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writing_womans_lives_symposium_paper_book_v2

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handmaid? 27<br />

That Mary writes at all is highly unlikely for a Nazarene girl of her time, but is portrayed in<br />

Renaissance artists’ depictions of Anna teaching her daughter to read, and likewise, Mary teaching<br />

her son: “I…feel the power of …words is restricted to men…Like the arts of reading and <strong>writing</strong> and<br />

study. I will have these gifts that men hoard. And I will teach my son.” 28 Though literacy is<br />

forbidden, 29 Mary’s mother Anna comes from “a wealthy enlightened family” and insists that all her<br />

children learn to read and write Aramaic, Hebrew and Greek. 30 Writing gives Mary agency, the<br />

opportunity denied her in the Gospels to tell her own story. In my novel, the desperate and pregnant<br />

Mary fashions a fiction—replete with the angel Gabriel—delivers it via letter to Joseph, and<br />

proclaims her miraculous pregnancy. Those familiar with Luke 1:46‐55 will recognize the Magnificat<br />

re‐purposed. Scribbling this story serves to save Mary’s life and that of her unborn child, but it<br />

unwittingly sets in motion the familiar tragic events to come. However, rather than attributing these<br />

solely to the son, in my <strong>book</strong>, the mother also bears much responsibility. My intent was “to unweave<br />

the patriarchal myths, language, and ideology,” to employ “feminist de/mystification as a counter act<br />

and so demonstrate that the patriarchal myths and their meanings are neither universal nor eternal<br />

and that they can be recreated.” 31 Mary invents her own notion of the role of handmaid of the Lord,<br />

defying the feminine submissiveness that marks her myth, and consequently, <strong>writing</strong> the script of her<br />

life.<br />

Jesus’ birth is neither bloodless or pain‐free—both further fabrications by men of the Church,<br />

appalled by the imagined filth of women’s secretions and secret womb workings—and once her child<br />

is born, Mary, uncharacteristic of a first‐century woman, is no submissive wife as depicted in so much<br />

art and as prescribed by the Church fathers. 32 Despite the male privileges forbidden by her culture<br />

and times, it is Mary who determines to flee Herod to Egypt, to train with the mystic healer, Magda,<br />

and to travel to Cairo for further training, to consult the works of Aristotle and Hippocrates, to “grab<br />

[knowledge] with both her hands” 33 regardless of Joseph’s protests:<br />

‘Eve wanted knowledge and look where it got us.’<br />

‘I think you should not listen so closely to that rabbi. He infects your mind….Think of<br />

this, Joseph: maybe someone didn’t want Eve to have knowledge. Why is that?.... Life is<br />

risk, Joseph. But knowing helps to outsmart risk.’ 34<br />

Her training opens Mary’s eyes to the suffering of the world, especially of women, children, the<br />

infirm and the impoverished. She is troubled by the beating death of one patient, and realizes that<br />

there are neither havens nor sanctuaries for victims of domestic and sexual abuse. Moved to pity by<br />

the lepers she visits, Mary adopts one of their newborns as her daughter. Most notably, she is<br />

devastated at the news that Herod Antipas “has put to the sword a thousand thousand babies,” and<br />

she recognizes her culpability in the slaughter of these innocents:<br />

...all because of me. That stupid angel story.<br />

Is this Yahweh’s punishment of me? What kind of cruel God watches this from heaven<br />

and is unmoved to stop it?<br />

You can part the Red Sea, but you cannot save those innocent <strong>lives</strong>?<br />

I shake my fist at you, Yahweh….<br />

Finally, the chorus [of wailing mothers] shrieked across the desert and into Egypt and<br />

into my own open wretched throat….<br />

I feel dead. Or that I should be. This is my doing….My words have done this. Mary has<br />

condemned thousands of babies to death across the land of Israel. To save myself… 35<br />

With her growing sense of responsibility and understanding of injustice, comes Mary’s decision to<br />

return to Nazareth and begin Wellhouse, her dream “home for many, a house of cures. A refuge for<br />

the sick and dispossessed,” so that she can continue what has become her life’s work. 36 As a healer<br />

who offers shelter, Mary will become an authentic subject. Through this act of daring, she will, as De<br />

Beauvoir recommends, defy the conventional, and though she will not achieve full economic<br />

795

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