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October 2016<br />

West London Synagogue<br />

<strong>Review</strong><br />

ק"ק שער ציון<br />

Celebrating 176 Years of Reform Judaism in Central London<br />

Shanah Tovah<br />

Wishing you a happy New Year and well over the fast<br />

Please note that, for reasons of security, the Synagogue is<br />

operating a strict ‘NO TICKET NO ENTRY’ policy to High Holy<br />

Day services. Please do ensure you bring your tickets to gain<br />

entry to our services at Upper Berkeley Street and Kensington<br />

Town Hall. May we also remind you that no rucksacks or large<br />

bags will be permitted.<br />

Thank you for your understanding.


Rayne Tea Party<br />

For the fourth year running, and on<br />

a beautiful July day, Lady Jane<br />

Rayne Lacey and her husband<br />

Robert Lacey hosted a tea party for<br />

West London Synagogue members<br />

in their magnificent gardens. Every<br />

year the weather has been kind to<br />

us. This year was no exception so<br />

Lady Jane and Robert were able to<br />

take groups of guests for tours of<br />

their exquisite garden.<br />

Around 40 members, a few<br />

volunteers, Jo Michaels and Tirza<br />

Waisel from the Social Care team,<br />

plus Rabbis David, Neil and Sybil<br />

enjoyed a scrumptious traditional<br />

tea with far too much delicious cake<br />

for the waistline! There was a never<br />

ending supply of tea and coffee and<br />

much animated conversation.<br />

Everyone looked very smart in their<br />

summer finery and there was an<br />

atmosphere of warmth and<br />

friendship inside the marquee. It<br />

looked beautiful, with the tables<br />

adorned with summer flowers.<br />

Guests had been asked to bring<br />

items of West London Synagogue<br />

memorabilia to share with one<br />

another. A few people brought<br />

items dating back to the sixties and<br />

seventies which were passed<br />

around. Lady Jane showed us all a<br />

photo of a reunion of the six women<br />

who had attended the Queen at her<br />

coronation in 1953, herself<br />

included!<br />

The Rabbis gave a vote of thanks to<br />

Lady Jane and Robert for their<br />

incredible hospitality and then asked<br />

how long everyone had been<br />

associated with WLS. One lady had<br />

been a member for an incredulous<br />

88 years! Can anyone beat that?<br />

All too soon it was time to go and all<br />

the guests went home in the WLS<br />

minibus or in private hire cars<br />

organised by our hosts. We can't<br />

thank Lady Jane Rayne Lacey and<br />

Robert Lacey enough for organising<br />

and hosting this lovely event once<br />

again. I am sure everyone who was<br />

present is eagerly looking forward<br />

to next year's tea in perfect<br />

weather!!<br />

Vivien Feather<br />

Joint Vice Chair Social Care


The Movement for Reform Judaism: Adult Social Care Initiative<br />

“Show respect to the aged; honour the<br />

presence of an elder; fear your God.<br />

I am God” (Leviticus 19:32)<br />

The project we are launching in 5777 addresses our core<br />

values of honouring our elderly or those who are<br />

physically restricted at any age by fundraising, in<br />

partnership with our synagogues, for two wheelchair<br />

accessible minibuses to cover all of our UK communities.<br />

They will provide essential access to those who are most<br />

vulnerable, enabling them to maintain their Jewish way<br />

of living and alleviate their sense of isolation.<br />

These minibuses are a fabulous and practical means to<br />

fulfil the mitzvah of respecting the aged.<br />

מפני שיבה תקום והדרת<br />

פני זקן ויראת מאלהיך אני יהוה<br />

This coming year, 5777, in a partnership of synagogues,<br />

lay leaders, clergy and the team at Reform Judaism, we<br />

are shifting our focus to all ages and life stages. The<br />

jewel in our crown is, in many ways, our emphasis on<br />

youth. With RSY Netzer, we have the largest youth<br />

movement in the Jewish community, with 1,000 young<br />

people taking part in activities this summer. This is<br />

brilliant, but now is the time to redress an imbalance<br />

and to focus on all ages.<br />

Many in our communities are worried about how we can<br />

respond to the social and physical needs of our older<br />

members, respecting, nourishing and responding to one<br />

another properly. We have a population which has a<br />

growing number of people living independently and, on<br />

the whole, we are living longer. A quarter of our<br />

members are over the age of 70.<br />

Many of our older members have time and energy and<br />

would love to be more involved in our communities.<br />

Those are the members we see, especially if they<br />

volunteer and are active in synagogue life, but the often<br />

unseen need for many members of our communities is a<br />

response to their isolation and loneliness.<br />

They are our founding generation. Isolation and<br />

loneliness are the very opposite of what our synagogues<br />

are about and so our communities have identified this as<br />

a vital and pressing concern. Adult social care concerns<br />

affect so many of us – older people; their children and<br />

grandchildren; carers and the cared for.<br />

At our biennial Chagigah (celebration) in July, we<br />

launched an initiative dedicated to adult social care. One<br />

practical and potentially immensely impactful idea<br />

emerged. It pinpoints the feeling, and reality for many,<br />

of being cut off from the world, being unable to come to<br />

synagogue, go shopping, connect with the world outside<br />

and socialise with others owing to physical or emotional<br />

restrictions.<br />

Rashi, the 12th century French commentator, teaches<br />

that there should not be such a thing as defining a<br />

person by their age. Instead, we should refer to those<br />

who have “acquired wisdom”. He adds that the<br />

honourable way to treat older people (and, I would say,<br />

everyone of every age) is that we don’t usurp their place<br />

in society, nor their ideas, or speak instead of them. We<br />

should not interrupt older people when it might take<br />

longer for them to express themselves, or be<br />

patronising about what other people think or need.<br />

Rashi continues his explanation of the Torah verse<br />

above stating that often people do not really see one<br />

other. It is our role, our mitzvah, our duty, to make<br />

anyone who may be invisible to be visible.<br />

Those involved in our adult social care initiative<br />

highlighted our many members who are physically<br />

restricted and cannot come to synagogue, which<br />

exacerbates feelings of loneliness and isolation. Rashi<br />

compares this to a person consciously closing their eyes<br />

to others, shutting people out of their heart. He draws a<br />

fascinating parallel to our relationship with God.<br />

Disrespecting those whom we might prefer not to see,<br />

or are just not conscious of, is equal to disrespecting<br />

God.<br />

I believe that the meaning of why we live and should<br />

live is to partner God in the repair of the world. This is<br />

not an abstract theological claim, it is practical. This can<br />

be measured, whether by a phone call, a visit, or even<br />

by enabling our members to come to synagogue by<br />

means of our two national Reform Movement minibuses!<br />

טובה ו מתוקה<br />

שנה u'metukah. Shanah tovah<br />

May we all have a good and sweet New Year.<br />

Rabbi Laura Janner-Klausner<br />

Do you have any WLS memorabilia that you<br />

would like to share with <strong>Review</strong> readers?<br />

We’d love to hear from you.<br />

Please email editor@wls.org.uk


Ambassador Supreme of Music Dvora Lewis speaks<br />

to The Seymour Group<br />

Music lovers the world over may<br />

have been blessed, excited,<br />

enamoured, entertained, inspired,<br />

or simply gladdened by having<br />

experienced great works of music<br />

played by highly talented musicians<br />

and led by outstanding conductors.<br />

But what occurs behind the scenes<br />

is seldom, if ever, a consideration. I<br />

suspect that those of us at the<br />

Seymour Group luncheon in July<br />

would have given it no thought<br />

before we were privileged to share<br />

some of the experiences of our<br />

member, Dvora Lewis, our guest<br />

speaker.<br />

It is tempting to fill this space by<br />

listing the names of those who form<br />

a part of her life story. As an<br />

‘ambassador’ – the term 'Public<br />

Relations and Communications<br />

O f f i c e r ' s e e m s s o m e w h a t<br />

inadequate – she has worked with a<br />

goodly number of outstanding<br />

musicians, orchestras and musical<br />

events in the UK and worldwide.<br />

Dvora started by explaining the<br />

nature of public relations, musicwise,<br />

‘delivering the broadest<br />

messages about great music and<br />

the musicians who create those<br />

performances, the ensembles which<br />

perform and the events which<br />

present them…via the widest<br />

possible media’.<br />

It was in 1978 that Dvora was<br />

asked if she would do some work<br />

for André Previn, then Principal<br />

Conductor of the London Symphony<br />

Orchestra. That was when the seeds<br />

were sown. Over three decades<br />

later, they remain ‘dear friends’ and<br />

he still conducts the orchestra every<br />

year. The LSO Chairman then asked<br />

Dvora to 'take the Orchestra on' and<br />

her unique, usually invisible,<br />

relationship with the LSO continued<br />

for 37 years.<br />

The LSO, founded in 1904, has an<br />

outstanding global profile. It is a<br />

'musical collective', owned by the<br />

musicians with a mission to ‘bring<br />

the richest music making to LSO<br />

audiences here and around the<br />

world’. It is, we were told, the most<br />

successful Orchestra-owned CD<br />

label with a catalogue of more than<br />

100 recordings distributed in over<br />

40 countries. It has recorded music<br />

for hundreds of films including Star<br />

Wars and Harry Potter.<br />

Dvora described her relationship<br />

with Mstislav Rostropovich, the<br />

extraordinary Russian ‘cellist and<br />

conductor, as one of her 'greatest<br />

life experiences'. Despite his<br />

experience of Soviet Union<br />

repressive policies, he was able to<br />

come to London in 1965 and play<br />

31 concertos with the LSO in just<br />

three weeks, He called her<br />

'Dvorachka' and she found ‘his<br />

music, personality, humour and<br />

generous spirit’ a great blessing.<br />

Dvora recounted that on one<br />

occasion at the Royal Festival Hall,<br />

Rostropovich was with the Queen<br />

Mother, an ardent fan. He had<br />

arranged for a crate of champagne<br />

as a celebratory gift for the<br />

Orchestra but was told he would<br />

have to pay ‘corkage’. None the<br />

wiser, he turned to the Queen<br />

Mother and asked in all innocence<br />

what that meant.<br />

In addition to the LSO, Dvora has<br />

also handled PR for the Israel<br />

Philharmonic Orchestra and for<br />

Daniel Barenboim's West-Eastern<br />

Divan Orchestra. This is a<br />

combination of Israeli and Arab<br />

musicians and an example of the<br />

power of music in bonding people.<br />

Alas, they have yet to be able to<br />

play in Israel.<br />

Perhaps the most moving story<br />

which Dvora related was about a<br />

post-concert party for the ECO's<br />

25th anniversary. ‘Cellist Anita<br />

Lasker, an Auschwitz survivor, was<br />

there, having survived the death<br />

march to Belsen with her sister<br />

Renata. They were the great-nieces<br />

of world chess champion Emanuel<br />

Lasker. Also at the party was Joe<br />

Wolhandler, an ex-American Field<br />

Services member who had helped<br />

to release the inmates in 1945. He<br />

asked if she was related to the<br />

Emanuel Lasker. What an emotional<br />

moment it must have been when<br />

Anita exclaimed, "Renata is my<br />

sister, and Anita, that's me!".<br />

Dvora was enticed back to London<br />

from New York by a well-known and<br />

loved member of WLS, Michael<br />

Lewis, whom she married in 1971.<br />

Of course, he is her ‘Number One’'<br />

but, after listening to her, I had the<br />

distinct impression that she defies<br />

the adage that one can count the<br />

number of one's friends on one<br />

hand. Perhaps, in her case, it could<br />

well be extended to the number of<br />

keys on a piano keyboard. And so<br />

many of her friends are at the heart<br />

of the world of music. It is<br />

inconceivable that her retirement<br />

will not signpost her to more<br />

musical PR. WLS, watch this space!<br />

Date for your diary<br />

Jack Lynes<br />

Thursday 17 November<br />

Dr. Edie Friedman-Founder and<br />

Director of the Jewish Council for<br />

Racial Equality<br />

Thursday 15 December<br />

Derek and Ruth Scott – Schmaltz<br />

and Champagne<br />

Thursday 19 January<br />

Jane Greenfield – ‘On Being a<br />

Jewish Farmer’s Daughter’<br />

To book, call Hermy Jankel on<br />

020 7722 8489, if she is<br />

unavailable please leave a clear<br />

message. Early bookings will be<br />

appreciated, to facilitate catering<br />

arrangements. Please advise<br />

Hermy by 10.00am on the Friday<br />

before the lunch. Cancellations<br />

can only be accepted by that<br />

time, or you will be charged.<br />

Parking Problem? We aim to<br />

finish our meetings by 2.30pm.


WLS Monthly <strong>Review</strong> mail out<br />

Dear Members<br />

Last month we piloted an initiative to test the effectiveness and desirability of communicating electronically<br />

rather than by traditional post with members of the Synagogue. The response from the community was<br />

overwhelmingly positive and, as a result, on a trial basis in the first instance and except in those cases where it<br />

is not practicable to do so, we shall be extending this initiative to our <strong>Review</strong> which, with effect from the next<br />

edition, will be sent to you via email.<br />

Do be assured that those members who do not have access to email will continue to receive the <strong>Review</strong> by post.<br />

Please contact Clare Allen on 020 7535 0298 or email clare.allen@wls.org.uk if you would<br />

still like to receive the <strong>Review</strong> by post.<br />

With our thanks for your understanding and support.<br />

Yours sincerely<br />

David Dowdles, Executive Director<br />

Book Club <strong>Review</strong>: “Beware of Pity” by Stefan Zweig, tr. Anthea Bell<br />

Many people consider Stefan Zweig<br />

to be one of the finest Jewish<br />

writers of the 20th century. He is<br />

best remembered for his only<br />

completed novel. A new translation<br />

of the German novel “Undeguld des<br />

Herzens” was published in 2011.<br />

The translator, Anthea Bell, does<br />

not translate the title literally but<br />

calls the novel “Beware of Pity”. As I<br />

understand it, the strict English<br />

translation would be “Impatience of<br />

the Heart”. Actually, there is an<br />

even more recent translation, which<br />

does revert to the literal title.<br />

Interestingly, that is what quite a<br />

large part of our Book Club<br />

discussion was about. Was the novel<br />

about the dangers of misplaced<br />

pity? Or was it really a psychological<br />

drama about a number of rather<br />

inadequate people?<br />

Those in the group who finished the<br />

book (60% of those present) were<br />

very interested by the character of<br />

our hero, a young cavalry officer<br />

living just before the outbreak of<br />

the First World War. Those who<br />

didn’t finish the book found it quite<br />

slow and dull.<br />

I was particularly enthusiastic about<br />

it since I had read it three times<br />

before (including for another Jewish<br />

book group a few years ago). I’ve<br />

gained more out of each reading.<br />

We discussed whether the novel<br />

was in any way autobiographical<br />

(the life of Stefan Zweig is a book<br />

on its own) and we also analysed<br />

the method which Zweig used to tell<br />

the story. It is presented as the<br />

author coming across a man who<br />

interested him and that man telling<br />

him his life story. It was a clever<br />

device.<br />

Why did the author write about<br />

events which happened just before<br />

the outbreak of the First World War<br />

when the outbreak of the Second<br />

World War was on everybody’s<br />

mind?<br />

All of us agreed that the author was<br />

very well able to describe life in a<br />

cavalry regiment and life in the<br />

countryside. He had done his<br />

research well and that came across.<br />

His novel within the novel describing<br />

the life of the heroine’s father was<br />

worthy of a novel of its own.<br />

May I end this review by saying how<br />

pleased I am to have come across<br />

this reading group? To be able to<br />

consider such wonderful literature in<br />

the company of like-minded people<br />

is very stimulating. Also I find it a<br />

healthy discipline to read books<br />

which I would not otherwise choose<br />

– although on this occasion I was<br />

delighted with the opportunity to<br />

revisit a novel with which I was<br />

already familiar.<br />

The WLS Book Club is open to<br />

members of all ages. Our next<br />

meeting will be on Monday 24<br />

October at 6:15pm. We shall<br />

discuss the late historian David<br />

Cesarani’s “Disraeli: The Novel<br />

Politician”. Our discussions take<br />

place at The Prince Regent pub and<br />

are followed by dinner at a local<br />

establishment.<br />

For further information please<br />

e-mail victorlesk@hotmail.com or<br />

just show up.<br />

Michael Romain


Sydney Fixman (1932-2016) and WLS (1968-2010)<br />

On behalf of my brother and our families, I should like to<br />

thank Rabbi Neuberger, Rabbi Freeman, Christopher<br />

Bowers Broadbent, the WLS choir and the WLS<br />

community for honouring our father by dedicating this<br />

year’s Selichot service to his memory.<br />

My father became one of the leading authorities and<br />

executants of Jewish liturgical music in this country by<br />

way of his association with WLS. He was among the first<br />

to feel that there was a need for serious discussion<br />

about it in the UK. Searching through his papers, I came<br />

across his introduction to a symposium he chaired at<br />

WLS. “Synagogue music”, he said, “was not an end in<br />

itself but a means of religious experience. Its function<br />

was to help us live through a moment of confrontation<br />

in the presence of the Almighty and to expose ourselves<br />

to Him in praise, in self-scrutiny and in hope”. My father<br />

strove to attain this spirituality at the highest musical<br />

level for every religious and ceremonial occasion. The<br />

Selichot service and the solemn and moving Kol Nidrei<br />

service are a testament to all these endeavours.<br />

Sydney benefited considerably from the support of his<br />

great friend Rabbi Hugo Gryn who was, himself, a<br />

devotee of the performance of Jewish music. It was<br />

Rabbi Gryn who was instrumental in encouraging<br />

Sydney to present innovative concert programmes in<br />

the Synagogue. Within a few years of their<br />

collaboration, WLS became the leading place for Jewish<br />

music at the time and the catalyst for musical growth<br />

within the wider Reform community.<br />

It must not be forgotten that in 1970 Sydney (in<br />

association with the Royal Philharmonic Orchestra) gave<br />

the first UK synagogue performance of Ernest Bloch's,<br />

‘Avadath Hakodesh’. This collaboration was repeated in<br />

1980 in honour of Bloch’s Centenary. In 1972, again<br />

with the Royal Philharmonic Orchestra, Sydney<br />

conducted the first UK performance of Darius Milhaud’s<br />

‘Service Sacre’. This performance was also its first<br />

broadcast performance on BBC Radio 3. Sydney was a<br />

champion of the 17th century Mantuan composer<br />

Salamone de’ Rossi. In 1995 he performed and<br />

subsequently recorded Rossi’s ‘Songs of Solomon’ with<br />

the Pro Cantione Antiqua at WLS.<br />

These are merely highlights of Sydney’s 42 years at<br />

WLS. There were many, many other concerts<br />

showcasing the works of celebrated Jewish composers<br />

as well as some occasional Mozart or Haydn!<br />

Sydney was born into a religious Yiddish-speaking family<br />

in Manchester, where he attended Reverend Balkind’s<br />

legendary Hebrew School daily. The family appreciated<br />

the fine chazzanut traditions and my father grew up with<br />

the privilege of being able to witness the beautiful choirs<br />

and great chazans of Manchester.<br />

Having established himself in London, Sydney was<br />

appointed choirmaster to several of the leading<br />

synagogue choirs under the auspices of the United<br />

Synagogue but they were, at that time, unappreciative<br />

of his musical foresight. Therefore, he enthusiastically<br />

accepted the position of Director of Music at WLS<br />

because of the opportunity of working with professional<br />

choristers. It allowed him to pursue his ambition to<br />

re-introduce the rich and extensive tradition of<br />

synagogue choral music at the highest level into<br />

synagogue services; choral music which had once been<br />

performed in the great synagogues of Europe and the<br />

UK before the war and which was seemingly<br />

disappearing. It gave him, too, the opportunity to<br />

introduce the congregation to new works by<br />

contemporary Jewish composers.<br />

It should be remembered that in 1982 Sydney formed<br />

the Institute for Jewish Music Studies and Performance,<br />

based at WLS. His goal was to create an intellectual<br />

legacy for Jewish music and to foster deeper<br />

understanding of Jewish musical heritage. For 12 years,<br />

the Institute presented musical performances, recitals,<br />

symposiums and lectures on many diverse subjects<br />

given by leading Jewish musicians and academics. He<br />

was a pioneer in this field.<br />

So we feel it is entirely appropriate and are honoured<br />

that this year’s Selichot service has been dedicated to<br />

Sydney’s memory. He devoted 42 years of his life to<br />

WLS by educating, defending, enhancing and creating<br />

liturgical music traditions which continue today and, we<br />

hope, for generations to come. This is his legacy and he<br />

would be proud.<br />

Linda Packe


Kabbalat Torah Graduates<br />

BEN PHILIPPS:<br />

I never really saw WLS as a “school”. It was always just<br />

something that I did on Sundays, with no concrete aim, no<br />

GCSES to pass or league tables to come top of. When you’re<br />

five and watching Prince of Egypt on the top floor, you don’t<br />

stop to consider what Judaism means, and what West London<br />

Synagogue means. But give it three years, and eventually the<br />

significance and import of this building will hit, and then you’ll<br />

be connected with a global community in a way that only religion<br />

offers. That’s what I’m most grateful for – being involved<br />

in something ancient but modern, close-knit but with links<br />

across the world. The title of this speech was “Growing up at<br />

Religion School”, so I started by thinking about how WLS has<br />

helped me mature and develop through lessons and trips. But<br />

it hasn’t been that clear-cut. What really happens is maturity<br />

sneaks up on you, Sunday morning by Sunday morning, and<br />

all of a sudden you find yourself with a breadth and depth of<br />

knowledge and understanding that no weekday school really<br />

offers.<br />

CARLA HALLGARTEN:<br />

I only joined the religion school at 11 in BM1 and within two<br />

weeks of starting, we went on the BM residential weekend. I<br />

distinctly remember walking in, hardly knowing anyone, and<br />

being met by Rebecca on a sugar rush. A full on<br />

welcome. Those two years leading up to our Bar and Bat<br />

mitzvah celebrations was an intense but amazing experience<br />

which made me really want to connect to my Jewishness in a<br />

way I’d never considered before. Having the AMAZING Debs<br />

and Rabbi David as our teachers was an absolute dream<br />

although we might not have been their 'dream' class. There<br />

was no question here at WLS that us girls wouldn't be treated<br />

as equals to the boys in our bat mitzvah experiences. Rabbi<br />

David was very keen that the girls, like the boys, could wear<br />

tallit or kippot. I remember, the day before my bat mitzvah,<br />

him taking me to show me his extensive tallit collection, and<br />

with expert advice, helping me pick one to match my<br />

dress. There were lots of special moments at our actual bar/<br />

bat mitzvah services. I think the most memorable one for me<br />

must have been when Rebecca got the giggles on the bimah<br />

during a certain line of the 10 Commandments.<br />

ALEXI REICH:<br />

During our second year of the Tripod program we had the<br />

opportunity to take part in the Peace By Piece program, a<br />

course that we took in tandem with a group of teenagers from<br />

a mosque in Wembley. The program allowed for us to discuss<br />

what our religious identities mean within the context of our<br />

lives and how this affects who we are in the wider community.<br />

It was also a precursor to the annual trip to morocco, which, to<br />

be fair, was a big part of our excitement. Whilst in Morocco we<br />

had the opportunity to experience a culture that was new to<br />

us, we visited Mosques, we enjoyed the local markets, and ate<br />

delicious tagines. The Piece By Peace trip to Morocco was an<br />

important trip as it was one in which we were not only looking<br />

at our Jewish identities within the sphere of our own<br />

community but out in the world with people who were from<br />

different backgrounds. We got to learn from each other about<br />

each other whilst simultaneously learning more about<br />

ourselves.<br />

ERIC OCH:<br />

In November of 2013, at the beginning of our Tripod journey,<br />

we took a trip to Amsterdam to learn about the roots of<br />

Ashkenazi Jewry and begin forging the close friendships we’ve<br />

formed during this course. We spent the weekend learning<br />

about some of the oldest and largest synagogues in European<br />

history as well as what happened to the city during World War<br />

II. We also got the chance to experience a little bit of Dutch<br />

culture. Throughout the weekend we had dozens of orders of<br />

Amsterdam’s classic French fries and enjoyed the food of the<br />

various markets we got to visit. A highlight of the trip was<br />

when a fellow tourist joined us at the memorial for members of<br />

the LGBT+ community who perished during the holocaust for<br />

Havdalah and told us her heart-warming story of being a<br />

relatively isolated Jew where she lived. This followed our visit<br />

to the Anne Frank museum and really reinforced our sense of<br />

connection to the Jewish community at home - our friends and<br />

family - as well as the Jews around the world with whom we<br />

shared a common faith.<br />

ETHAN REICH:<br />

The summer New York City trip for tripod 2 with WLS was<br />

phenomenal. With the help of Rabbi David, Peter and Ronit we<br />

were able to explore many topics within NYC. We explored<br />

immigration in both a historical and modern context, historical<br />

Jewish assimilation in New York City and what it means to be a<br />

modern Jew both practicing and non-practicing in a modern<br />

major metropolitan city. Visiting Ellis island was essential in<br />

order to understand what some of our Jewish ancestors must<br />

have experienced when coming to America from Europe or<br />

elsewhere, and we were able to put ourselves in their living<br />

conditions when visiting the tenement museum which is a<br />

series of preserved living quarters which were used by newly<br />

immigrated Jewish families decades ago. One of the most<br />

interesting experiences and the most powerful symbols of both<br />

historical and modern jewellery as well as well as immigrants<br />

assimilating to a new area was the Eldridge Street Synagogue<br />

which was created in 1887 and was in a traditional Jewish<br />

neighbourhood. It remains in the same neighbourhood open as<br />

a museum however the neighbour has changed and now the<br />

Eldridge Street Synagogue is currently located in New York's<br />

bustling China town. I think we all really felt that the Eldridge<br />

street synagogue summed up the themes of the trip.<br />

REBECCA SONIN:<br />

To say the least our class is…memorable. Amazingly, after all<br />

the years we made it. Though we weren’t the easiest of classes<br />

we were always driven but just had our own way of doing<br />

things and is probably why we were able to persevere to the<br />

point where we are now actually madrichim, I bet some of our<br />

old teachers would think you were lying if you told them.<br />

Through our journey we have gleaned a lot including being<br />

able to give back to the community through our help in the<br />

religion school, which allows us to understand why our<br />

teachers ought to have gotten just a little bit frustrated with<br />

our behaviour as younger pupils. These past years, in<br />

particular through our Tripod years, have been packed with<br />

laughter and memories from mugs in New York, plane rides all<br />

over the world and hats OFF in Amsterdam, which will stay<br />

with me and the rest of us, I’m sure for the rest of our lives.


Jack Lynes Profiles Jim Fletcher: A Man “Altogether for Dance<br />

We may have forgotten the very<br />

first sound we heard when, or<br />

perhaps even before, we were born.<br />

No, it wasn’t the voice of the<br />

midwife calling, “Push, push, you're<br />

doing well”. Rather it was the<br />

rhythm of our mother's heartbeat.<br />

And according to Jim Fletcher, the<br />

subject of my Profile this month,<br />

that ‘boom, boom, boom’ is the first<br />

episode in our lives to which we<br />

react.<br />

Jim was born in Glasgow and, on his<br />

mother's side, “everyone was<br />

musical in one form or another”. He<br />

went to Israel when he was 19 and<br />

lived and worked there for four<br />

years, doing so again during many<br />

university vacations. He taught<br />

himself modern Hebrew. Much later,<br />

he was active in the J-Soc at<br />

Glasgow University, after which he<br />

contacted WLS for an opportunity to<br />

practise conversational Hebrew.<br />

How Jim met his husband Martin,<br />

was surely Bashert (a Yiddish word<br />

meaning ‘fated’). Jim's take on what<br />

was to be the beginning of a<br />

romance, now as strong as ever<br />

after 20 years, is that it was a “coup<br />

de foudre”, a ‘thunderbolt’, but, in<br />

this context, ‘love at first sight’. Jim<br />

and Martin were both working in<br />

London for organisations of which<br />

Diana, Princess of Wales was patron<br />

and, on one occasion, they met at<br />

the same function. Each<br />

immediately recognised a soulmate.<br />

Jim had known the Princess<br />

of Wales. Her death was the ‘loss of<br />

a friend’ and, at her funeral, he<br />

walked behind her coffin.<br />

While Jim clearly enjoys every<br />

aspect of the music and dance<br />

industry, his eyes light up when<br />

talking about his input in managing<br />

Scottish Opera’s small scale tours,<br />

taking ‘music to the people’. As<br />

Project Manager, with a pianist,<br />

tenor, bass, contralto and soprano,<br />

they toured from their Glasgow<br />

base, playing to ‘the locals’ in village<br />

halls as far as the Shetlands and<br />

surroundings.<br />

At Glasgow University he read<br />

Modern Romance Languages,<br />

gaining a Master’s degree with<br />

Literature and Fine Art. A qualified<br />

teacher, he obtained an education<br />

of a different kind working part time<br />

both front of house and behind the<br />

scenes at Glasgow’s Theatre Royal.<br />

It was here that he was introduced<br />

to ballet and gained his love of<br />

dance. Were this a CV rather than a<br />

Profile, I could fill my space with the<br />

prestigious positions held and<br />

qualifications which Jim has<br />

achieved in the field, including being<br />

Development Manager for The<br />

Royal Ballet School.<br />

Away from dance – and it is<br />

incredibly difficult to spend time<br />

with Jim and escape that world – he<br />

was, for a year, fundraising<br />

manager for the Reform Movement.<br />

Closer still to home, at WLS he is<br />

Chairman of our Eretz programme,<br />

which includes the regular film<br />

series, concerts, play readings,<br />

exhibitions, political briefings, and<br />

lately, Israel tours. As Vice-Chair of<br />

our ‘External Affairs’, he mentors<br />

staff and advises on marketing, PR<br />

and communications.<br />

Jim was recently a Warden, a<br />

position he found very rewarding, in<br />

particular he enjoyed engaging with<br />

fellow congregants and visitors.<br />

Somewhat controversially he allows<br />

me to put on record his personal<br />

belief that wearing top hat and tails<br />

is, to put it mildly, ‘disturbing’,<br />

saying that, as a Scot, he needed<br />

an ‘inner brave heart’ to wear them.<br />

That said, he proclaims himself<br />

proud of our glorious heritage.<br />

Jim cares about people, all people.<br />

He is particularly proud of our<br />

Synagogue’s active involvement<br />

with (among others) the London<br />

Gay Men’s Chorus and World Aids<br />

Day (next on 1 December). His<br />

current charitable project is outside<br />

of WLS, for One Dance UK, which<br />

speaks for the industry and<br />

encourages people of all ages and<br />

backgrounds to participate in<br />

dancing at every level. On 9<br />

October, Jim will present ‘Together<br />

for Dance’, a charity gala for One<br />

Dance UK at the beautiful Novello<br />

Theatre. It is, he says, ‘the dance<br />

event of the season’.<br />

Jim remains heavily involved in the<br />

world of Scotland, of Israel, and of<br />

dance. If only I could somehow<br />

dance off this page as I conclude<br />

this profile, I would do so. Jim<br />

hopes to retire soon but, make no<br />

mistake, that will give him more<br />

time to carry on his ‘dance through<br />

life’.<br />

Tickets for 'Together for Dance' may<br />

still be available. Phone: 0844 482<br />

5172 or book online at<br />

www.delfontmackintosh.co.uk


Limmud in the Woods<br />

I’ve heard about Limmud in the<br />

Woods from friends and Facebook<br />

posts so, this year, I decided that I<br />

was going to attend.<br />

Limmud in the Woods is a Jewish<br />

festival of creativity, learning and<br />

community. Over a period of five<br />

days, participants have the<br />

opportunity to attend sessions led<br />

by a range of speakers, help out by<br />

volunteering, relax, meet new<br />

people and sleep under canvas.<br />

Now I’m sure that many would be<br />

put off by the thought of camping,<br />

as I was, but a friend reminded me<br />

that it’s ‘glamping’ and not<br />

camping. This is because there are<br />

washroom facilities, and lunch and<br />

dinner are fully catered.<br />

This year’s programme included a<br />

global collective of musicians. We<br />

enjoyed Nechama Goldman Barash<br />

from Pardes Institute in Jerusalem,<br />

Elya Steinberg (Co-Director of the<br />

C e n t r e f o r B i o d y n a m i c<br />

Psychotherapy), singer-songwriters<br />

Jen Charlton and Lilac Sheer,<br />

Jumana Moon (a storyteller inspired<br />

by stories from Islamic folklore and<br />

sacred tradition) and Mountain<br />

Spring Music, to name a few.<br />

I opted to be a YAD which meant<br />

volunteering for about four hours a<br />

day. My tasks included pitching<br />

tents, serving meals, and<br />

participant care. This kept me super<br />

-busy and provided me with an<br />

opportunity to meet a variety of<br />

people. There were moments where<br />

stories were shared with kids and<br />

moments which involved serious<br />

conversations about all sorts. Oh,<br />

and let’s not forget the countless<br />

number of laughs. This is what<br />

helped make Limmud in the Woods<br />

so special for me because I got to<br />

meet so many wonderful people.<br />

Havdallah at Limmud in the Woods<br />

was a truly magical experience. The<br />

community rejoiced with singing,<br />

candles and wine. An additional<br />

highlight was helping to barbeque<br />

burgers on the Sunday night. Being<br />

a South African, it’s second nature<br />

to me. Speaking of fire, there’s<br />

nothing more relaxing than sitting<br />

around a campfire and sipping wine<br />

and chatting late into the night.<br />

There’s no end time to certain<br />

activities and one I really enjoyed<br />

was the silent disco; dancing around<br />

in the venue and in the woods until<br />

the early hours of the morning.<br />

Limmud in the Woods truly was an<br />

uplifting experience. I bonded with<br />

old friends and made so many new<br />

ones. Despite my initial camping<br />

anxieties, which I was told were a<br />

rite of passage, I can say that<br />

Limmud in the Woods was<br />

awesome. Will I be going next year?<br />

Most definitely…Why not join me?<br />

Shiraaz Sidat<br />

SUKKAH BUILDING<br />

This year’s theme is ‘Temporary Shelters’ and we only have two days to get the sukkah up<br />

and decorated, so please come along and help us build our WLS temporary shelter.<br />

Saturday 15 October, 7.00pm: Havdalah followed by music, chat and refreshments while<br />

you build – ALL WELCOME<br />

Sunday 16 October, 12.30-3.00pm: Community Sukkah Decorating -<br />

ALL WELCOME<br />

Please bring donations of flowers, pot plants and fruit with you.


Selichot<br />

Rosh Hashanah Prayer Book<br />

For the past couple of years, we have had two sittings<br />

for Rosh Hashanah morning services in the Synagogue,<br />

which the majority of our members really love. What<br />

people dislike – and the rabbis agree – is the flipping of<br />

pages as we shorten the service to manage two<br />

sequential sittings and still allow people to get home for<br />

lunch.<br />

So next year, as a result of a very generous donation by<br />

WLS members, we shall have our very own Rosh<br />

Hashanah prayer book. It will be beautifully produced; it<br />

will be easy to use; it will mean no unnecessary flipping<br />

of pages.<br />

Selichot, the prayers in which we say ‘sorry’ and ask<br />

forgiveness, serve as a preparation to get us into the<br />

right mood and attitude for the High Holydays. They are<br />

traditionally said daily throughout the month of Elul –<br />

the month which precedes Rosh Hashanah. I remember,<br />

in my first year of study in Jerusalem, being woken up<br />

daily at around 7am by the sound of the shofar coming<br />

from a tiny synagogue located somewhere in my<br />

apartment building. The shofar is blown at these<br />

services as an alarm to call us to repentance. For me, it<br />

was an alarm which got me out of bed each morning.<br />

There is a custom of holding a special Selichot service at<br />

night, on the Saturday before Rosh Hashanah. For the<br />

choir, it is something of a dress rehearsal for the High<br />

Holydays; for me, it is my favourite service of the entire<br />

year, largely because of its music. It is extremely<br />

moving, evoking the melodies of the Yamim Noraim,<br />

and much of its liturgy – High Holydays’ greatest hits as<br />

it were. The mood is one of expectation, in preparation<br />

for the great days to come. Some synagogues are<br />

candle-lit on this night. Some ceremonially change the<br />

mantles on the Torah scrolls to white ones during the<br />

service. The silver is newly polished and gleaming.<br />

There is the chance of experimentation, both musically<br />

and liturgically. There is the opportunity for creative<br />

poems, and unusual pieces. One synagogue, which does<br />

not allow instrumental music in its services, plays the<br />

whole of Bloch’s ‘Kol Nidrei’ in its Selichot service, for<br />

example. One year I heard Leonard Bernstein’s<br />

‘Chichester Psalms’. The shul in question was not sure<br />

how it would go down and piloted it in the Selichot<br />

service before making a decision whether to include<br />

them in their Yom Kippur service.<br />

West London Synagogue has its own distinctive music<br />

tradition, the result of a handful of extraordinary,<br />

talented and visionary music directors. This year, the<br />

Selichot service will be preceded by a tribute to Sidney<br />

Fixman z”l, who served 42 years as music director of the<br />

Synagogue. The service itself is not to be missed. It is a<br />

real opportunity to sit in quiet reflection amid the beauty<br />

of this wonderful shul, surrounded by glorious music,<br />

reading words old and new to the greatness of God.<br />

Some people say that “of the making of prayer books<br />

there is no end…”. And that is true. Although much<br />

liturgy is traditional, in every generation people change<br />

their views, and language changes. God is addressed in<br />

the second person, gender neutral, these days, when<br />

‘He’ was undoubtedly read as ‘male’ a generation ago.<br />

Some post-Holocaust material we read in the 1970s and<br />

1980s has not stood the test of time. Though raw and<br />

immediate then, some of it reads somewhat<br />

sentimentally now, and we no longer respond. Our use<br />

of traditional rabbinic material has changed too, with<br />

many people more comfortable with it than they would<br />

have been a generation or so ago. And so new prayer<br />

books are needed.<br />

The Movement for Reform Judaism is working on a new<br />

High Holy Day liturgy for all synagogues. Given our<br />

shortened service, theirs won’t work for us at Rosh<br />

Hashanah, though we shall be using their material. It<br />

will be different when they get as far as Yom Kippur,<br />

when we shall use their book. But next year, at this<br />

time, we shall have our own book for Rosh Hashanah.<br />

And it will be wonderful.<br />

Rabbi Julia Neuberger<br />

Rabbi Sybil Sheridan


Kol Nidrei: A Night Like No Other<br />

If you had to pick the moment when you felt most<br />

connected to this community, I wonder when it would<br />

be? Perhaps a key life-cycle occasion such as your<br />

child’s bar/bat mitzvah, or maybe saying Kaddish with<br />

other mourners just days after having buried a loved<br />

one? You might have been to a brilliant study session<br />

where everyone was deeply engaged, or even a<br />

significant service, such as Remembrance Shabbat,<br />

when everyone's attention was focused on the roll of<br />

honour?<br />

For me, that moment came last year in the middle of an<br />

experimental service. Five years ago, just as I was<br />

moving pulpits to WLS, I was warned that “they don't<br />

like to join in during services”. Certainly, there have<br />

been times when this was the case but I can think of<br />

many other moments when people read/sang out with<br />

gusto. Yet never with the intensity of my key moment.<br />

That precious experience occurred last year when we<br />

experimented with a Shabbat Shira service during Kol<br />

Nidrei at Friends’ House. Preparing for an intimate<br />

gathering of 30-40 people, it was overwhelming when<br />

congregants kept arriving. Eventually, the small room<br />

was packed out with over 120 people gathered together<br />

to pray and sing their way through the liturgy of the<br />

holiest night of the year. As I led the Shema, I closed<br />

my eyes. Shema means ‘listen’ and that is precisely<br />

what I did, as 120 voices sang out together.<br />

The Rosh Hashanah<br />

Explanatory Service<br />

One of the hardest aspects of the High Holydays is that<br />

we are supposed to be at our peak of connection to<br />

Jewish life and ritual. We look around and it feels as if<br />

we are the only ones not quite able to appreciate what is<br />

happening in the service. The themes of Rosh Hashanah<br />

are even more complex than those of Yom Kippur. On<br />

Yom Kippur, we know we are focussed on atonement,<br />

forgiveness, pardon – whether we hold that to be an expression<br />

of the transcendent relationship with God or a<br />

self-scrutiny. Yom Kippur, though the liturgy is dense,<br />

seems to make sense.<br />

Rosh Hashanah, on the other hand, is full of many ideas.<br />

For a start, the Torah reading is complex and disturbing<br />

with the ‘Binding of Isaac’. How do we understand the<br />

command of Abraham by God to sacrifice his son? Then<br />

we have the shofar blowing, the sections of liturgy on<br />

‘Kingship’, ‘Remembrance’ and ‘Shofar’. What is the<br />

meaning of these themes and why are they core<br />

components of our Rosh Hashanah liturgy?<br />

Many of the famous rabbis from the past write movingly<br />

about their prayers being carried to heaven by the<br />

strength of the kavannah (heartfelt intensity) of their<br />

congregants. Hearing 120 voices fervently singing the<br />

Shema brought tears to my eyes, especially at the power<br />

of participative communal prayer; I was not alone in<br />

that feeling. It was a defining moment for me and one<br />

that I look forward to repeating this year at Kensington<br />

Town Hall.<br />

Do join us at 7pm for a complete Kol Nidrei service,<br />

including a bespoke sermon and study session. Starting<br />

with Bruch’s haunting Kol Nidrei melody, led by our<br />

Shira ‘cellist and sung by Maya Levy, we shall work our<br />

way into the spiritual depths of Yom Kippur. It will be a<br />

unique chance to pray, shoulder to shoulder and voice<br />

to voice, so if you're looking to find your moment of<br />

communal connection, you know where to come.<br />

Rabbi David Mitchell<br />

In an innovation for this year, Rabbi Helen and I will lead<br />

explanatory services on Rosh Hashanah morning. We<br />

will have a slightly reduced liturgy to allow us to explain<br />

and discuss some of the major prayers and the Torah<br />

reading. At the same time, we will introduce some of the<br />

main musical themes. The service will last the same<br />

amount of time but we will have space to talk and<br />

reflect. We particularly have in mind JPREP students, but<br />

all are welcome to join us in the Room of Prayer.<br />

Rabbi Neil Janes


The Jewish Calendar and<br />

Second Day Rosh Hashanah<br />

Our calendar can sometimes be a little confusing. We<br />

have neither the solar calendar of Christianity, where<br />

Christmas is predictable decades in advance, nor the<br />

lunar calendar of Islam when Ramadan can be any time<br />

of the year. Instead we have a compromise between the<br />

two, so the date of Rosh Hashanah or Yom Kippur can<br />

vary, but only by about a month.<br />

It is a beautiful, meditative and<br />

thought-provoking service,<br />

enhanced by Maya’s lovely voice<br />

and with a study session in place<br />

of a sermon. All the elements of<br />

Rosh Hashanah are there, the<br />

singing of Avinu Malkeynu, the<br />

sounding of the shofar, but the<br />

addition of modern readings<br />

and poetry challenges the<br />

worshipper in a way which is<br />

moving and spiritually<br />

meaningful. It wouldn’t be going too far to say that for<br />

me the SECOND DAY OF ROSH HASHANAH is one of the<br />

highlights of the High Holyday season. It is personally<br />

challenging in a way which helps one to prepare for the<br />

Days of Awe and Yom Kippur, perhaps because of the<br />

marvellous mixture of ancient and modern, of Torah text<br />

and modern poems.<br />

So, do come and join the ever-growing congregation for<br />

second day Rosh Hashanah. This year it takes place on<br />

Tuesday 4 October, starting at 11am.<br />

On a Lighter Note…<br />

Rabbi Helen Freeman<br />

When a fast day happens is important. More than 2,000<br />

years ago, the Dead Sea Scrolls reported a dispute<br />

between their leader, the Teacher of Righteousness, who<br />

kept to a solar calendar, and his opponent, known in the<br />

scrolls as the “wicked priest”. He kept the luni-solar<br />

calendar and so deliberately came before his rival on the<br />

day he celebrated as Yom Kippur, forcing the Teacher of<br />

Righteousness to profane the holiest day of the year.<br />

Not nice at all, and the scrolls are full of subtle digs at<br />

their opponents. For example, the Pharisees, the early<br />

rabbis, were known as the “dor’sheihalakot”, which<br />

means something like “those who seek the easy option”,<br />

while rabbinic Judaism liked to underline the Pharisees’<br />

relationship with halakhotor Jewish laws.<br />

So the calendar was the focus of a lot of strong feeling<br />

and the rabbis ordained two days for several festivals,<br />

including Rosh Hashanah, to try to make sure that all<br />

the Jewish people celebrated the special occasion at the<br />

right time.<br />

Early Reform Judaism distanced itself from this ancient<br />

‘catch-up’ option and decreed that we would only have<br />

ONE day Rosh Hashanah, just as we would only have<br />

ONE day festival at the beginning of Pesach.<br />

So how is it, all these years later, we celebrate TWO<br />

days Rosh Hashanah and have TWO Sedarim for those<br />

who wish to attend them? Even more personally, how is<br />

it that I, who grew up in the classical Reform tradition,<br />

so enjoy the SECOND day of Rosh Hashanah?<br />

My daughter and I went on a climbing holiday together<br />

in Scotland a couple of weeks ago and found this sign. It<br />

is nice to know that the middle of deepest rural Scotland<br />

is planning for the Jewish calendar!<br />

There really is a village called “Succoth” that is the<br />

starting point for climbs up Ben Nairnan and Ben Arthur.<br />

We climbed Ben Nairnan, but never got a satisfactory<br />

answer from the locals as to checking the pronunciation<br />

and how on earth a tiny village in Scotland ended up<br />

being named after a city in the land of Goshen (as<br />

“Succoth appears in Exodus”), let alone the name of a<br />

festival (as the words appears in Genesis).<br />

Mark Fox


St John’s Hospice<br />

My sister Shirley Korel passed away in November 2014. She had been wonderfully cared for, both at St John’s<br />

Hospice and at home for the preceding 18 months.<br />

I visited whenever I could from Norwich but her three children devotedly managed the day-to-day changes in her<br />

condition and organised the care, which was coordinated by Westminster Social Services and the Hospice itself. This<br />

meant that when urgent medical care was needed, Shirley was cared for in the Hospice but, when she was stable for<br />

any period of time, she was cared for at home.<br />

The urgent care in the Hospice varied from barrier nursing to respiratory care in a variety of wards. The ground floor<br />

ward, with a view of the garden, was a particular joy for her. I can only say that at all times she felt secure and safe,<br />

which meant that visiting her was a delight. Her sunny and kind nature shone through. The medical care and, indeed,<br />

the pastoral care were excellent.<br />

When it was clear that now the care was entirely palliative, her day-to-day care at home was gentle and kind. One of<br />

her highlights was Rabbi David playing the shofar/ram’s horn on our New Year.<br />

Her passing leaves a huge gap in our lives. The only consolation is knowing that she was cared for to the best of<br />

everyone’s ability. It makes it a little less hard to bear. Thank you to St John’s Hospice. We are grateful.<br />

Jillian Brahams<br />

Rotary Club of St Marylebone presents<br />

Magic And Music<br />

Charity Concert in aid of St John’s Hospice<br />

World renowned pianist<br />

Sam Haywood<br />

The young and brilliant<br />

A Sharp Trio<br />

Jazz Piano by<br />

‘Boogie Boy’ Cody Lee<br />

With magic by Nathan Penlington - Writer, Performer and Magician<br />

Sunday 20 November 2016 at 3.00pm<br />

at The American School in London, 1 Waverley Place, St John’s Wood NW8 0NP<br />

Tickets - £15.00 (which will include one child under 16 with an adult)<br />

available from Jill Leuw at jill.leuw@googlemail.com or call 020 7262 0420


A Genetic Study of Western Sephardic Jewish Men<br />

The Technion university (Israel) has<br />

launched a landmark study of the<br />

history of the worldwide Sephardi<br />

community through its DNA. It<br />

seeks to obtain sample cheek swabs<br />

from males who descend along their<br />

direct paternal line from established<br />

Sephardi families. One individual<br />

from each lineage will be tested.<br />

Detailed Y chromosome DNA<br />

sequence signatures will be<br />

obtained from the cohort. The Y<br />

chromosome is passed on largely<br />

unaltered from father to son,<br />

although unique but genetically<br />

insignificant mutations occur from<br />

time to time making each lineage<br />

distinguishable from all others and<br />

hence genealogically useful.<br />

This is the first genetic study of<br />

descendants from this historically<br />

important Jewish community. The<br />

study may also offer insights into<br />

the genetic origins of the medieval<br />

Iberian community and possibly<br />

reveal individuals and communities<br />

around the world of Western<br />

Sephardic descent.<br />

The initial phase of the study is well<br />

under way and includes families<br />

whose ancestors migrated from<br />

Iberia to London, Amsterdam,<br />

Hamburg, the Caribbean, Aleppo,<br />

Safed and Turkey/Rhodes.<br />

Subsequent phases will focus on<br />

families from North Africa and Asia.<br />

No DNA of medical importance is<br />

tested; only DNA which helps<br />

illustrate a family’s history is<br />

sought. Overall results will be<br />

reported in a peer-reviewed study<br />

to be co-authored by the Technion<br />

and members of the Jewish<br />

historical/genealogical community.<br />

We expect that much will be learned<br />

about the history of the Jewish<br />

people and our connections to one<br />

another. This is possible only with<br />

the involvement of the community.<br />

Please contact the project<br />

administrators Adam Brown and<br />

Michael Waas at<br />

WestSephDNA@gmail.com to learn<br />

how you can participate. There is no<br />

cost to participants and the test<br />

takes less than two minutes.<br />

A full study protocol can be found at<br />

http://www.avotaynuonline.com/agenetic-study-of-western-sephardicjewish-men.<br />

Israel: The South – The New Frontier<br />

Excitement is building following the<br />

inaugural meeting of the 2017 Eretz<br />

WLS Israel Tour group. ‘Israel: The<br />

South – The New Frontier’, the<br />

informal tailor-made tour, takes a<br />

small group of no more than 20,<br />

staying in boutique hotels and<br />

carefully selected kibbutz guest<br />

houses on a one week (7 days, 8<br />

nights) journey of discovery along<br />

the ‘less well trodden path’.<br />

Exclusive access, bespoke talks and<br />

walks and the opportunity to ask<br />

questions of experts in various fields<br />

( a s d i v e r s e a s e c o l o g y ,<br />

sustainability, water engineering,<br />

Holy Land history, social<br />

development, the dairy industry,<br />

and perhaps, musical themes)<br />

makes this an Israeli adventure like<br />

no other.<br />

March weather is perfect for our<br />

Negev experience, warm and sunny<br />

during the day, with a refreshing<br />

coolness at night. Over seven days,<br />

we will travel in comfort and safety<br />

by air conditioned minibus with our<br />

own driver and guide from Tel Aviv,<br />

via Jerusalem, to the fortress at<br />

Masada, Ben Gurion's resting place<br />

at Sde Boker, the natural wonder<br />

that is the Ramon Crater, and the<br />

site of the Dead Sea Scrolls at<br />

Qumran, to the true site of the<br />

giving of the Ten Commandments<br />

at Mount Sinai, a 4000BCE copper<br />

mine (King Solomon's Mine), the<br />

Dead Sea oasis at En Gedi, and<br />

conservation projects at Lotan and<br />

Ketura, concluding in Eilat. Along<br />

the way, we will eat and drink well,<br />

enjoy free time for sunning or<br />

strolling, and have the option where<br />

possible to attend cultural<br />

performances.<br />

There has been keen interest so far<br />

but there may still be a few places<br />

left so, don't delay, get in touch<br />

today (with tour leader, Rabbi Sybil,<br />

or tour manager, Jim Fletcher) if<br />

you are thinking of joining us.<br />

Indicative prices: £150 flight<br />

(arranged by yourself), plus £1,000<br />

-£1,200 per sharer, £1,200-£1,450<br />

per sole occupancy. The tour price<br />

includes all accommodation,<br />

breakfasts, some special dinners,<br />

transport and expert guides, entry<br />

fees, a glass of wine during our<br />

rooftop daily reflection, informal<br />

Shabbat services, and more.<br />

Please contact Jim Fletcher at<br />

eretz@wls.org.uk for more<br />

information or to book your place.


Jewish London Bridges Gap for Asylum Seekers from<br />

Muslim Countries by Jenni Frazer<br />

LONDON — On a sunny Sunday<br />

afternoon in a north London suburb,<br />

two distinct populations throng to a<br />

tiny primary school. One population<br />

is white, and mainly Jewish. The<br />

other is a mixed hodgepodge of<br />

races and cultures from all the<br />

world’s trouble spots: they are<br />

asylum seekers.<br />

between 100 and 120 families<br />

arrive, usually having travelled long<br />

distances into central London from<br />

the outer suburbs.<br />

a s t a g g e r i n g £ 9 4 4 , 0 0 0<br />

($1,265,000) — its second biggest<br />

ever fundraising campaign.<br />

World Jewish Relief’s Richard Verber<br />

says this appeal was noteworthy<br />

“because the money didn’t come in<br />

big chunks from rich donors, but in<br />

tiny amounts from thousands of<br />

members of the Jewish community<br />

who felt they really wanted to do<br />

something.”<br />

For more than 10 years, alongside<br />

volunteers from all walks of life,<br />

London’s Jews have been quietly<br />

getting on with helping asylum<br />

seekers, through monthly drop-in<br />

centres run by four separate<br />

communities.<br />

The drop-in centres help<br />

hundreds of families caught in the<br />

classic asylum-seeker’s bind in<br />

Britain — they are not allowed to<br />

work while awaiting assessment of<br />

their bid to stay in Britain, nor can<br />

they claim benefits. For some there<br />

is a government allowance, but it is<br />

just £5 a day.<br />

Rabbi Neil Janes smiles wryly when<br />

talking about the asylum-seekers<br />

who stream into his congregation’s<br />

beautiful 19th century building<br />

every month.<br />

“Our visitors are relatively<br />

oblivious that they are being helped<br />

by Jews,” he says. “We think it’s a<br />

good mechanism whereby our<br />

community reaches out to parts of<br />

society who would never set foot<br />

inside a synagogue.”<br />

West London’s clientele, all of whom<br />

must produce documentation to<br />

show that they are “in the system,”<br />

come from various countries<br />

including Albania, Algeria, Eritrea,<br />

Ethiopia, Nigeria, Pakistan, Sri<br />

Lanka and Georgia. By far the<br />

largest number, however, come<br />

from the DRC, the Democratic<br />

Republic of the Congo. Each month<br />

Prince Charles met with some of the dropin<br />

beneficiaries during a visit for the 175th<br />

anniversary of WLS. (Elliott Franks)<br />

The asylum seekers are in the<br />

process of applying to stay in the<br />

UK permanently, and thus be<br />

reclassified as refugees. But<br />

because the Home Office<br />

decision-making process is so<br />

questionable, those turned down<br />

may reapply or appeal. It can be a<br />

long, tedious and soul-crushing<br />

process, and going to the drop-in<br />

centres represents a little bit of<br />

solace for people whose default<br />

position is hopelessness.<br />

Yazidi Kurdish women chant slogans<br />

during a protest against the Islamic State<br />

group’s invasion of Sinjar city, in Dohuk,<br />

Iraq, August 3, 2015.<br />

(AP/Seivan M. Salem)<br />

Since the eruption of the Syrian civil<br />

war more than five years ago,<br />

asylum-seekers from Syria have<br />

become among the top five<br />

nationalities seeking to stay in<br />

Britain.<br />

In the wake of the tragic story of<br />

Aylan Kurdi, the three year old<br />

Syrian boy who drowned on a<br />

Turkish beach as his family fled for<br />

safety, Britain’s World Jewish Relief<br />

launched an emergency appeal in<br />

2015 to help with Europe’s<br />

desperate refugee crisis and raised<br />

Chief Rabbi Ephraim Mirvis visiting<br />

Idomeni, a refugee camp in Greece (since<br />

closed down by the authorities) on the<br />

northern border with the Former Yugoslav<br />

Republic of Macedonia. He made this visit<br />

under the auspices of World Jewish Relief.<br />

(Minos Alchanati/ World Jewish Relief)<br />

“The government has committed to<br />

allowing 20,000 of the most<br />

vulnerable people from Syria enter<br />

Britain by the year 2020. WJR is<br />

going to commit to helping 1,000 of<br />

that 20,000 by offering a pilot program<br />

in which people will be taught<br />

business English. The first 50 will<br />

enrol on a course in Bradford and if<br />

it is successful, we will roll it out to<br />

West Yorkshire, the West Midlands<br />

and Scotland. This course will be<br />

funded separately from our<br />

emergency appeal and the money is<br />

coming from private donors,” he<br />

says.<br />

‘Body bags’ appear on Brighton beach in<br />

southern England, on April 22, 2015, in a<br />

display by Amnesty International to highlight<br />

what they claim is Britain’s shameful<br />

response to the refugee and migrant crisis<br />

in the Mediterranean.<br />

(Photo credit: Ben Stansall/AFP)


And for those who succeed in<br />

achieving refugee status, a<br />

helping hand is still needed.<br />

For some, the answer has been the<br />

lifeline offered by Nina Kaye and her<br />

husband Timothy Nathan, who, with<br />

Timothy’s sister, Sara, have<br />

l a u n c h e d a r e m a r k a b l e<br />

organization, Refugees at Home.<br />

Nina Kaye, a tall, imposing<br />

businesswoman, was motivated to<br />

begin her work in the summer of<br />

2015 when she saw the Aylan Kurdi<br />

pictures.<br />

The Children of the Kindertransport<br />

sculpture, outside Liverpool Street Station<br />

in London (John Chase, 2006)<br />

Kaye, whose mother was on the<br />

Kindertransport just prior to World<br />

War II, lost patience with the<br />

existing organizations, and slightly<br />

under a year ago she, her husband<br />

and her sister-in-law, launched their<br />

own venture.<br />

Familiar with social media, they set<br />

up a website and a Facebook page.<br />

Kaye says that after posting the<br />

page, someone contacted them<br />

saying, “I’ve met this fantastic guy,<br />

he’s in Middlesborough, but he<br />

needs to be in London, can you find<br />

him somewhere to stay?”<br />

Nina Kaye (pictured) and her husband<br />

Timothy Nathan, who, with Timothy’s<br />

sister, Sara, took matters into their own<br />

hands and launched Refugees at Home.<br />

(courtesy)<br />

The trio could not have been more<br />

fortunate. Their first guest, who<br />

ended up staying with them for four<br />

months in their home in Epsom, 13<br />

miles south-west of London, has<br />

become something of a refugee<br />

superstar in Britain.<br />

He is a wonderfully articulate young<br />

Syrian from Aleppo who was<br />

studying English literature and<br />

whose life has effectively been<br />

saved by his passionate embrace of<br />

the English language.<br />

Jwan, as he has asked to be known<br />

because of fears for the safety of his<br />

family who remain in Syria, is a<br />

Kurd.<br />

Only weeks after he became their<br />

guest, the family was due to hold its<br />

annual Chanukah party. Nina Kaye<br />

asked Jwan whether or not he<br />

wanted to stay, wondering whether<br />

he would be uncomfortable.<br />

“In Syria I was brought up with the<br />

idea of hatred of Israelis and Jews,<br />

that they were our enemy, that we<br />

must kill them,” Jwan says. “You<br />

see this on the media, TV, everywhere,<br />

and no one questions it.”<br />

This was his first encounter with<br />

Jews — and for him, it was<br />

eye-opening.<br />

Kids play at a monthly drop-in day at West<br />

London Synagogue<br />

“Lots of Jews have helped me,” he<br />

says. “And I saw how these people<br />

donate food and money to Syrian<br />

refugees, how they opened their<br />

arms to help. And I realized we had<br />

a lot in common.”<br />

Nina Kaye says that Refugees At<br />

Home is deliberately “religion-blind”<br />

in that neither hosts nor guests are<br />

asked about their faith.<br />

But, she acknowledges, “The<br />

parallels with Jews in Nazi<br />

Germany are extraordinary. The<br />

educated, cultured, middle classes,<br />

they’re the ones who have got out,<br />

or at least the ones who have had<br />

the foresight. The ones who have<br />

been smuggled all over Europe, that<br />

takes money.”<br />

“My grandmother came here and<br />

was a cook and bottle washer<br />

because it was the only way she<br />

could get a job. She came to Britain<br />

on a domestic visa. She couldn’t<br />

bring her daughter, my mother,<br />

with her — my mother went on the<br />

Kindertransport to Sweden when<br />

she was 13 and didn’t manage to<br />

get here until she was 17. So it very<br />

much resonates with me,” Kaye<br />

says.<br />

Street artist Bansky’s ‘London Calling’ wall<br />

at the front of the Calais camp, with<br />

refugees sheltering beneath, February 8,<br />

2015. (Alex Goldberg)<br />

Jwan has been reunited with his<br />

wife and two little girls. He has been<br />

offered a place at SOAS, part of<br />

London University, to study postconflict<br />

development, and plans one<br />

day to go back to the Middle East.<br />

Meanwhile, Refugees at Home has<br />

become one of the vital parts of the<br />

asylum and refugee infrastructure in<br />

Britain.<br />

As for Jwan, she says, “He has<br />

become a very dear friend. He has<br />

been so helpful — he gives back.”<br />

Reproduced with grateful thanks, courtesy of<br />

the Times of Israel and Jenni Frazer


Hilary Schuman’s Kitchen - Have a Sweet One…<br />

Rosh Hashanah: at this time of year, it is symbolic to eat sweet foods to bring in a New Year with the hope of<br />

goodness and sweetness to be forthcoming in the months to come.<br />

My recipes this month are to help you attain this, so enjoy apples and honey in their various baked forms.<br />

<br />

<br />

<br />

<br />

100g clear honey (I love using<br />

lavender honey)<br />

115g self raising flour – I<br />

have made this using gluten<br />

free flour and it works well<br />

1 beaten egg<br />

100g melted butter<br />

Topping:<br />

<br />

<br />

<br />

2 tbs honey<br />

25g finely chopped walnuts<br />

2tbs demerara sugar<br />

Honey and Ginger<br />

Biscuits<br />

Ingredients:<br />

450g plain flour<br />

1 ½ tsp bicarbonate of soda<br />

½ tsp salt<br />

1 tsp ground ginger<br />

1 tsp cinnamon<br />

185g butter or margarine<br />

200g brown sugar<br />

20g demerara sugar<br />

1 egg<br />

¼ cup honey<br />

Method:<br />

Sift flour, bicarbonate of soda,<br />

salt, ginger and cinnamon<br />

Beat butter or margarine until<br />

soft and creamy<br />

Add sugar and beat again<br />

Add egg and honey and mix<br />

well until well combined<br />

Fold in flour etc to form a<br />

dough<br />

Put into a bowl and cover with<br />

cling film and chill for approximately<br />

an hour. This will enable<br />

the dough to firm up<br />

Put oven on at 180ºC<br />

Roll out the dough (which is<br />

easier done in two halves) on<br />

a floured surface to a finger<br />

nail thickness<br />

<br />

<br />

<br />

<br />

Cut out rounds with a biscuit<br />

cutter or, as I always do, with<br />

the top of a glass to the<br />

desired size of biscuit<br />

Bake for 10-15 minutes until<br />

just brown and firm to the<br />

touch<br />

They will be soft when first<br />

out of the oven so leave them<br />

for a few minutes and then<br />

transfer to a rack to cool and<br />

harden<br />

If you feel decorative, you can<br />

dribble icing sugar mixed with<br />

lemon juice or orange juice<br />

over them.<br />

I am not giving a recipe for a honey<br />

cake this year but the following two<br />

recipes are representative.<br />

The honey tea cake/bread is<br />

excellent at tea time, served sliced<br />

and spread with butter or just on its<br />

own, and the apple charlotte is a<br />

light, easy to eat dessert<br />

Honey Tea Cake<br />

Ingredients:<br />

<br />

<br />

<br />

<br />

75g sultanas<br />

75g raisins<br />

75g dried cranberries<br />

150ml green tea<br />

Method:<br />

Soak the dried fruit, tea and<br />

honey in a bowl either overnight<br />

or for at least four hours<br />

Put oven on at 150ºC<br />

Line a 2 lb loaf tin or two 1lb<br />

loaf tins<br />

Mix the flour into the fruit<br />

mixture<br />

Add the beaten egg and melted<br />

butter. Beat well until well<br />

mixed together<br />

Pour into the prepared loaf tin<br />

[ s ] a n d b a k e f o r<br />

approximately 45/50 minutes<br />

Meanwhile prepare the<br />

topping. Mix the topping<br />

ingredients together and just<br />

when the cake comes out of<br />

the oven, heat the topping<br />

mixture gently and sprinkle<br />

over the top of the cake and<br />

return to the oven for a<br />

further 15-20 minutes.<br />

Remove from the oven and<br />

leave to cool.


Apple Charlotte<br />

Ingredients:<br />

<br />

<br />

<br />

<br />

<br />

Method:<br />

<br />

<br />

<br />

<br />

<br />

<br />

3 or 4 Bramley cooking apples<br />

4 oz sugar (granulated or<br />

brown)<br />

1 lemon<br />

4 oz breadcrumbs<br />

2 oz butter or margarine<br />

Peel, core and slice the<br />

apples. Add a little water and<br />

the sugar and stew gently<br />

until soft<br />

Add the grated rind and the<br />

juice of the lemon<br />

Grease a fireproof dish and<br />

thickly layer with the breadcrumbs,<br />

then half the cooked<br />

apple<br />

Repeat the layers, finishing<br />

with a top layer of<br />

breadcrumbs<br />

Dot with the butter or<br />

margarine and bake in a hot<br />

oven at 190ºC until the top is<br />

brown and crispy<br />

You can easily double up the<br />

ingredients to make a larger<br />

dessert or make individual<br />

ones by layering up ramekin<br />

dishes and baking at 180ºC<br />

Yom Tovim Food<br />

Titbits<br />

It is usual to eat a pomegranate at<br />

this time of year because hopefully<br />

our good deeds in the forthcoming<br />

year will be as plentiful as the many<br />

seeds.<br />

Here are a couple of ideas to use<br />

them:<br />

<br />

<br />

<br />

Cut a pomegranate into slices<br />

and serve with apple slices<br />

drizzled with honey to toast in<br />

the New Year<br />

Scatter pomegranate seeds<br />

over salads or desserts<br />

Make a salad dressing by<br />

whisking together ¼ cup of<br />

each pomegranate molasses,<br />

balsamic vinegar, olive oil and<br />

honey together with 1tbs of<br />

Dijon mustard and lemon<br />

juice<br />

Round cholas are eaten, rather than<br />

the long braided ones, to hope and<br />

wish for a full round year ahead.<br />

These are often baked with raisins<br />

for added sweetness

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