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writing_womans_lives_symposium_paper_book_v2

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am with will tell me ‘Your eyes are changing’… Nkunzi doesn’t have a problem with my sex<br />

life, but if he is not happy with my choice of a woman I will end up fighting a lot with that<br />

woman… 21<br />

Sangomas are often examined within studies on LGBT life in Southern Africa because of the cultural<br />

acceptance of their sexual <strong>lives</strong>.<br />

The taking of ancestral wives is an integral tradition among sangomas, and the taking of these<br />

wives by female sangomas can be, like in Nkunzi’s case, socially permissible. Nkunzi takes an<br />

ancestral wife named Jabulisile. When her ancestor Nkunzi asks this of her, she resists because she<br />

does not want the elderly Jabulisile as a sexual partner. But ancestral marriage is about sharing a<br />

spiritual connection and Nkunzi is assured by her ancestor that it is the right thing to marry Jabulisile.<br />

Nkunzi grows fond of Jabulisile, and she says:<br />

Jabulisile gives me that feminine side and when she is with me [in spirit] I feel kindness<br />

towards people. She makes me want to dance in female clothes and I enjoy that moment<br />

when I feel that part of myself. 22<br />

As a sangoma, Nkunzi is comfortable in her lesbian sexuality. Her girlfriend would watch her<br />

dance in a traditional ceremony, and sit on her lap afterwards, showing affection. Of homosexuality<br />

in Zulu culture, Nkunzi says “No one wants to talk about it but such things were always there… there<br />

was always love between women in my culture but no one wants to talk about it” (124). Nkunzi<br />

breaks this silence. She talks about another of her girlfriends she dated for some months, Sizakele.<br />

Nkunzi also talks about her political activism, which began around the time she developed the idea<br />

for the <strong>book</strong>. In talking about her activism, she tells of how one night, Sizakele, who was also an<br />

activist, and her girlfriend Salome were raped and murdered. Nkunzi relates this to the systemic<br />

violence of corrective rape against lesbians in South African townships. She says “[Men] think that<br />

they have to teach [lesbians] a lesson by raping them… they think it will change their behaviour.” 23<br />

Nkunzi clearly sees the hypocrisy of how the myth that homosexuality is ‘un‐African’ is produced<br />

as a cultural truth in postcolonial South Africa. And her story is rare but it is not the only one. There<br />

are many lesbian sangomas, and women who love other women in sub‐Saharan Africa because of all<br />

of the colonial and post‐colonial Western constructs, homosexuality itself is not one of them. It is<br />

only that, as Saskia Wieringa puts it:<br />

‘homosexuality’ as it is lived in present‐day western countries is far removed from the<br />

life of the Lovedu rain queen with her hundreds of wives, or that of an early twentieth<br />

century female‐husband among the Nuer in Sudan, Nandi in Kenya, Igbo in Nigeria or Fon<br />

in Dahomey (present‐day Benin). 24<br />

Homosexuality is different in every culture, and there is bound to be hybridity between globalized<br />

Western norms of sexual identity and localized norms and traditions. Nkunzi exemplifies this. She<br />

says she would like to marry her current partner under the new South African law, and talks about<br />

the cultural tradition of dowry (lobola), saying:<br />

Although I don’t believe in lobola, my girlfriend’s parents would want lobola for her<br />

and she herself would want me to pay lobola and because I love her, I will do it. But for me<br />

lobola is not a good system. I would want to do a ceremony of exchanging cows. It is<br />

important for combining the ancestors, so that her ancestors will know me and know that<br />

now I am sharing my life with her… 25<br />

Nkunzi’s lived experiences therefore do not match what is constructed as modern, or what is<br />

constructed as traditional. She <strong>lives</strong> somewhere in between. It is the in‐between that we overlook in<br />

traditional qualitative research. But if more and more women like Nkunzi share their stories, in their<br />

own voices, a truer picture of contemporary life can be revealed.<br />

88

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