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GRIOTS REPUBLIC - AN URBAN BLACK TRAVEL MAG - OCTOBER 2016

In the October Issue of Griots Republic we cover GLOBAL DESIGN! From interior to sound design we plug into the subjects that interest urban travelers. Black Travel Profiles include: Brooklyn Circus Founder, Ouigi Theodor. Up In Air Life Founder, Claire Soares. Fashion Influencer, Jason Andrew and Blogger A.V Perkins of A.V Does What. This issue also includes interviews with International D.J., DJ Super Nova and street artist and designer Jerry Gant. This is Black Travel!

In the October Issue of Griots Republic we cover GLOBAL DESIGN! From interior to sound design we plug into the subjects that interest urban travelers. Black Travel Profiles include: Brooklyn Circus Founder, Ouigi Theodor. Up In Air Life Founder, Claire Soares. Fashion Influencer, Jason Andrew and Blogger A.V Perkins of A.V Does What. This issue also includes interviews with International D.J., DJ Super Nova and street artist and designer Jerry Gant. This is Black Travel!

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large-scale installations, also adhere to.<br />

For the first time, elements of a collection<br />

that Edward J. Williams had assembled<br />

over many years and which Gates<br />

has titled Negrobilia, will be on public<br />

display. Williams’ aim was to remove<br />

these objects from the market and thus<br />

from any obvious visibility.<br />

Consuming Stories: Kara<br />

Walker and the Imagining<br />

of American Race<br />

COMING:<br />

NOVEMBER 15th<br />

If you recall Kara Walker’s exhibit, “A<br />

Subtlety,” at the Domino Sugar Factory<br />

in NYC and the amount of controversry<br />

and conversation it created, then you<br />

should be just as excited for a book on<br />

her work. Add this one to your list!<br />

DESCRIPTION<br />

(Description from publisher -<br />

truncated for length)<br />

In Consuming Stories, Rebecca Peabody<br />

uses the work of contemporary<br />

American artist Kara Walker to investigate<br />

a range of popular storytelling<br />

traditions with roots in the nineteenth<br />

century and ramifications in the present.<br />

Focusing on a few key pieces that<br />

range from a wall-size installation to a<br />

reworked photocopy in an artist’s book<br />

and from a theater curtain to a monumental<br />

sculpture, Peabody explores<br />

a significant yet neglected aspect of<br />

Walker’s production: her commitment<br />

to examining narrative depictions of<br />

race, gender, power, and desire.<br />

Consuming Stories considers Walker’s<br />

sustained visual engagement with literary<br />

genres such as the romance novel,<br />

the neo-slave narrative, and the fairy<br />

tale and with internationally known stories<br />

including Roots, Beloved, and Uncle<br />

Tom’s Cabin. Walker’s interruption<br />

of these familiar works, along with her

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