgers and<br />
Hammerstein musical The Sound of Music. It is named after<br />
the edelweiss, a white flower found high in the Alps<br />
(Leontopodium alpinum). It was created for the 1959<br />
Broadway production of The Sound of Music in the role<br />
originated by performer Theodore Bikel as a song for the<br />
character of Captain Georg Ludwig von Trapp.
V.J. SANNY JAHIN ( VOICE )<br />
Gia il sole dal Gange by Alessandro Scarlatti<br />
Gia il sole dal Gange was composed by Alessandro Scarlatti (1660 -<br />
1725) and Words by Felice Parnasso. He was an Italian Baroque<br />
composer especially famous for his operas and chamber cantatas. The<br />
words to this canzonetta celebrate the dethroning of the night by the<br />
glory of the sun, sparkling on the river Ganges. The opera from which<br />
this piece is derived is set in Algeria, in North Africa. John Glenn Paton<br />
observes that “dal Gange” is merely a figure of speech meaning the<br />
east. Scarlatti composed this opera (his second) at age nineteen. This is<br />
one of Scarlatti’s best known and most performed arias. Its strongly<br />
rhythmic, spirited melody is set in two strophes, which are tiny ABA<br />
forms. The opera this aria is from is entitled L’Honestà negli<br />
amori (Honesty in Love Affairs)(1680). The aria is sung by Saldino, a<br />
pageboy, standing alone on stage admiring the sunrise.
V.J. SANNY JAHIN ( VOICE )<br />
Vittoria, mio core! by Giacomo Carissimi<br />
“Vittoria, mio core” is a Baroque Italian song written by Giacomo Carissimi.<br />
He was an Italian composer and music teacher. He was highly influential in<br />
musical developments in north European countries through his pupils and the<br />
wide dissemination of his music. The piece starts with a lively exposition of<br />
the first theme, ending with a jubilantly extended run on the word "sciolta"<br />
(shattered.) The setting also repeats the word "vittoria" (victory) 14 times,<br />
more than any other in the text. After this aria, the tempo slows for a<br />
recitative-like passage and then returns to the opening; this pattern repeats<br />
with another recitative section and a final repeat of the opening. Carissimi<br />
used this same structure in other secular cantatas. The piece does not<br />
celebrate a military victory but rather an emotional one. "Victory, victory,<br />
victory, my heart! No more tears, no more tears, love's vile servitude is<br />
shattered!" declares the liberated erstwhile lover. In addition to the martial<br />
tempo and boastful words, the long runs also let the singer show off.
HUZAIFAH YUKIRIN (VOICE)<br />
Amarilli, Mia Bella by Giulio Caccini<br />
Amarilli, mia bella (“Amaryllis, my beauty”) is the oldest song in the 24th<br />
Italian songs and arias and the best known of the solo madrigals that Giulio<br />
Caccini included in his Le nuove musiche of 1602. The lyrics are brief and<br />
simple, taken from a passage in Guarini’s Il pastor fido (“The Faithful<br />
Shepherd”). The verse alludes to the Greek myth of Amaryllis who, picking<br />
flowers on a mountainside, falls in love with the shepherd Alteus. He,<br />
however, is interested only in flowers, and says that he can love only the girl<br />
who brings him a new flower. Amaryllis follows the advice of the Oracle at<br />
Delphi, Taking a temple arrow and waiting on Alteus’s doorstep each night,<br />
piercing her breast and her heart as she calls his name and because of the<br />
shepherd’s dilatory response, she is obliged to repeat her action for thirty<br />
nights, after which he finally emerges to find a beautiful flower where her<br />
blood has fallen. Naturally, the flower was named in her honour. Caccini’s<br />
setting too is deceptively simple, the words are sung from beginning to end,<br />
the second sentence repeated to the same music, giving the singer an<br />
opportunity to emphasize the significance of the appeal through variation.<br />
It closes with an ornamented repetition of the final line.
HUZAIFAH YUKIRIN (VOICE)<br />
Nel cor più non mi sento by Giovanni Paisiello<br />
Nel cor più non mi sento is a duet from Giovanni Paisiello’s 1788<br />
opera L'amor contrastato, ossia La molinara, usually known as La<br />
Molinara (The Miller-Woman).The duet is sung twice in the<br />
opera's second act, first by the miller-woman Rachelina (soprano)<br />
and Calloandro (tenor) and then by Rachelina and the notary<br />
Pistofolo (baritone).The duet is notable as its theme has been<br />
used many times as a basis for other musical works, and due to its<br />
inclusion in Alessandro Parisotti's 1885 collection Arie Antiche, the<br />
song has secured a place in classical vocal pedagogy. This<br />
charming little ditty about vexation in love it not too serious and<br />
it has a long and illustrious history for a piece so minute and<br />
seemingly casual. Beethoven wrote a series of piano variations<br />
based on this song. This Italian aria is very frequently performed<br />
ornamented and has expertise for showing up all sorts of places.
IVY STEPHENIE ANAK MIDEN (CELLO)<br />
Minuet from Concerto Grosso by William Boyce<br />
This piece was composed by William Boyce, born on 1711 in<br />
Maiden Lane which is known as Skinners’ Lane now in the city<br />
of London. This piece is the 5th movement from his work<br />
Concerto Grosso in B minor, consist of Staccato, Largo,<br />
Allergro, Adagio and Minuet. Minuet is a slow, stately dance in<br />
triple meter, popular in 17th and 18th centuries.
IVY STEPHENIE ANAK MIDEN (CELLO)<br />
Je Te Veux by Erik Satie<br />
‘Je te veux’ is a French words means I want you. This piece was<br />
composed by Erik Satie. This song is actually written with lyrics.<br />
A sentimental waltz with erotic lyrics. This song was written for<br />
Paulette Darty, whose accompanist Satie had been for a<br />
period of time. This song is about desire of wanting his love<br />
one to be close and become together.
AIROL EZANIE BIN LIMIN (CLASSICAL GUITAR)<br />
PRELUDE NO 1<br />
It is a study to develop alternate “ index “ and<br />
“middle” fingers as well as Rest Stroke technique.
AIROL EZANIE BIN LIMIN (CLASSICAL GUITAR)<br />
PRELUDE NO 2<br />
It is a study to develop alternate “ index “ and<br />
“middle” fingers as well as Rest Stroke technique.
REYNALDO RICHARD GOUMIN (CLASSICAL GUITAR)<br />
Parisian Waltz by Tatiana Stachak<br />
Parisian Waltz is a piece composed in the 20 th<br />
century by Tatiana Stachak. It’s a nice fine tune that<br />
use 3’4 meter. The hardest part of it, is to play<br />
harmonic pinch in the 5 th fret in the 4 th string. It<br />
applies more on slurring in the key of e minor
REYNALDO RICHARD GOUMIN (CLASSICAL GUITAR)<br />
Grand Vals by Francisco Tarrega<br />
It’s a vals song in major key that composed by a<br />
famous composer Francisco Tarrega. It modulate<br />
three times from part to part and have a repeatition<br />
in every part. The piece is quite nice and romantic.
PUTRA IQMAL BIN HASHIM (PERCUSSION)<br />
‘Sweet Sixteenth’ By Keith Bartlett<br />
RoughKeith Bartlett is a musician,recording producer and composer from<br />
Saskatchewan,North America.He is a talented multi-instrumentalist.Instrument that<br />
he oftenly play such as guitar,fiddle,5 string banjo,percussion and piano.Keith<br />
has travel along the world learning to play music such as Ecuador,Canada,South<br />
America and also Africa and now he open his own studio in North Battleford<br />
Saskatchewan,Canada and teaches private music classes besides continues to<br />
work on his own composition for national television.<br />
This piece just use two timpani and the key signature is B flat major. It must<br />
be tune in F major at the right and B Flat major at the left.It is 4/4 simple time<br />
signature. This piece need to be play with lots of bounce and energy. It also<br />
contain a tricky dynamic starting with piano then change to forte, mezzo forte<br />
and the suddenly crescendo poco a poco at the last bar of stanza<br />
8,furthermore,there is increscendo to fortissimo and accent at the last bar until<br />
end.Keith also has set the tempo into 84bpm.This piece also contain tricky<br />
timpani roll that must be tight,clean and strictly on time. This piece contain 27<br />
bars.
PUTRA IQMAL BIN HASHIM (PERCUSSION)<br />
The Three Camps by By Frank Arsenault arrange by<br />
John S. Pratt<br />
This piece composed by Frank Arsenault and rearrange by John<br />
S.Pratt. "Three Camps" is named as such because of its three<br />
variations: Camp 1 in Rolls; Camp 2 in Paradiddles and Camp<br />
3 in Ratamacues. The precision of each variation is that the<br />
accented notes are a single stroke with the entire solo sounding<br />
as a continuous Role, Paradiddle or Ratamacue exercise. "Three<br />
Camps" is from the Revolutionary War period and is not an<br />
easy study. It takes a lot of practice to play each variation to<br />
its proper speed. It is meant to sound like: 1 2 3 4, 1 2 3 4, 1 2<br />
3 4, 1 2 3 4. The accents are on counts 1 2 3 and the<br />
unaccented single stroke is on count 4 except in measure 3.
MUHAMMAD AMZAR AMINUDDIN BIN ZULFIKLI(PERCUSSION)<br />
E KEDVE<br />
E KEDVE is a snare drum solo piece compose by<br />
anonymous. This piece sound interesting with some dynamic<br />
and rudiment. The actual buzz roll and dynamic should be<br />
apply and to be played clearly so it can be tight. I would<br />
hit the buzz roll with mode of triplet because it make me<br />
easier to plat it increase of decrease the volume. The<br />
accent also have to be played so clearly because in<br />
certain part the accent is needed to be played. I found<br />
myself that I have to control the sticking and apply it for<br />
dynamic and this piece was great to be perfomed
MUHAMMAD AMZAR AMINUDDIN BIN ZULFIKLI(PERCUSSION)<br />
QUIERE BAILAR<br />
Quiere Bailar is a timpani solo compose by anonymous.<br />
Quiere Bailar in Spanish word stand for “Do You Want To<br />
Dance?”. This timpani solo could be a replacement for a<br />
bass solo player.this is because it has a spunky, rhythmic<br />
attitude. Exaggerating the accents will help to fortify the<br />
syncopation where staccato markings are indicated, a firm<br />
pinch of the mallet and speedy stroke with a quick lift will<br />
also enhance the contrast.
RAUSYAN SYARUL BIN OTHMAN(BASS GUITAR)<br />
Rio Funk<br />
Rio is an album by jazz guitarist Lee Ritenour originally<br />
recorded for the Japanese JVC Records in New York City,<br />
Santa Barbara and Rio de Janeiro. Rio Funk introduced<br />
the thumb bass of an unknown Marcus Miller. The genre of<br />
this song is Funk.
RAUSYAN SYARUL BIN OTHMAN(BASS GUITAR)<br />
BLAST<br />
This song was performed by William Henry Marcus Miller<br />
Jr or known as Marcus Miller. The genre of this song is a<br />
jazz fusion. This song originally performed using a drop D<br />
tune, but in this recital it will be perform using a standard<br />
tune.
MCNICHOL JOEY JOHN (MODERN GUITAR)<br />
The Loner by Gary Moore<br />
This beautiful song is recorded by Ireland famous Guitarist<br />
Gary Moore. Since this song include many parts of string<br />
bending, player have to make sure they bend it “in tune”.<br />
The Loner is an iconic song that required a good vibrato to<br />
deliver sadness, sorrow, and heart break to the audience.
MCNICHOL JOEY JOHN (MODERN GUITAR)<br />
Autumn Leaves by Joseph Kosma<br />
Autumn Leaves (1945) is a popular song composed by<br />
Joseph Kosma. This piece is built on exemplary harmonic<br />
progression.The chorus is one of the rare themes starting in<br />
the relative major of the ending key which is major. Player<br />
have to plan a good improvisation.
DINAICA CLARESSA DIUS (VOICE)<br />
Kasih Diambang Pintu by by Ismail Marzuki<br />
Kasih Diambang Pintu was composed by Ismail Marzuki<br />
(11 May 1914 - 25 May 1958). This song is about a<br />
man/woman feel longed with the person that he/she love.<br />
This is because they have not seen each other for a long<br />
time. The man/woman recalled their sweet memories like<br />
the person sang the song that he/she wrote for him/her to<br />
keep in their mind.
DINAICA CLARESSA DIUS (VOICE)<br />
Beautiful Dreamer by Stephen C. Foster<br />
Beautiful Dreamer was composed by American songwriter<br />
Stephen C. Foster (4 July 1826 - 13 January 1864). The<br />
song is about a man addresses a beautiful dreamer (a<br />
woman) perhaps she is his lover, to call her attention to<br />
different beauty of nature. He creates a dream world in<br />
which the melodious songs are being sung in the presence<br />
of enchanting scenes of the starlight and sea. Overall, the<br />
theme of this song is about beauty, creativity and<br />
peacefulness.
RAHIMAH YAHAYA (TROMBONE)<br />
Rough and Ready Rag by Alan Gout<br />
Rough and Ready Rag by Alan Gout is a ragtime genre or<br />
in ragged rhythm. This genre is originated in African-<br />
American communities back in late 19th Century. Ragtime<br />
was one of the main influence on the early development<br />
of Jazz. The characteristic of ragtime is when the melodic<br />
accents occur between metrical beats which results the<br />
melody seems to be avoiding some metrical beats of<br />
accompaniment