Hatsumi Masaaki - Stick fighting

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Technique 46 Taiboku taoshi 128 Technique 47 Tawara taoshi 130 SECTION 7 Techniques against <strong>Stick</strong> Holding 131 Technique 48 86 gaesh1 132 Techn1que 49 Koku 133 Technique 50 Awase nage 134 Vanation 1 135 Variation 2 135 Techn1que 51 Tomoe gaeshi. ashi dori osae 136 SECTION 8 Immobilizations 139 lmmob11izat1on 1 Jo-wan ori 140 Immobilization 2 Hiji ori 140 Immobilization 3 Zen-wan ori 140 Immobilization 4 Sokkotsu ori 141 Immobilization 5 Ryo-te ori 141 Immobilization 6 0 gyaku 142 Immobilization 7 Shinto 143 Glossary 145
Introduction WE HAVE OFTEN wondered why the stick as a weapon has been so neglected in recent years Inevitab ly, traditional forms of hand to-hand combat were preJud iced by the increasing use o f firea rms. and yet, in spite of this. boxing, wrestling, fencing, and archery have all survived and even flour IShed 1n their sport forms Until the early part of the nineteenth century in England, th e art of the quarter stave was an essential part of a man's education. and it con ti nued to be practiced until very recently by the Boy Scou ts. However. in general it is a forgotten art. and even among the pol1ce-the only people perm1tted by law to carry a sticl( as a weapon the standard of techn1que is lamentably primitive Someone may well object. "Why should st1ck f1ghting be revived? Surely there are enough weapons already Without remtroducing an art that has fallen 1nto d isuse 7" The answer I think is simple. In every soc1ety there are people who resort to v1olence to cheat and molest innocent VICtims. If you became such a victim. you would have no WISh to submit. and if you saw someone else being attacked. you would feel bound to go to his assistance If you are armed. of course. you will stand a much better chance. But wh1ch weapon would you choose 7 A gun is certamly effective. but it IS lethall y so. A kntfe IS undoubtedly expedient. but 1f you use one. you are forced to kill or maim. On the other hand. let us not go to the other ex treme and say of an armed assai lant that he is merely psychologically disturbed and th at we must avotd hurting him Our aim. then. ts to de fend ourselves adequately. and at the S
Page 2: stick fighting
Page 5 and 6: Distributed m the UMed States by Ko
Page 7: SECTION 4 Techniques against Wrist
Page 11 and 12: umbrella, whereas 1f you happen to
Page 13 and 14: 1 2 Hira ichimonji no kamae
Page 15 and 16: BASIC MOVEMENT 1 Naname ushiro omot
Page 17 and 18: BASIC MOVEMENT 2 Naname mae ura wak
Page 19 and 20: BASIC MOVEMENT 3 Naname mae omote w
Page 21 and 22: BASIC MOVEMENT 4 Mawashi kote uchi
Page 23 and 24: BASIC MOVEMENT 5 Mawashi kote uchi
Page 25 and 26: BASIC MOVEMEN T 6 Kate uchi omote "
Page 27 and 28: BASIC MOVEMENT 7 K ote uchi ura "St
Page 29 and 30: BASIC MOVEMENT 8 Kata-te tsuki "One
Page 31 and 32: An iron weapon su1tclble 101 tile E
Page 33 and 34: TECHNIQUE 1 Tsuke iri "Inserting th
Page 35 and 36: TECHNIQUE 2 Koshi Of/ "Breaking the
Page 37 and 38: TECHNIQUE 3 Ganseki otoshi "Droppin
Page 39 and 40: 3 VARIATION 1 Gansek1 otosh1 makiko
Page 41 and 42: 3 VARIATION 2 Ganseki otoshi garami
Page 43 and 44: TECHNIQUE 4 Oni kudaki " Crushing t
Page 45 and 46: 4 VARIATION 1 ..,.. , Adversary atl
Page 47 and 48: 4 VARIATION 3 ..,.. 1 Adversary att
Page 49 and 50: TECHNIQUE 5 Gyaku ude garami "Entan
Page 51 and 52: TECHNIQUE 6 Kyokotsu kudaki "Crushi
Page 53 and 54: TECHNIQUE 7 Ryo-ashi dori "Seizing
Page 55 and 56: TECHNIQUE 8 Koch6 dori "Catching a
Page 57 and 58: TECHNIQUE 9 Eda koppo "Attackmg the
Page 59 and 60:
TECHNIQUE 10 Kata-te nage ornate "O
Page 61 and 62:
TECHNIQUE 1 1 Kata-te nage ura "One
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Striking Actions • Step to one si
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12 VARIATION 1 In th1s variation yo
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TECHNIQUE 14 Ashi garamt " Entangli
Page 69 and 70:
TECHNIQUE 16 Ashi gatame "Pressing
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A woodon Wl?apon su1table for the f
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TECHNIQUE 17 Ude garami "Entangling
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VARIATION 1 Ude garami omote 17 "En
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TECHNIQUE 19 Kyojitsu "Feinting" It
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TECHNIQUE 20 Ude gaeshi " Turnrng t
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TECHNIQUE 21 Take ori "Breaking bam
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TECHNIQUE 22 Ryo-te dori "Seiztng b
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TECHNIQUE 23 Hon gyaku jlme "Main r
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TECHNIQUE 24 Kata-te jime "Constric
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TECHNIQUE 25 Ude kujiki " Wrenching
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TECHNIQUE 27 Tsure dori " Arresting
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TECHNIQUE 28 Ude gatame, gyaku zeoi
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TECHN IQUE 29 Ryufu " Dragon wind"
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TECHNIQUE 30 Shibari koshi ori "Tyi
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A Jurte
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TECHNIQUE 32 Hiki otosht "Pulling d
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TECHNIQUE 33 Tsuki otoshi "Stnking
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TECHNIQUE 35 Hiki taoshi "Pulling a
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TECHNIQUE 37 Nage kaeshi "Throwing
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TECHNIQUE 38 06 gaeshi "Throw by pr
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TECHNIQUE 39 Gyaku zeoi " Shoulder
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TECHNIQUE 40 Uchi taoshi "Pulling a
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TECHNIQUE 41 Ryo te garami don "Se1
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TECHNIQUE 42 Kataginu 3 Release you
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TECHNIQUE 43 Ganseki dome "Stopptng
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;' I l A jutle
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TECHNIQUE 44 Ushiro dori tsuke iri
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TECHNIQUE 45 Benket dori " Seizmg t
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7-9 Turn to your nght and step your
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TECHNIQUE 46 Taiboku taoshi " Throw
Page 131 and 132:
TECHNIQUE 47 Tawara taoshi "Throwmg
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TECHNIQUE 48 "Changing Bo gaesht di
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TECHNIQUE 50 Awase nage "Meetmg thr
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TECHNIQUE 51 T omoe gaesh1: as hi d
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Strrke wrth r~ot1t- hand end ol rll
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I M MO 8 I LIZA TION 1 Ji5-wan ori
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IMMOBILIZATION 6 6 gyaku " Big reve
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Glossary Arashi. n. storm. Ashr n l
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Rvo· adj both Rvu. n. dragon. Rvo
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Hatsumi Masaaki - Stick fighting

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