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Theatre: 21 Days, 2012 <strong>Toronto</strong> Fringe Festival<br />
What would you do if you only had<br />
21 great days out of your life to live<br />
and after those days were used<br />
you were faced with certain death?<br />
Would you keep your life simple<br />
and mundane, purposely avoiding<br />
great days in the hope that your<br />
life will be extended for as long as<br />
possible? Or would you throw<br />
caution to the wind and choose to<br />
enjoy each day as it comes, great<br />
day or not, even with the potential<br />
of your own demise? This is the<br />
scenario presented in Jessica<br />
Kostucks’ musical “21 Days”.<br />
Produced by Bad Dress<br />
Productions, it is the story of a<br />
young woman named Julie<br />
(Elizabeth Conway) who lives a<br />
simple kind of life that offers little<br />
excitement.<br />
She works at a cafe/bakery that is<br />
run by her parents Edward and<br />
Cynthia (Mark Piggot and Elyse<br />
Lewis). Her parents encourage<br />
Julie to lead a life of simplicity and<br />
mediocrity and she obliges, afraid<br />
to face the unknown. Then along<br />
comes Ben (Ryan Anning). A<br />
clumsy and lovable type, Ben<br />
encourages Julie to take chances<br />
and to step out of her comfort<br />
zone. Cheering them on along the<br />
way are Dan and Dal (Brendan<br />
Doherty and Peter Perri), a same<br />
sex couple who set a positive<br />
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example with their love and<br />
commitment towards each other.<br />
They offer reinforcement and act<br />
as mentors to Ben along the way.<br />
Things get complicated when Julie<br />
and Ben decide to marry and the<br />
real choices need to be made.<br />
Should they attempt to start a<br />
family? Or should Julie just enjoy<br />
the time she has left to the fullest<br />
and do what she wants without<br />
involving anyone else?<br />
21 Days is set to music that in<br />
itself was pretty standard musical<br />
wise, but it worked and the tunes<br />
were catchy. The only instruments<br />
used were an electric drum kit and<br />
keyboard, but given the size of the<br />
production nothing more was really<br />
needed. The simplicity of the set<br />
allowed the audience to focus on<br />
the characters, and affective use<br />
of lighting was made for transition<br />
scenes. 21 Days offers the right<br />
amount of heart and<br />
sentimentality.<br />
The premise might seem over the<br />
top but the questions it poses are<br />
relatable. Whether we have 21<br />
days or a life time the choices we<br />
make impact us and those we care<br />
about. If given more than an hour<br />
I’m sure this play could have<br />
delved a bit deeper, but regardless<br />
21 days has the right amount of<br />
Humour and drama to keep an<br />
audience satisfied. With an overall<br />
message being one of perspective,<br />
it reminds us that life is often times<br />
not so straight forward and seldom<br />
are the choices we make easy, but<br />
it’s the people we love and who<br />
love us that make life worth living.<br />
Review By Jen Allard<br />
More: theater-reviewed.com<br />
theater-reviewed.com<br />
yourowntvstation.ca<br />
highdefinitionwebcasting.com<br />
torontoaudiovisualservices.com<br />
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torontotheater-reviews.com is printed in five local papers. Story By: Jen Allard<br />
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