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writing_womans_lives_symposium_paper_book_v2

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London for at least two years. In essence, there are three main components to this study: an<br />

elicitation of visual representations of the everyday, combined with a semi structured interviewing<br />

method, to conduct a narrative study.<br />

Methodology<br />

Visual methods<br />

The main reason for using visual data along with verbal data for this study was the researcher’s<br />

desire to go beyond the spoken word and the report about actions in favor of analyzing the actions<br />

themselves as they naturally occur. Which aspects the subject chooses to include allows the<br />

researcher to deduce statements about the views of the subjects towards their own everyday <strong>lives</strong><br />

(Flick, 2002). For this particular project, the participants were asked to take photographs of their <strong>lives</strong><br />

on a daily basis for two weeks, focusing on aspects of their everyday <strong>lives</strong> and routines. These<br />

photographs were then analyzed using a systematic open and closed coding approach, as outlined by<br />

Collier and Collier, and then discussed at the interview. First, an open viewing was conducted of all<br />

the images repeatedly by the researcher until they become familiar. Second, a microanalysis<br />

inventory was done of all the visual material in a structured and systematic process. Finally, a review<br />

of all the material again brought the researcher full circle to the open viewing of the material (Collier<br />

and Collier, 1986).<br />

It is important to note that photography not only can show us what we have already found out,<br />

but can also extend our visual processes and to help us find out more. Photographs can function as<br />

points of discussion of the familiar or the unknown and their literal content can be read across<br />

cultural boundaries (Collier and Collier, 1986), which is the main strength of utilizing this<br />

methodology to explore the research question at hand. Images are used as bridges between worlds<br />

that are more culturally distinct and people of different cultures spin out their respective worlds of<br />

meaning (Harper, 2002). This idea of using visual images to cross the cultural bridge was important in<br />

this study that recognizes the cultural and geographic differences that exist between the researcher<br />

and the participants. The photo elicitation procedure is fueled by the radical but simple idea that two<br />

people standing side by side, looking at identical objects, see different things; however when a photo<br />

is made of that shared view, the differences in perception can be defined, compared and eventually<br />

understood to be socially constructed by both parties (Harper, 2002). By using visual methods as part<br />

of a storytelling approach combining voice and shared experiences, this study aims at addressing the<br />

proposed research question in a novel manner, new to both the group studied and the researcher. It<br />

is this collaborative social construction of meanings that this study hopes to achieve in the use of<br />

visual representations of the everyday <strong>lives</strong> of Muslim women.<br />

Narrative interviewing<br />

Jovchelovitch and Bauer explain that the narrative interview envisages a setting that encourages<br />

and stimulates an informant to tell a story about some significant event in their life and social<br />

context (2010). Storytelling involves intentional states that alleviate, or at least make familiar, events<br />

and feelings that confront ordinary everyday life (Jovchelovitch and Bauer, 2010). For this project,<br />

after each participant took photographs for two weeks, their images were analyzed before the<br />

interviews and four to six specific photographs (depending on the size of each case) were chosen as<br />

reference points for the participant who was asked about the story behind each one, along with a<br />

general discussion of the rest of the photographs. The chosen images were selected by the<br />

researcher based on the topics that were similar across all cases to create an overlap in themes.<br />

Thematic analysis, the method of analysis chosen for this methodology along with qualitative<br />

case‐oriented open coding, is a stepwise qualitative text reduction: starting with the entire<br />

transcription, it is then paraphrased by passage or paragraph into summary sentences, which are<br />

then paraphrased into a few keywords. Categories are first developed for each narrative aspect of<br />

each interview and later collated into a coherent overall category system for all the narrative aspects<br />

in the project (Jovchelovitch and Bauer, 2010). This thematic focus enabled the researcher to identify<br />

the common as well as the different topics and categories across all the interviews.<br />

As the photographs and narrative interviews map onto each other in their themes, these two<br />

methodologies are an appropriate fit for this study which attempts to understand how some Muslim<br />

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