The Art of

More documents

Recommendations

Info

52 STAR OF DAVID Untitled, 1970–79 Assemblage: Oil on fabric, 118 × 62 cm
STAR OF DAVID 53 Untitled, 1959–64 Assemblage: Oil and cement on canvas board, 41 × 50 cm Untitled, 1960–69 Assemblage: Found objects and oil on cardboard, 60 × 44 cm
Page 3 and 4: NO COMPROMISES 1 The Art of FAMILY
Page 5 and 6: FAMILY 3 Family, 1945-49 Oil on Mas
Page 7 and 8: FAMILY 5 Fragments Of Jewish Histor
Page 9 and 10: SATURATION PAINTINGS 7 Back From Wo
Page 11 and 12: SATURATION PAINTINGS 9 Untitled, 19
Page 13 and 14: NIGHT, STUTTHOF The day ends at six
Page 15 and 16: Entrance, 1940-55 Oil on board, 103
Page 17 and 18: WAR SERIES 15 War Series 85, 1946 P
Page 19 and 20: WAR SERIES 17 War Series 77, 1946 I
Page 21 and 22: WAR SERIES 19 War Series 98, 1946 C
Page 23 and 24: CAMPS 21
Page 25 and 26: CAMPS 23 Railroad to America, 1963
Page 27 and 28: Dismembered Woman: The Stripper, 19
Page 29 and 30: Dismembered Stripper, 1956 Oil on c
Page 31 and 32: DISMEMBERED WOMEN 29 Dismembered Wo
Page 33 and 34: DISMEMBERED WOMEN 31 Dismembered Wo
Page 35 and 36: 33 I’m half Russian serf half kik
Page 37 and 38: DANCE HALL SERIES 35 Dance Hall Ser
Page 39 and 40: DANCE HALL SERIES 37 Untitled, 1955
Page 41 and 42: LOVE SERIES 39 Love Series, 1970-72
Page 43 and 44: LOVE SERIES 41 Love Series: Bound W
Page 45 and 46: ALTERED PORTRAITS 43 Altered Photos
Page 47 and 48: 45 The Jew pays well for sauerkraut
Page 49 and 50: STAR OF DAVID 47 Untitled, 1960/61
Page 51 and 52: STAR OF DAVID 49 Suitcase, 1964 Ass
Page 53: STAR OF DAVID 51 Altered Israeli Fl
Page 57 and 58: Yellow Star NO!art Bag, 1960-69 Col
Page 59 and 60: PIN-UPS 57 Salad, 1962 Collage: Oil
Page 61 and 62: PIN-UPS 59 More Insurance, 1963 Col
Page 63 and 64: PIN-UPS 61 Untitled, 1961 Collage:
Page 65 and 66: PIN-UPS 63 Untitled, 1973-77 Collag
Page 67 and 68: PIN-UPS 65 Untitled, 1960-70 Collag
Page 69 and 70: PIN-UPS 67
Page 71 and 72: PIN-UPS 69 (Hand), 1962 Collage: Oi
Page 73 and 74: NO 71 NO, 1965-69 Assemblage: Newsp
Page 75 and 76: No (Red And Black), 1963 Oil on can
Page 77 and 78: 75 A Nazi who secretly slipped a sl
Page 79 and 80: NO 77 NO I Sprayed, 1963 Spray pain
Page 81 and 82: NO 79 Untitled, 1963 Assemblage: Oi
Page 83 and 84: HARD WRITINGS 81 IN, 1960-62 Assemb
Page 85 and 86: HARD WRITINGS 83 German Word “God
Page 87 and 88: ADIEU AMERIQUE 85 NO With Mrs. Kenn
Page 89 and 90: Untitled (AMERICAN), 1961 Collage:
Page 91 and 92: ADIEU AMERIQUE 89 Adieu Amerique, 1
Page 93 and 94: ADIEU AMERIQUE 91
Page 95 and 96: Adieu Amerique, 1960 Oil on canvas,
Page 103 and 104: ADIEU AMERIQUE 101 Mort Aux Juif! I
Page 105 and 106:
ADIEU AMERIQUE 103
Page 107 and 108:
Now, No More, 1962 Oil on canvas, 1
Page 109 and 110:
SCULPTURES 107 Ax Series #3, 1970-7
Page 111 and 112:
109 Dear Old Master Chagall! The cr
Page 113 and 114:
SCULPTURES 111 Untitled, undated As
Page 115 and 116:
NO COMPROMISES 113 The Art of CILLY
Page 117 and 118:
115 While most survivors of the Nat
Page 119 and 120:
117 ‘Zeitgenössische Kunst gegen
Page 121 and 122:
119 The first NO!art anthology appe
Page 123 and 124:
121 reprinted an enlarged photograp
Page 125 and 126:
123 06 See KARL JASPERS The Questio
Page 127 and 128:
125 often turned into anti-Semitism
Page 129 and 130:
127 03 Lacan juxtaposed the metapho
Page 131 and 132:
129 05 BORIS LURIE “Les Lions Sho
Page 133 and 134:
131 09 The newly attained sexual fr
Page 135 and 136:
133 image of the woman is integrate
Page 137 and 138:
135
Page 139 and 140:
137 The canon defines a system of r
Page 141 and 142:
139 sible to ascertain and discuss
Page 143 and 144:
141 06 In the Jewish Encyclopedia,
Page 145 and 146:
143
Page 147 and 148:
145 03 On this, see LIFE from 10 Ma
Page 149 and 150:
147 First illustration in the broch
Page 151 and 152:
149 09 See HANNAH ARENDT Ich will v
Page 153 and 154:
151 Wolf Vostell, Wir waren so eine
Page 155 and 156:
153
Page 157 and 158:
155 03 ESTERA MILMAN NO!art and the
Page 159 and 160:
157 09 Video interview by Matthias
Page 161 and 162:
159 19 MILMAN 2000, time code 01:05
Page 163 and 164:
161 I Boris had pledged to smoke le
Page 165 and 166:
163 Although Boris rarely leaves hi
Page 167 and 168:
165 saw not only the reason for the
Page 169 and 170:
167 East Village. I would really ha
Page 171 and 172:
Biography Exhibitions Selection 169
Page 173 and 174:
(Hand), 1962 Collage: Oil and pictu
Page 175 and 176:
Untitled, 1960-70 Oil on canvas, 91
Page 177 and 178:
AUTHORS 175 EIKO GRIMBERG is an art
show all

The Art of

Create successful ePaper yourself

Delete template?

Save as template?