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PHOTOGRAPHY<br />
INVESTIGATING THE CREATIVE USE OF MOVING<br />
IMAGES THROUGH INTERACTIVE MEDIA<br />
KATARINA ELAND
CONTENTS<br />
ONE – FRONT COVER<br />
TWO – CONTENTS<br />
THREE – EXTREME WIDE SHOT<br />
FOUR – VERY WIDE SHOT<br />
FIVE – WEATHER SHOT<br />
SIX – WIDE SHOT<br />
SEVEN – CLOSE UP<br />
EIGHT – HIGH ANGLE<br />
TEN – LOW ANGLE<br />
ELEVEN – EYE LEVEL<br />
TWELVE – CANTED ANGLE<br />
THIRTEEN – BIRDS EYE VIEW<br />
FOURTEEN – CUT IN<br />
FIFTEEN – NODDY SHOT<br />
SIXTEEN – POINT OF VIEW<br />
SEVENTEEN – TWO SHOT<br />
EIGHTEEN – CUTAWAY<br />
NINETEEN – OVER THE SHOULDER SHOOT<br />
TWENTY – EXTREME CLOSE UP<br />
TWENTY ONE – MID SHOT<br />
TWENTY TWO – MEDIUM CLOSE UP
EXTREME WIDE SHOT<br />
• THE VIEW IS SO FAR FROM THE SUBJECT THAT HE ISN’T<br />
EVEN VISIBLE.<br />
• THIS IS OFTEN USED AS AN ESTABLISHING SHOT.
VERY WIDE SHOT<br />
• THE SUBJECT IS VISIBLE (BARELY), BUT THE EMPHASIS IS<br />
STILL ON PLACING HIM IN HIS ENVIRONMENT.
WEATHER SHOT<br />
• THE SUBJECT IS THE WEATHER.<br />
• CAN BE USED FOR OTHER PURPOSES E.G BACKGROUND FOR<br />
GRAPHICS.
WIDE SHOT<br />
• THE SUBJECT TAKES UP THE FULL FRAME, OR AT LEAST AS<br />
MUCH AS COMFORTABLY POSSIBLE.<br />
• AKA: LONG SHOT, FULL SHOT.
CLOSE UP<br />
• A CERTAIN FEATURE OR PART OF THE SUBJECT TAKES UP<br />
THE WHOLE FRAME.
HIGH ANGLE<br />
• THE CAMERA IS ELEVATED TO GIVE A GENERAL OVERVIEW.<br />
• HIGH ANGLES MAKE THE OBJECT PHOTOGRAPHED SEEM<br />
SMALLER, AND LESS SIGNIFICANT.
LOW ANGLE<br />
• LOW ANGLES GIVE A SENSE OF CONFUSION TO THE VIEWER.
EYE LEVEL<br />
• NETURAL SHOT.<br />
• THE CAMERA IS POSITONED AS THOUGH IT IS A HUMAN<br />
ACTUALLY OBSERVING A SCENE.
CANTED ANGLE<br />
• SOMETIMES THE CAMERA IS TILTED TO SUGGEST IMBALANCE,<br />
TRANSITION AND INSTABILITY.
BIRDS EYE VIEW<br />
• THIS SHOWS A SCENE FROM DIRECTLY OVERHEAD, A VERY<br />
UNNATURAL AND STRANGE ANGLE.
CUT IN<br />
• THIS SHOT SHOWS SOME OTHER PART OF THE SUBJECT IN<br />
DETAIL (E.G HANDS)
NODDY SHOT<br />
• USUALLY REFERS TO A SHOT OF THE SUBJECT LISTENING AND<br />
REACTING TO THE SUBJECT.
POINT OF VIEW<br />
• SHOWS A VIEW FROM THE SUBJECTS PERSPECTIVE.
TWO SHOT<br />
• A SHOT OF TWO PEOPLE, FRAMED SIMILARLY TO A MID SHOT
CUTAWAY<br />
• A SHOT OF SOMETHING OTHER THAN THE SUBJECT.
OVER THE SHOULDER<br />
SHOOT<br />
• LOOKING FROM BEHIND A PERSON AT THE SUBJECT.
EXTREME CLOSE UP<br />
• SHOWS EXTREME DETAIL.
MID SHOT<br />
• SHOWS SOME PART OF THE SUBJECT IN MORE DETAIL WHILE<br />
STILL GIVING AN IMPRESSION OF THE WHOLE SUBJECT.
MEDIUM CLOSE UP<br />
• HALFWAY BETWEEN A MID SHOT (MS) AND A CUTAWAY.
TIMELAPSE
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