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National Nutcracker Lesson 8

Let's Really Dance. In this lesson complete, refine and rehearse your creative challenge.

Let's Really Dance. In this lesson complete, refine and rehearse your creative challenge.

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THE CREATIVE CHALLENGE TASK<br />

As discussed at the INSET, you and your dancers<br />

are tasked with creating a dance of no more than<br />

five minutes based on one of the themes below<br />

from The <strong>Nutcracker</strong>:<br />

1. Visiting faraway lands<br />

2. Transformed by magic<br />

3. Let the battle commence<br />

The core focus of this activity is creative dance.<br />

We have made suggestions about the theme and<br />

the choice of music you might use to allow you to<br />

keep your focus on the development and creation<br />

of your dance. How you manage to develop your<br />

ideas in your dance will be the most important part<br />

of the assessment process.<br />

Midway through, you will submit footage of your<br />

dance so far to the Royal Opera House, with a<br />

brief description of how you have interpreted your<br />

chosen theme. You will then receive feedback<br />

from experts in the field to assist your class in<br />

their preparation for the final submission. This<br />

is also a good opportunity to ask for help on<br />

specific sections of your dance that you may need<br />

guidance/advice with.<br />

Depending upon how much class time and<br />

cross-curricular activity you choose to do, you may<br />

also consider:<br />

• Securing and booking a rehearsal space<br />

• Fitting rehearsal sessions into your school<br />

calendar<br />

• Costume design<br />

• Use of props<br />

• Building sets<br />

Staging your performance<br />

WHAT MAKES A GOOD DANCE<br />

LESSON STRUCTURE?<br />

Warm-up<br />

Creative exploration<br />

Performance<br />

Appreciation and reflection<br />

Cool down<br />

Questions you could ask your dancers after the<br />

lesson could include:<br />

• How did you feel at the beginning/middle/<br />

end of the lesson?<br />

• Which was your favourite part? Why?<br />

• Did you like (insert some example from<br />

the lesson) and if so, why?<br />

• How might we develop the ideas next time?<br />

• What do we need to improve?<br />

• What do you need to improve?<br />

Always include some of the ideas you have relating<br />

to your chosen themes in each warm-up and task.<br />

Record all the dances and moments of<br />

choreography that emerge during your session and<br />

allow yourself time to review it outside the session.<br />

Ask yourself these questions:<br />

• What looks good / what do you enjoy<br />

watching the most?<br />

• What did the children appear to enjoy the<br />

most?<br />

• Which dancers are emerging as particularly<br />

responsible and capable?<br />

Make a note of all these points as this will<br />

help you decide what to do in your<br />

subsequent sessions.<br />

We highly recommend that your class is given the<br />

opportunity to perform in front of a live audience<br />

at your school, as part of a school assembly or the<br />

Christmas show.<br />

PAGE 5


RESOURCES KEY<br />

Digital resource: <strong>National</strong><br />

<strong>Nutcracker</strong> film<br />

Look out for the Arts Award logo<br />

for parts of the programme that<br />

fit with Discover & Explore<br />

Your chosen theme<br />

Choreographic ideas, tasks for<br />

your chosen theme based on your<br />

INSET experience<br />

Music from The <strong>Nutcracker</strong> –<br />

found in the resources bank on<br />

The Royal Opera House website<br />

A means of capturing and<br />

reviewing the movement material<br />

created during the lesson<br />

Clear empty space, free of<br />

obstructions, such as school hall<br />

Children to wear PE kit and have<br />

bare feet for practical session<br />

Copies of ballet mime images<br />

Record of material created at<br />

previous four lessons<br />

Costumes<br />

PAGE 10


LESSON: LET’S REALLY DANCE<br />

8<br />

LESSON OUTCOMES<br />

To complete, refine and<br />

rehearse the dance<br />

To work as a team to<br />

achieve the best<br />

possible creative<br />

outcome<br />

To make decisions<br />

about preferences and<br />

describe the reasons for<br />

them<br />

CREATIVE CHALLENGE PROGRESS<br />

The focus of this week is rehearsing and tidying up<br />

any areas that look messy or unsure. If the music<br />

has only recently been chosen, then the dancers will<br />

need to become familiar with it. It may also mean<br />

that certain moments in the music can be identified<br />

as good prompts for entrances, exits and action.<br />

Further to this the focus now is on presentation<br />

skills, how faces, eyes, body etc. are used to convey<br />

the meaning of your dance. Children are encouraged<br />

to give positive feedback and encourage each other<br />

in their contribution to the dance as a whole.<br />

RESOURCES NEEDED FOR THE LESSON<br />

©ROH/Bill Cooper, 2012


STARTER<br />

Watch Episode 8 with the class and ask the<br />

following questions;<br />

• What does Drosselmeyer do and how do<br />

you know?<br />

• How does a character artist use their body<br />

to tell the story?<br />

• What is the spell that has been put on the<br />

<strong>Nutcracker</strong> doll?<br />

WARM-UP<br />

Do a warm-up game that allows the dancers to<br />

think about their performance skills.<br />

Think back to the games from the INSET that were<br />

useful for focus and the projection of movement<br />

such as the 1-10 game and follow my leader, where<br />

big movements lead to huge movements.<br />

You can also identify a moment from your dance<br />

and get the dancers to stand in a freeze-frame,<br />

each dancer then has to think about how they can<br />

improve the shape they are making and to think<br />

about where they are looking.<br />

CREATIVE EXPLORATION<br />

Give the dancers plenty of opportunity to listen<br />

to the music and to know it really well in relation<br />

to different moments in the dance. Listening to<br />

the music and talking through exits/entrances and<br />

actions can be really helpful. You can do this in the<br />

classroom too.<br />

• As a class, share the refined sections of the<br />

dance and run it through from beginning to<br />

end.<br />

• Prepare the class for filming next week.<br />

Discuss the cinema screening they will see in<br />

December and how the professional dancers<br />

might prepare for their own performances.<br />

TOP TIPS<br />

If you have decided that there is one more strategy<br />

you would like to try our with your dancers to help<br />

organize the dance material you have developed<br />

so far, make sure you have a clear plan of how to<br />

implement the adjustment.<br />

This week also provides the opportunity to tidy<br />

up any entrances and exits the dancers need to<br />

make. It is hoped that as the dance begins to take<br />

a clearer shape, teachers will begin to focus on<br />

rehearsal and performance skills.<br />

WANT MORE?<br />

Rehearsing can sometimes feel rather dull<br />

compared to the process of creating/devising, so it<br />

might be good to intersperse your rehearsals with<br />

short film clips, such as the character of the Queen<br />

of Hearts being created in the rehearsal room for<br />

The Royal Ballet’s production Alice’s Adventures in<br />

Wonderland or ask which is their favourite <strong>National</strong><br />

<strong>Nutcracker</strong> film and watch it again.<br />

http://bit.ly/1VgwxwS<br />

• Encourage dancers to start thinking about<br />

performance skills and dancing in character.<br />

Have the trios and duets perform in front of<br />

each other to help improve the dance.<br />

• Encourage the dancers to move with greater<br />

clarity and energy: really stretched arms and<br />

legs or with curves, or generally with greater<br />

energy.

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