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XJTLU 2015-16 FYP Folio Bian Zhifan

XJTLU 2015-16 FYP Folio Bian Zhifan / brief E: Places of Transition tutors: Claudia Westermann and Aleksandra Raonic

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Final Year Project Portfolio<br />

Places of Transition | Shanghai Baoshan | <strong>2015</strong>-20<strong>16</strong><br />

<strong>Bian</strong> <strong>Zhifan</strong><br />

ID Number: 1202002<br />

Tutors: Claudia Westermann & Aleksandra Raonic<br />

Xi'an Jiaotong Liverpool University


Final Year Project Portfolio<br />

Places of Transition | Shanghai Baoshan | <strong>2015</strong>-20<strong>16</strong><br />

<strong>Bian</strong> <strong>Zhifan</strong><br />

ID Number: 1202002<br />

Tutors: Claudia Westermann & Aleksandra Raonic<br />

Xi'an Jiaotong Liverpool University


Content<br />

Site analysis<br />

Yangtze River<br />

Research on navigation<br />

Project description<br />

Concept<br />

Plan<br />

Section<br />

Perspectives<br />

Elevation<br />

Structure and materiality<br />

Concept development<br />

1 - 4<br />

5 - 8<br />

9 - 12<br />

13 - 18<br />

19 - 26<br />

27 - 30<br />

31 - 35<br />

36 - 39<br />

40 - 44<br />

45 - 47<br />

48 - 50<br />

Appendix<br />

Improved works<br />

Oiginal posters<br />

51 - 59<br />

60 - 65<br />

Within the chaos, are we beginning to recognize that there is a kind of<br />

hidden order?<br />

--------------------------------------------------------------------------------Yoshinobu Ashihara


The East Sea<br />

Site<br />

Functions<br />

The Site is located at Baoshan<br />

District, the north of Shanghai.<br />

Baoshan as the entrance of<br />

Shanghai consists of various<br />

functions, such as steel<br />

industry, and has history of anti-<br />

Japanese War. The site, facing<br />

to Yangtze River, is near a park<br />

and residential area.<br />

Gas-turbine Power Plant<br />

Industrial Wharf<br />

Warehouse for icon<br />

Steel Factories<br />

Linjiang Park<br />

Site<br />

International Terminal<br />

Residential area<br />

Paotaiwan Wetland Park<br />

1


Site<br />

activities, views & destinations<br />

Chaotic movements exist in<br />

Shanghai for centuries. Fast transition<br />

happens near the site along with the<br />

movement. The area was transformed<br />

from agricultural land to industry and<br />

back to residential and green space.<br />

The expansion of the Cruise Port<br />

nearby offers opportunities to rethink<br />

Baoshan as a transition point. It is the<br />

entrance and departure to and from<br />

Shanghai, Chongming Island and<br />

the sea. On the site, there is also a<br />

transition from land to water, from solid<br />

to fluid.<br />

Diverse activities happen on the<br />

site. Travellers, tourists and local<br />

residents come to the site with various<br />

purposes, along with different traces<br />

of movement and different staying<br />

time. On the site, the view keeps<br />

changing. The site is half on land and<br />

half on the Yangtze River. Many tourists<br />

coming from the center of Shanghai<br />

or other province on weekends. The<br />

International Terminal at the east of<br />

the site provides the sailing route to<br />

Korea, Japan and southeast Asian as<br />

well.<br />

3


Research<br />

water system & transportation<br />

The site has its special location<br />

at the estuary of Yangtze River.<br />

After the Treaty of Nanjing, 1840,<br />

Shanghai was opened as the<br />

first five treaty ports of China.<br />

Western goods were transported<br />

to Shanghai and the Jiangnan<br />

Region via the long-term<br />

developed water system.<br />

Wuhan<br />

Nanjing<br />

Shanghai<br />

Tibet Plateau<br />

Chongqing<br />

Yichang<br />

Yibing<br />

Based on the water system, western goods could be transported to the inland of China<br />

regardless of the changes of terrain. It was used to be the most efficient transportation<br />

approach. Several big cities, Shanghai, Nanjing, Wuhan, Chongqing, were formed and<br />

grew along the Yangtze River.<br />

5


Yangtze River<br />

Sailing history<br />

The transportation approach<br />

on Yangtze River started two<br />

thousand years ago, from raft<br />

to engine powered ship, from<br />

food transportation, river war<br />

to passenger transportation<br />

and trade.<br />

7


Navigation<br />

History<br />

Raft<br />

Polaris<br />

475<br />

BC<br />

Canoe<br />

Plank-built Boat<br />

221<br />

BC<br />

Sinan<br />

Windsurfing Steering Control Separate Cabin<br />

Castle on Boat<br />

202<br />

BC 220 618 907<br />

960<br />

Wheel Propeller Ship<br />

Sha Ship<br />

Steamship<br />

Bao Ship Engine Powered Ship<br />

Magnetic Needle Marine Compass<br />

Compass<br />

Qianxing Board Nautical Map Sextant<br />

12<br />

79<br />

13<br />

68<br />

<strong>16</strong><br />

44<br />

17<br />

30<br />

18<br />

02<br />

Current Ships<br />

20 <strong>16</strong><br />

1<br />

2<br />

1. The sextant priciple<br />

2. The sextant model<br />

3. Concept drawing<br />

Imitate the sailing<br />

feeling on the<br />

ocean. Circulation is<br />

navigated inside the<br />

Warring State Han Dynasty Tang Dynasty Song Dynasty Ming Dynasty Western exploration (Marco Polo)<br />

11<br />

building.<br />

3<br />

12


Navigation Building Navigation museum & Terminal<br />

Brief investigates possibilities for new concepts for places of transition. Transition usually suggest movement and<br />

are associated with passagers, but also with boundaries and in-between spaces. The brief points to explore the<br />

potential of the in-between space, the third space, and to link the relationship between arrival and departure.<br />

Shanghai as the International metropolis, owning compelling historical scenery of passengers and migrants, fuzzy<br />

routes and chaotic movements. The project aims to respond to the transitional place of Shanghai. How to make it<br />

possible that spaces of the building were able to record all travellers, all their thoughts, hopes and dreams, and all<br />

scenes of people coming and going? How could we address different but coexisting concepts of time -- fast time<br />

and slow time, waiting time, travelling time, flowing time, infinitely?<br />

How to feel time: write<br />

How to escape time: walk<br />

How to release time: breathe<br />

How to travel in time: experience<br />

13 14


Project description<br />

N<br />

Site plan<br />

0 5 10 20 50<br />

Model photos<br />

1. Wall & navigation<br />

2. Site model<br />

3. Circulation<br />

Site model<br />

Starting from navigation, the project aims<br />

to turn the architecture to a navigation<br />

machine. The building explains the history in<br />

the museum and navigate people to imagine<br />

the future. The building works on navigation<br />

from two aspects, exterior and interior. It<br />

navigates objects outside it or distant from it<br />

to determine the location. In addition, from<br />

interior, people’s walking is navigated inside<br />

the building. Two circulations in the navigation<br />

museum and terminal are guided through<br />

specific architectural elements, such as walls<br />

and openings. According to the principle of<br />

sextant, spaces are divided and rearranged<br />

to fit program requirements. The architecture<br />

itself can inspire visitors’ aesthetic experience<br />

based on their daily experience.<br />

As there is an original rhythm on the site, the<br />

building’s construction establishes its own<br />

rhythm while taking replace of old rhythm. It<br />

creates the aesthetic experience and forms<br />

a new built environment instead. However,<br />

the building respects the context to a large<br />

extent. Some walls decline to the ground level<br />

as the landscape or furniture to navigate<br />

people from exterior, which merges with the<br />

natural environment.<br />

15 <strong>16</strong>


Transition<br />

Past - Future<br />

Arrival - Depature<br />

Stay - Go through<br />

Navigation Museum<br />

14<br />

It recalls people of the sailing memory and leads<br />

them to the future. Through the development of<br />

transportation, shipping may be taken replaced<br />

in the future. The museum attempts to imitate the<br />

feeling of travelling on the water.<br />

Manmen Port<br />

Baozhen Port<br />

Terminal<br />

At the entrance of Shanghai, the estuary of<br />

Yangtze River, the terminal can provide both<br />

traveling to Chongming Island and passenger<br />

Existing route<br />

Travelling route<br />

transportation in the future. Services are provided<br />

in the terminal.<br />

17<br />

18


Sextant principle<br />

Transform the sextant into architectural navigation device<br />

Sextant principle<br />

Transform the sextant into architectural navigation device<br />

The sextant uses fixed and moved mirror to help determine the<br />

solar altitude. Through recording its movement, the movement<br />

of rocker arm swing in a large angle to find the general point in<br />

The end of rocker arm represents people's movement which<br />

is led by the movement of rocker arm in order to decide the<br />

latitude through light reflection.<br />

order to make sure the solar altitude.<br />

19 20


Sextant principle<br />

Transform the sextant into architectural navigation device<br />

Sextant principle<br />

Transform the sextant into architectural navigation device<br />

People's movement is navigated between rocker arms with the<br />

rotating moved mirror. It means the circulation is guided on the<br />

basis of moved mirror in response to the fixed one.<br />

The fixed mirror works as the main navigating wall.Rotating<br />

mirror are recorded on their movement and are divided to<br />

guide people's movement within them.<br />

21 22


Ocean navigation<br />

坎<br />

艮<br />

震<br />

Yangtze River<br />

乾<br />

巽<br />

兑<br />

坤<br />

离<br />

City center of Shanghai<br />

1. Points<br />

2. Direction<br />

5. Circulation<br />

6. Space<br />

Connecting the site with three points<br />

where is important for sailing, navigation<br />

and the context. Qian pointing to<br />

Yangtze River is the direction of<br />

Nanjing and Taicang where Zhenghe's<br />

expendition to the west started. It also<br />

represents the Sky. Kun pointing to the<br />

city center of Shanghai represent the<br />

earth. Thus, Qian and Kun is the universe.<br />

Zhen is the thunder pointing to the<br />

ocean.<br />

After deciding the direction, one<br />

direction is set as the fixed mirror in<br />

sextant, which is the most fixed element.<br />

Other two directions are adjusted<br />

parapelled according the the site.<br />

Circulation is organized as well as wall<br />

arrangement and division. Wall is used<br />

to navigate walking while providing<br />

diverse views.<br />

Walls divide the site and form new<br />

spaces in a continusous way. Different<br />

height of space are flowly connected<br />

by spaces, ramps or staircases. People's<br />

walking experience is not interruppted.<br />

3. Sextant principle 4. Walls<br />

7. Double walls 8. Landscape<br />

Build the fixed wall and then fit the<br />

sextant principle onto the site. Use the<br />

two decided directions to start rotate as<br />

the sextant.<br />

Walls are formed based on the rotated<br />

orientational lines. Walls are used to<br />

navigate visitors' traveling in the building<br />

which works as a nagivational machine.<br />

The function of wall is not only dividing<br />

space, but also navigating walking and<br />

creating functional spaces, such as<br />

toilet or elevators.<br />

The wall navigates people to the<br />

entrance from the exterior. Walls can<br />

also create landscape and fit the whole<br />

building with the flat ground and to the<br />

river level.<br />

23 24


Concept model<br />

Sextant principle<br />

Develop model<br />

Sextant principle<br />

The sextant is an optical instrument utilizing light reflection to measure solar altitude and<br />

deduce local latitude. The model is made based on sextant principle.<br />

Based on the sextant principle and the concept model. two points are set on site as the<br />

central point along with totating extending walls. Walls can be adapted on the length,<br />

height and position with the restrict of sectant principle.<br />

Look through the telescope to the central point of the fixed mirror and match it with the<br />

skyline. The moved mirror can be rotated to adjust sunlight and allow sunlight reflect on the<br />

central point of the fixed mirror as well. When the sunlight and skyline meet together, the<br />

solar altitude is determined.<br />

25 26


C<br />

1. Entrance of museum<br />

2. Ticket desk<br />

3. Courtyard<br />

4. Exhibition area<br />

5. Experience room<br />

6. Vedio room<br />

7. Exhibition area<br />

8. Relaxation area<br />

9. Courtyard<br />

10. Exhibition area<br />

11. Relaxation area<br />

12. Locker<br />

13. Exit of museum<br />

14. Lobby of terminal<br />

15. Ticket<br />

<strong>16</strong>. Safety check<br />

17. Cafe<br />

18. Waiting area<br />

19. Ticket gate<br />

20. Office of the terminal<br />

21. Courtyard<br />

22. Second waiting area<br />

23. Platform<br />

24. Operation room<br />

25. Bookstore<br />

26. Courtyard<br />

Tectonic model<br />

A<br />

B<br />

Exploded Axonometric drawing<br />

Detail construction<br />

A'<br />

B'<br />

N<br />

N<br />

0 1 2 5 10 0 1 2 5<br />

10<br />

C'<br />

Underground floor +1m First floor +3m


27. Exhibition area<br />

28. Office area of the museum<br />

29. Relaxation area<br />

30. Toilet<br />

31. Cafe on second floor<br />

32. Platform (roof of the port)<br />

33. Exhibition area<br />

34. Kitchen<br />

35. Coffee bar<br />

N<br />

N<br />

0 1 2 5 10<br />

0 1 2 5<br />

10<br />

Second floor +7.5m Third floor +11m


Section AA'<br />

0<br />

1<br />

2<br />

5<br />

10<br />

Section BB'<br />

0<br />

1<br />

2<br />

5<br />

10<br />

31 32


Section CC' 0 1 2 5 10<br />

33 35


Entrance to the museum<br />

View inside the navigation museum<br />

37


Inside the terminal, the waiting area<br />

On the terrace of the building and have view to Yangtze River<br />

38


South elevation<br />

North elevation<br />

40 41


East elevation<br />

West elevation<br />

42


Materiality<br />

Concrete is used as the primarily material for load-bearing walls. Exposed concrete<br />

is the main material used in the navigation museum and the terminal.<br />

Steel is used to support few parts of structures without blocking people's view.<br />

Timber, the soft material, is used as pavement in the terminal for distinguishment.<br />

Tectonic model<br />

To work with exposed concrete calls for technical precision of the highest order, especially<br />

where the architecture’s character is determined by the material’s special qualities.<br />

-----------------------Pfeifer, 2005<br />

45 46


Exploded axonometric drawing<br />

47<br />

1:200 Model


Model photos<br />

Concept model on site with navigation devices<br />

49


Appendix<br />

Improvement<br />

The transportation approach<br />

on Yangtze River started two<br />

thousand years ago, from raft<br />

to engine powered ship, from<br />

food transportation, river war<br />

to passenger transportation<br />

and trade.<br />

Original detail<br />

Imrpovement 1<br />

The detail is improved on the load-bearing<br />

wall and drainage pipe.<br />

The concrete load-bearing walll is<br />

changed from external to internal.<br />

Exposed concrete board is hung externally<br />

with special treatment at the bottom to<br />

avoid coanda effect.<br />

Drainage pipe is put at the bottom in<br />

front of the wall to lead rain water without<br />

accumulation.<br />

23-27<br />

1) Planting<br />

2) 120mm Substrate<br />

3) 10mm Filter fleece<br />

4) 60mm Drainage layer<br />

5) 10mm Filter fleece<br />

6) 250mm Rigid insulation<br />

7) 10mm Waterproof layer<br />

8) 300mm Concrete slab<br />

9) 250mm Concrete beam<br />

10) 10mm Floor finish<br />

11) 75mm Floating screed with mesh<br />

reinforment<br />

12) 10mm Waterproof layer<br />

13) 50mm Rigid insulation<br />

14) 300mm Concrete floor<br />

15) 10mm Waterproof layer<br />

<strong>16</strong>) 450mm Reinforcement concrete slab with<br />

800*300mm thicken at edges<br />

17) Compressed soil<br />

18) Loose gravel<br />

19) Sheet metal skirting<br />

20) Double glass<br />

21) Parapet capping<br />

22) Drainage pipe<br />

Improved detail<br />

23) 300mm Concrete load-bearing wall<br />

24) 10mm Waterproof layer<br />

25) 100mm Insulation<br />

26) Secondary supporting structure<br />

27) Hanging exposed concrete board<br />

52


Section AA'<br />

Improved section AA'<br />

Section BB'<br />

Improved section BB'


Section CC'<br />

Improved section CC'<br />

Improvement 2<br />

Sections are improved to show the interior programme with people's activities.<br />

Sections show activities and exhibition areas with particular programme, such as<br />

the navigation museum and the bookstore.<br />

55 57


Improvement 3<br />

The circulation in navigation museum is<br />

improved. In original circulation, when<br />

visitors walk onto the third floor, they enter<br />

a semi-open area. The improvement plan<br />

avoid sending people outside and then<br />

inside on the third floor.<br />

Improvement 4<br />

The circulation path of navigation museum<br />

and terminal is showed on the diagram<br />

separatedly. The circulation of navigation<br />

museum is on the first and third floor and<br />

the circulation of terminal is on the second<br />

floor.<br />

Terminal circulation<br />

Original thrid floor<br />

Museum circulation<br />

Reference<br />

Ashihara, Y., 1992, The Hidden Order: Tokyo Through the<br />

Twentith Century. Tokyo: Kodansha International.<br />

58<br />

Improved third floor<br />

The circulation diagram<br />

Pfeifer, G., 2005, Exposed concrete, Technology and<br />

Design, Birkhäuser 59


Industrial Wharf<br />

ARC 304 Fnial Year Project<br />

Navigational building<br />

Name: <strong>Bian</strong> <strong>Zhifan</strong><br />

ID Number: 1202002<br />

Tutor: Claudia Westermann & Aleksandra Raonic<br />

The East Sea<br />

Gas-turbine Power Plant<br />

Warehouse for icon<br />

Steel Factories<br />

Manmen Port<br />

Linjiang Park<br />

Site<br />

International Terminal<br />

Residential area<br />

Paotaiwan Wetland Park<br />

Baozhen Port<br />

Existing route<br />

Travelling route<br />

Navigation Museum<br />

Navigation museum recalls people of the memory and leads them to the future. Through<br />

the development of transportation, shipping is going to be taken replaced in the future.<br />

The museum imitate feeling of travelling on the sea.<br />

Terminal<br />

At the entrance of Shanghai, the estuary of Yangtze River, the terminal can provide both traveling<br />

to Chongming Island and passenger transport in the future. Services are provided in the terminal.<br />

Bird view to the building<br />

Ocean navigation<br />

Connecting the site with three points<br />

where is important for sailing,<br />

C<br />

Yangtze River<br />

乾<br />

坎<br />

艮<br />

震<br />

巽<br />

navigation and the context. Qian<br />

pointing to Yangtze River is the<br />

direction of Nanjing and Taicang<br />

兑<br />

坤<br />

离<br />

where Zhenghe's expendition to the<br />

west started. It also represents the<br />

Sky. Kun pointing to the city center of<br />

Shanghai represent the earth. Thus,<br />

Wuhan<br />

Nanjing<br />

Shanghai<br />

City center of Shanghai<br />

Qian and Kun is the universe. Zhen is<br />

the thunder pointing to the ocean.<br />

Tibet Plateau<br />

Chongqing<br />

Yichang<br />

Yibing<br />

After deciding the direction, one<br />

direction is set as the fixed mirror<br />

in sextant, which is the most fixed<br />

element. Other two directions are<br />

adjusted parapelled according the the<br />

site.<br />

Windsurfing<br />

Canoe<br />

Castle on Boat Plank-built Boat Raft<br />

Steering Control<br />

Separate Cabin<br />

Wheel Propeller Ship<br />

475<br />

BC<br />

Polaris<br />

221<br />

BC<br />

Sinan<br />

202<br />

BC<br />

220<br />

618<br />

907<br />

960<br />

Compass Marine Compass Magnetic Needle<br />

Warring State<br />

Han Dynasty<br />

Tang Dynasty<br />

Build the fixed wall and then fit the<br />

sextant principle onto the site. Use<br />

the two decided directions to start<br />

rotate as the sextant.<br />

Walls are formed based on the<br />

rotated orientational lines. Walls are<br />

used to navigate visitors' traveling<br />

in the building which works as a<br />

nagivational machine.<br />

Circulation is organized as well as<br />

wall arrangement and division. Wall<br />

is used to navigate walking while<br />

providing diverse views.<br />

B<br />

A<br />

Steamship Sha Ship<br />

Bao Ship<br />

Sextant<br />

Qianxing Board<br />

12<br />

79<br />

13<br />

68<br />

Nautical Map<br />

<strong>16</strong><br />

44<br />

17<br />

30<br />

18<br />

02<br />

Song Dynasty<br />

Ming Dynasty<br />

Walls divide the site and form new<br />

spaces in a continusous way. Different<br />

height of space are flowly connected by<br />

spaces, ramps or staircases. People's<br />

walking experience is not interruppted.<br />

The function of wall is not only<br />

dividing space, but also navigating<br />

walking and creating functional<br />

spaces, such as toilet or elevators.<br />

Detail construction<br />

A'<br />

C'<br />

B'<br />

Engine Powered Ship<br />

The wall navigates people to the<br />

entrance from the exterior. Walls can<br />

also create landscape and fit the whole<br />

building with the flat ground and to the<br />

61<br />

Current Ships<br />

20 <strong>16</strong><br />

Western exploration (Marco Polo)<br />

river level.<br />

Entrance to the museum<br />

View inside the navigation museum


Exploded drawing 1: 100<br />

1. Entrance of museum<br />

2. Ticket desk<br />

3. Courtyard<br />

4. Exhibition area<br />

5. Experience room<br />

6. Vedio room<br />

7. Exhibition area<br />

8. Relaxation area<br />

9. Courtyard<br />

10. Exhibition area<br />

11. Relaxation area<br />

12. Locker<br />

13. Exit of museum<br />

14. Lobby of terminal<br />

15. Ticket<br />

<strong>16</strong>. Safety check<br />

17. Cafe<br />

18. Waiting area<br />

19. Ticket gate<br />

20. Office of the terminal<br />

21. Courtyard<br />

22. Second waiting area<br />

23. Platform<br />

24. Operation room<br />

25. Bookstore<br />

26. Courtyard<br />

27. Exhibition area<br />

28. Office area of the museum<br />

29. Relaxation area<br />

30. Toilet<br />

31. Cafe on second floor<br />

32. Platform (roof of the port)<br />

33. Exhibition area<br />

34. Kitchen<br />

35. Coffee bar<br />

62<br />

63<br />

N<br />

Inside the terminal, the waiting area<br />

On the terrace of the building and have view to Yangtze River<br />

Scale 1:200


North elevation<br />

South elevation<br />

North elevation<br />

South elevation<br />

North elevation<br />

South elevation<br />

West elevation<br />

West elevation<br />

West elevation<br />

Section AA'<br />

East elevation<br />

Section BB'<br />

East elevation<br />

Section AA'<br />

East elevation<br />

Section BB'<br />

Section CC'<br />

65


Final Year Project Portfolio<br />

Places of Transition | Shanghai Baoshan | <strong>2015</strong>-20<strong>16</strong><br />

<strong>Bian</strong> <strong>Zhifan</strong><br />

ID Number: 1202002<br />

Tutors: Claudia Westermann & Aleksandra Raonic

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