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17 Avdela, “Between Duties and Rights,” 129. 18 Tsirimokou, “Askiseis mnimis,” 356. Eleni is dressed in red as a young woman in love, and in mourning black as a mad woman in Spetses. 19 Mike, Metamfieseis sti neoelliniki pezografia, 345. 20 See Butler, “Performative Acts and Gender Constitution.” 21 Galanaki explains: “it is my view that her subsequent, long disguise as a man had its roots in the knowledge and training she had acquired from the theatre. It is evident that the rest‐less, artloving and multitalented Eleni, already a young painter, certainly would have attended all the lyrical and dramatic productions in the parental theatre. Equally important, I believe, she would have already access to backstage theatre life, i.e. to the art of disguise, the practice of acting, the training of voice, the study of movement and mimicry”; “‘My art is to me my whole life…’,” 51. 22 Galanaki, Eleni, ē o kanenas, 87. 23 Politi, “To penthos tis istorias”, 245. 24 Galanaki, “‘My art is to me my whole life…’,” 46. 25 Markatou, “Self‐Portraits by Nineteenth‐Century Greek Painters,” 359. Bibliography Anastasopoulou, Maria. I syneti apostolos tis gynaikeias cheirafesias: Kallirrhoë Parren. I zoi kai to ergo. Athens: Syllogos pros didosi ofelimon vivlion, 2012. —.“Feminist Discourse and Literary Representation in Turn‐of‐the‐Century Greece: Kallirrhoë Siganou‐ Parren’s ‘The Books of Dawn’.” Journal of Modern Greek Studies 15, no 1 (May 1997): 1‐28. Avdela, Efi. “Between Duties and Rights: Gender and Citizenship In Greece, 1864‐1952.” In Citizenship and the Nation‐State In Greece And Turkey. Edited By Faruk Birtek And Thalia Dragonas, 117‐43. London And New York: Routledge, 2005. Avdela, Efi, and Angelika Psarra, “Engendering ‘Greekness’: Women’s Emancipation and Irredentist Politics in Nineteenth‐Century Greece.” Mediterranean Historical Review 20, no 1 (June 2005): 67‐79. Butler, Judith. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Theatre Journal 40, no. 4 (December 1988): 519‐531. Galanaki, Rhea. Eleni, ē o Kanenas. Athens: Agra, 1998. —. Eleni, or Nobody. Translated by David Conolly. Evanston, Ill.: Northwestern University Press, 2003. —. “‘My art is to me my whole life…’: Eleni Altamura‐Boukoura.” In Jean Altamouras. His Life and Works.edited by Eleni Kipreou, 46‐81. Athens: Benaki Museum, 2010. Markatou, Dora F. “Self‐Portraits by Nineteenth‐Century Greek Painters.” In Greek Research in Australia: Proceedings of the Eighth Biennial International Conference of Greek Studies. Edited by M. Rossetto, M. Tsianikas, G. Couvalis and M. Palaktsoglou, 354‐368. Adelaide: Flinders University Department of Languages ‐ Modern Greek, 2009. Mike, Mairi. Metamfieseis sti neoelliniki pezografia (19os‐20os aionas). 2nd ed. Athens: Kedros, 2001. Parren, Kallirhoe. “Spetses and Spetsiotides: Eleni Altamura, A΄.” Efimeris ton kyrion 166 (May 20, 1890): 1‐3. —.“Eleni Altamura, Β΄.” Efimeris ton kyrion 167 (May 27, 1890): 1‐3. —. “Dyo megalai nekrai.” Efimeris ton kyrion 613 (March 26, 1900): 2‐4. —. I cheirafetimeni. Athens: Paraskevas Leonis, 1900. —. I magisa. Athens: Paraskevas Leonis, 1901. —. “To neon symvolaion.” Efimeris ton kyrion 689 (December 23, 1901) – 761 (September 28, 1903). —. I nea gynaika. Athens: Paraskevas Leonis, 1908. —. The New Woman. Translated by Stratos E. Constantinidis. In Modern Women Playwrights of Europe, edited by Alan P. Barr, 50‐81. New York: Oxford University Press, 2001. Politi, Tzina. “To penthos tis istorias.” In I anexakrivoti skene, 233‐250. Athens: Agra, 2001. Psarra, Angelika. “To mythistorima tis cheirafetisis ē i ‘syneti’ outopia tis Kallirrhois Parren”. Afterward to I Cheirafetimeni, by Kallirhoi Parren, 407‐86. Athens: Ekati 1999. Steiner, George. O thanatos tis tragodias (The Death of Tragedy, 1961). Translated by Fontas Kondylis. Athens‐Yannina: Dodoni, 1988. Tarsouli, Athena. Eleni Altamura. I proti zografos stin Ellada meta to Eikosiena. Athens: Dimitrakos, 1934. Tsirimokou, Lizi. “Askiseis mnimis.” In Esoteriki tahytita, 353‐61. Athens: Agra, 2000. 608
Varikas, Eleni. I exegersi ton kyrion: I genesi mias feministikis syneidisis stin Ellada. 2nd ed., Athens: Katarti, 1996. 609
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Kadın Hayatlarını Yazmak: Oto/Bi
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SEMPOZYUM KOORDİNATÖRLERİ / SYMP
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Suraiya FAROQHI Şefik PEKSEVGEN Ve
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THE WOMEN'S LIBRARY AND INFORMATION
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Kadın Hayatlarını Yazmak: Oto/Bi
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NOTE FROM THE EDITORS Women must wr
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EDİTÖRLERDEN Kadın kendini yazma
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AÇILIŞ KONUŞMASI / KEYNOTE SPEEC
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ve estetik değerleri temsil ettiğ
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Dolayısıyla Woolf’un saptaması
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OSMANLI TARİHİNDE VE TARİH YAZIM
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In Her Day She Broke The Mold: Disc
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ERKEK‐AKIM TARİH YAZIMINA MEYDAN
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My efforts in this study have been
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physician Pakize Tarzi, who was bor
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From the life stories I have collec
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SYLVIA PLATH’IN SMITH COLLEGE YIL
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Sınıfımdaki kızlardan olabildi
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erkek olsun, kadın olsun, ilgisini
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16 Sylvia Plath, Bütün Günceleri
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FARKLI HAYATLAR, FARKLI HİKAYELER:
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gerçek arkadaşlıkların kurulama
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koyduğunu ve bu özlemini dindirdi
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Kendi cezaevi deneyimini anlatan P
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ÜLKELERİN SAHİPLERİ VE MİSAFİ
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“Bu uygulama ile insanlar bir şe
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olduğunu söylüyor. Ayşe ve Ayli
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13 A.g.e., 6. Kaynakça Birdal, Meh
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KALBİYE TANSEL (1913‐2001) BİR
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yine iç bahçede yanyana bulunan m
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“Ali Nihat Tarlan Metin Şerhi de
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“Profesör Fuat Köprülü bizi k
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BİR CUMHURİYET KADINI - ZEKİYE O
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en çok bahsedenler, haksızlığı
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arkadaşlarım arasında Kadının
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1 Nüket Sirman, “Turkish Feminis
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THE INTERSECTION OF THE PUBLIC AND
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Oya Baydar (1940) and Melek Ulagay
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of their political and intellectual
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I Know Why the Caged Bird Sings fit
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Therefore, Angelou is indicating th
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18 Ibid., 192‐193. 19 Ibid., 194.
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culture”. 2 And if the tragic mes
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autobiography is wholly inauthentic
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Conclusion Stories challenge the la
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REFLECTIONS ON THE ECONOMIC STATUS
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intervening time she got a job in A
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Bibliography Narendra, Mohan. “Pr
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LILO LINKE: A STORYTELLER OF SOCIAL
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lasted until his death in 1947. Dur
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who stated, “My girls are good an
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Notes 1 Veblen, (1899), 2009. 2 Goe
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Bibliography Goethe, Johann Wolfgan
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In 1829 Pálsdóttir moved to Reykj
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the years. While a child Pálsdótt
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Self Presentation in Personal Corre
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BADGES OF HONOUR: CAPTURING NARRATI
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inaugurated with the European City
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other people, that were there from
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academic and community learning and
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I also will analyse my relationship
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or open to the future, to recogniti
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4 Ibid. P.4 5 White, pp. 44‐45 6
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American cinema of the silent perio
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which now started to be viewed in t
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Professor Małgorzata Radkiewicz, P
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KASHMIRI WOMEN’S TESTIMONIOS: LIV
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the choice of remarriage she makes
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unaccountable increase in abuses of
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WOMEN’S ROLE IN THE KHILAFAT MOVE
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urden and march along with our men,
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Turkish relief fund. 49 Women, espe
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KAMU VE İŞ HAYATINDA KADINLAR WOM
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Türkiye’de üniversite eğitimi,
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özellikle de “ulusun babası”
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Notlar 1 Füsun Üstel, “Makbul V
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TÜRKİYE CUMHURİYETİ’NİN İLK
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çıkmaya başlar., tahminen 14 ya
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1951’de kapatıldığında, yerel
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irlikte gezerler ve bu yakınlık s
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31 Ann Daly, 1991,Unlimited Partner
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İnce, Yasemin; Kar , Altan, Yeni G
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ayrıntılı bilgiler edinmek mümk
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Günlüklerde, Tansel’in kişili
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kendini hissettirir. Türlerin iç
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yazarlığı, ebelik ve bazı nezar
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şekilde çalışma hayatına girme
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KADIN YAŞAM ANLATILARINDA FELSEFE
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onu gasp etmekte veya yok etmektedi
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özgür olduğunu söylemek çeliş
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Notlar 1 Simone de Beauvoir, Sade
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The Correspondence of PrIncess ElIs
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together with the objections of suc
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And finally, consistency and resolu
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Sirven, J. Les années d’apprenti
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gece, “herhangi bir ışıkta, la
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görünürde olduğu ama mümkün o
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felsefecileri gibi hayvani bulduğu
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Hypatia’nın ondokuzuncu yüzyıl
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Resim 1 Resim 2 Resim 3 Resim 4 Res
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OSMANLI TARİHİNDE VE TARİH YAZIM
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kümülatif birikim” olarak söz
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da kendisi tercih etmiştir. Fakat
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da görünen o ki bundan fazlası i
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OSMANLI HAREMİNİN EN ÇOK SEYAHAT
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Bu sayede Gülnuş Sultan, haremin
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Gülnuş Sultan’ın da tıpkı K
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11 Baer, a.g.e., 246‐247. 12 Paul
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WOMEN POLITICAL ACTORS IN PUBLIC DE
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ights violations who worked regular
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Notes 1 “Turkish families protest
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woman from Punjab who played a fund
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procession with hundreds of other g
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9 FGM 2002, F/501, PMWT, Lahore. 10
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AUTO/BIOGRAPHY, HISTORY AND HERSTOR
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She also experienced the difference
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needs’ and ‘the body’; it rev
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14 Davis, A Life of learning, 12. 1
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Smith and Watson maintain that in w
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and to break the established patter
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Kutlu’s life‐narrative offers t
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Anderson, Linda. Autobiography. Lon
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… that challenges the very logic
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dominant and often repetitive, clic
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complex, fragmentary, sound snippet
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BETWEEN “SEEKING SALVATION IN LIT
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it is why I is not excluded so radi
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own stories (and to confirm the fre
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Estelle C. Jelinek, ed. Women's Aut
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Her two portraits in 1884 : full fa
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Joy is an exception. The Flute Play
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abortion. The suffering is so unbea
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7.2.2. A drama of Ibsen, “When we
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THEORY AND CRITICAL READING OF AUTO
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insights provided by feminist theor
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As for writing, most people secretl
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something or someone from the dead.
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Gönül BAKAY Bahçeşehir Universi
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WRITING THE OTHER AND TRANSNATIONAL
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Identity politics: Mosaic or meltin
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are very different. Meenakshi is a
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McDonell, Jennifer. “Transgressio
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definitions of “woman’s place
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lot […] The labor newspaper jobs
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Although Friedan had a later evolut
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The Second Stage, New York: Summit
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Interestingly, she found in movie f
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Agustina’s biographies of Paula R
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SINIF, TOPLUMSAL CİNSİYET VE SOSY
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eylik zihniyeti) diye nitelediği c
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sanki sessiz bir anlaşmayla başka
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Lülü Konağında toplam on beş h
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itirdikten sonra okumamış, ailesi
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18 F. Özbay, Türkiye’de evlatl
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elevant illustrated books present a
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women’s accomplishments since the
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“truly belongs” to a district o
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KADININ HAFIZASI: ÇAYKARALI RUMCA
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oluşturulduğunu yani hafızanın,
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Geleneksel olarak da yılbaşını
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Research Assistant , Gülmelek DOĞ
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BODRUMLU KADINLARDAN YAŞAM ANLATIL
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Ya bu elindeki örgü diye soruyoru
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Kaptan - ŞÜKRİYE ER Şükriye Er
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Notlar 1 Bodrum Belediyesi ve Anıl
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deyişiyle, “çocukluktan itibare
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oturursunuz”. Ben yani şok oldum
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getirilmesi; bu arada erkeklerin de
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EV YAPIMI: BİR FOTOĞRAF KUTUSUNDA
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Filmde ayrıca kalp atışını and
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vermekten vazgeçtiklerini söyledi
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GAMZE FİDAN’LA KOP‐ART YOLCULU
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Fluxus dâhisi Nam JunPaik, kurgula
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aşlıklı bir sergi açtık mesela
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Melodram. Hem çok sıradan, hem ç
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ismimi yok etmek, başka sanatçıl
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scenes intentionally. Barry also dr
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and pessimism, she decides to overc
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two brothers grow in this liminal,
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HOME IS AN/OTHER? QUEER TRANSNATION
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These dynamics, in turn, speak to t
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Israel as a gay haven in darker ton
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queerness‐and‐homonationalism/.
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In works such as Spaces of the Past
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Voicing the everyday - Maternal bei
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1 The representation of the life ph
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* Yeditepe University, Faculty of A
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She would give very interesting fac
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Magdi not only suffered from Reynau
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29 Barış Erman is an assistant pr
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ARŞİVLER, HATIRATLAR VE KADIN TAR
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Yeni Asır, in which she reveals me
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Greene (1923-25 and 1945-48), a Wel
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Notes 1 Semiha Sureya during her yo
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Karakaya‐Stump, Ayfer. “Debatin
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anılan Perge’nin kent kurucular
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heykeller arasında kent kurucular
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19 Augustus'un imparatorluk ailesi
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LOVE, MARRIAGE AND FAMILY AFFAIRS 3
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Community College, CUNY. 399
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The inclusion of the entirety of Li
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closely intertwined. Ellen regularl
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QIYĀN AND SEXUALITY: THE SINGING
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elations with Ibrāhīm al‐Mawṣ
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qiyān’s lives, and that is the r
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RE‐CRAFTING THE PAST: LYDIE ROSTO
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Rostopchina mère’s observations
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his letters to family. Quoting Hans
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(1965): 144‐156; Alexander Nikite
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SOUND OF SILENCE 1 /SILENCE OF SOUN
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hills, similar to Fredi Murer’s H
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Keywords: New Turkish Cinema, Sound
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NARRATIVES OF WOMEN BY WOMEN ON SCR
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eginning of the film, without impos
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Notes 1 Karen Hollinger, Feminist F
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For ethical considerations the real
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throughout the journey rather than
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REMEMBER WHAT YOU CANNOT FORGET!:
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In “Memory of a Square (perceived
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WOMEN'S NATRRATIVES AND TESTIMONIES
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Since 1935 Atria collects the herit
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documents (diaries, travel reports)
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4 The history of Atria goes back to
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SOUTH AFRICA: KNOWLEDGE IN RESISTAN
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Nelspoort, a small town that got it
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Furthermore, breaching the norms of
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(GEAR) which sets the following tar
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eighteenth century British doctors
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these intervals she was low‐spiri
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I will never consult a physician,
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Wiltshire, John. “Journals and le
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PİPPA BACCA : “BARIŞ GELİNİ
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görülmektedir. 14 Haberlerde, “
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3. Katil zanlısı “Biz” tanım
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SİYASAL İKTİDARIN CİNSİYETİ:
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Kadınlığın inşası Bu başlık
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Eğer kocalar barışmak isterlerse
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(Diyanet Vakfı Meali). 18 İncil,
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placed Biography and History togeth
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Context‐specific writings: As the
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A1 Pure • A1a Elegy • A1b Obitu
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“TO WRITE A BIOGRAPHICAL BOOK ON
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I had prepared an open ended interv
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and publicising it as a thing which
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REVEALING SOURCES: HISTORICAL RESOU
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scholarly endeavors amongst its fac
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country of origin. These records in
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RECOVERING WOMEN’S VOICES: THE PR
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Once again, Chryssoni turned to the
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Mediterraneans: North Africa and Eu
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MYTH‐SPINNING and TWO LATE 16 th
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argues that “the fact that tradit
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ÖNCÜ KADINLAR PIONEERING WOMEN 50
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astlanır. Bir kısmı İaşi ‘Ge
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Portreleri incelendiğinde genel ç
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Resim 6 Resim 7 Resim 8 Resim 9 Res
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TÜRKİYE’NİN 20.YÜZYILINDA Bİ
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...Haçlı Garp, Doğu’dan Batı
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önemli bir yere sahip olduğunu be
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YAZAR ESMA OCAK’IN BİYOGRAFİSİ
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ayrıntılar da ritüelleri, mitik
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Notlar 1 Yazarın eserleri: Berdel
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Giriş ’’Arı’nın Yolculuğu
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Her zaman yolumu aydınlattınız v
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13 Prof. Dr. Meziyet Arı halen aka
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Tüm bu zorluklara rağmen Cumhuriy
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Sayın Çığ kadınların toplumsa
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getirdiği bir yük var. Aslında
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A ROBUST CHARACTER WORKING FOR THE
Page 539 and 540:
If you are going to ask women to ha
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Dunlop’s speech focused on the re
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Faison, Seth. “Women’s Meeting
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SEVGULİ’NİN HİKÂYESİNİ DİN
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olduğunu bize asla belirtmedi. Sad
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Sevguli’ye kumasıyla ilişkisini
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yapayacağını bilmiyor olmak” f
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tartışmalı bir durumdur. Bizler
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Verdiği örnek başarılıdır: He
Page 557 and 558: şekilde marjinalize gruplardan ö
Page 559 and 560: Kaynakça Akis, Yasemin. 2009. “P
Page 561 and 562: BİREYSEL GÖRÜŞMELER VE GRUP GÖ
Page 563 and 564: haline gerçekten geçmeyi sağlaya
Page 565 and 566: ÖRNEK 4: BU ÖRNEKTE ARAŞTIRMACI
Page 567 and 568: 3 Uwe Flick, Qualitative Sozialfors
Page 569 and 570: de bulundu. Bülent Ecevit’in var
Page 571 and 572: Sen erkek olduğun için senin içi
Page 573 and 574: HİKÂYELERİMİZİN PEŞİNDEN Fer
Page 575 and 576: Feminist bakış açısı kuramına
Page 577 and 578: 2008), 361. 2 Sandra Harding, “Fe
Page 579 and 580: THE CRITICISM OF MAN‐DOMINATED SO
Page 581 and 582: It should be noted that Forough doe
Page 583 and 584: the democratic transition, the retu
Page 585 and 586: friendship with the French poet Pie
Page 587 and 588: —— Ώρες του Σινά. At
Page 589 and 590: Christian spiritual life. It was in
Page 591 and 592: Na soberana luz da Mãi tão pura,
Page 593 and 594: the genders has consisted in the di
Page 595 and 596: IN HER DAY SHE BROKE THE MOLD: DISC
Page 597 and 598: then‐Viceroy of India, Lord Linli
Page 599 and 600: Conclusions Is the Hindu goddess a
Page 601 and 602: Feminist? The Politics of South Asi
Page 603 and 604: “A MARTYR OF ART”: ‘STAGING
Page 605 and 606: Maria abandons her husband and his
Page 607: For Galanaki, Eleni’s disguise an
Page 611 and 612: The first of these attributes was t
Page 613 and 614: In his essay “Paris of the Second
Page 615 and 616: PARA/TEXTS AND THE CONSTRUCTION OF
Page 617 and 618: When the author speaks out Chen Yun
Page 619 and 620: erudite woman. 19 In the third poem
Page 621 and 622: 9 Zuo Chen, in Chen, Xinfangge, “
Page 623 and 624: ÜÇ KUŞAK KADININ CİNSİYET ROLL
Page 625 and 626: görüşme ana tema soruları veril
Page 627 and 628: …Bizim adetlerimizde ev işlerini
Page 629 and 630: İktidar ilişkileri Bu ana temaya
Page 631 and 632: HALK EDEBİYATI ANLATI TÜRLERİ KA
Page 633 and 634: gayet dinç ve sorunsuz olarak akta
Page 635 and 636: Anlatıcı, masal metninden çıkma
Page 637 and 638: Assistant Professor Gönül GÖKDEM
Page 639 and 640: Bildirileri, Halkbilimi (2000): 22
Page 641 and 642: DENGBÊJLİĞİN ERİLLİĞİ VE K
Page 643 and 644: Ulus kurucu olarak aktif bir rol ü
Page 645 and 646: meziyeti varsa dünyaya duyurmalıd
Page 647 and 648: 1. Sakin, Elif, Gülbeyaz Sert, “
Page 649 and 650: Bütün bu göndergeler Türkçe Ka
Page 651 and 652: tarafından temsil edilmiştir. Kon
Page 653 and 654: Güllü adların varlığı Hz. Muh
Page 655 and 656: Rasonyi, Laslo. ‘‘Türklükte K
Page 657 and 658: "Yüksekten atlamayın kızlığın
Page 659 and 660:
söylemektedir. Aynı genç kadın
Page 661 and 662:
KADIN DENEYİMLERİ VE OTO/ BİYOGR
Page 663 and 664:
Yazdıkları çok satan romanlarda
Page 665 and 666:
Romanlarını büyük, küçük ya
Page 667 and 668:
eserleriyle aşk filmlerine kaynakl
Page 669 and 670:
KERİME NADİR Özlem POLAT ATAN *
Page 671 and 672:
Nadir’i arayarak “Alay mı ediy
Page 673 and 674:
HİÇLİĞİN RENGİ (ABDÜLHÂK H
Page 675 and 676:
zaman bir otel odasına tıkılıp
Page 677 and 678:
yığıldı. Lüsyen ise ne olduğu
Page 679 and 680:
SURVIVING THE NAKBA: A NARRATIVE OF
Page 681 and 682:
That night, my father picked up his
Page 683 and 684:
this period. It was her mother’s
Page 685 and 686:
OTTOMAN WOMEN’S RESISTANCE TO VIO
Page 687 and 688:
Zihniyye, “soldier’s son” Nur
Page 689 and 690:
To sum up, Ottoman women’s resist
Page 691 and 692:
WOMEN'S EDUCATION 691
Page 693 and 694:
Nigeria whom he hardly knows withou
Page 695 and 696:
I am sure, frustration and hardship
Page 697 and 698:
160. 14 Abdulmajid, Rahama. Mace Mu
Page 699 and 700:
“an educational development which
Page 701 and 702:
In every quarter and village or in
Page 703 and 704:
Leiden, 2001. Szyliowicz, Joseph. E
Page 705 and 706:
skills.” 9 Iorga also mentioned a
Page 707 and 708:
Reading periodicals Many princes, i
Page 709 and 710:
In “Celălalt autentic.” Lumea
Page 711 and 712:
Taliha started veiling when she tur
Page 713 and 714:
esilient in the face of setbacks th
Page 715 and 716:
context of education. In contexts w
Page 717 and 718:
KAMUSAL TARTIŞMALARDA KADIN SİYAS
Page 719 and 720:
Siyasal katılımın sadece parlame
Page 721 and 722:
İnsanlar için bir şeyler yapmak,
Page 723 and 724:
Beşpınar, seçmen kadınların de
Page 725 and 726:
İKİNCİ DÜNYA SAVAŞI SONUNDA SA
Page 727 and 728:
Sertel’e göre faşizm geri bir i
Page 729 and 730:
September 27, 2013. http://global.b
Page 731 and 732:
Toplumun dinamikliğini gösteren
Page 733 and 734:
hemcinsi ile kurduğu duygusal bağ
Page 735 and 736:
Bütün bunların ‘kurgu’lanara
Page 737 and 738:
1924 yılına ait Fransızca bir be
Page 739 and 740:
10 Çalışlar, Biyografisine Sığ
Page 741 and 742:
sonrası bütün Batılı değerler
Page 743 and 744:
onun kurumlarına da yönelik olmas
Page 745 and 746:
6 Huda Shaarawi, Harem Years: The M
Page 747 and 748:
BİRBİRİNE DEĞEN HAYATLAR Umut B
Page 749 and 750:
diye değil, okulda yeni bir labora
Page 751 and 752:
gibi bağırır haykırırlar, acı
Page 753 and 754:
19 Gottfried Blumenstein, Janis Jop
Page 755 and 756:
olay olarak ele alınacak üç vaka
Page 757 and 758:
tarihlerine ışık tutmayı amaçl
Page 759 and 760:
Sexuality and Museums: A Routledge
Page 761 and 762:
KADINLARIN ANLATILARINDA SAĞLIK VE
Page 763 and 764:
ir toplam gibi birikmiş benliğimi
Page 765 and 766:
Saygınlık uyandıracak bir zarafe
Page 767 and 768:
ahlaki ve estetik yargılardan bağ
Page 769 and 770:
WOMEN'S VOICES IN RELIGIOUS DISCOUR
Page 771 and 772:
contributing to the official corpus
Page 773 and 774:
to him for a blessing and spiritual
Page 775 and 776:
The years passed and the monks, fee
Page 777 and 778:
of Sakkoudion, in Bithynia, in 794
Page 779 and 780:
POWER AMONG ORTHODOX WOMEN TO CHANG
Page 781 and 782:
Why? Did she want to capture her an
Page 783 and 784:
Why did none of her literary charac
Page 785 and 786:
PLACING A FEMALE PERSON AT THE CENT
Page 787 and 788:
the pastor, including his wife and
Page 789 and 790:
(1) polemics and apologetics betwee
Page 791 and 792:
edited by Maria Heidegger, Nina Kog
Page 793 and 794:
Michael Benton asks pointedly of th
Page 795 and 796:
handmaid? 27 That Mary writes at al
Page 797 and 798:
After years of grief, Mary becomes
Page 799 and 800:
outside influences, their education
Page 801 and 802:
Manchester: Manchester University P
Page 803 and 804:
London for at least two years. In e
Page 805 and 806:
The second finding of this study is
Page 807 and 808:
Finch, Janet. “It’s Great to Ha
Page 809 and 810:
HISTORICISING WOMEN THROUGH FICTION
Page 811 and 812:
most writers of these texts are men
Page 813 and 814:
soldiers removed the corpse of the
Page 815 and 816:
8 The website of the organisation c
Page 817 and 818:
AUTO/BIOGRAPHY, HISTORY AND HERSTOR
Page 819 and 820:
I research from a postcolonial pers
Page 821 and 822:
the way ancient Egypt's Nefertiti (
Page 823 and 824:
also in a horizontal, present tense
Page 825 and 826:
of resistance (...) marking disrupt
Page 827 and 828:
Cooper Albright, Ann. Engaging Bodi
Page 829 and 830:
produce Islam. In both approaches t
Page 831 and 832:
also worked in the fields or in sho
Page 833 and 834:
education and healthcare. 8 Nikki K
Page 835 and 836:
FICTIONS OF SELVES: AUTO/BIOGRAPHIE
Page 837 and 838:
egg shell in coffee to clarify. [
Page 839 and 840:
eality; and the mutual bond between
Page 841 and 842:
KADINLARIN GÖÇ DENEYİMİ WOMEN
Page 843 and 844:
Haliçli Köprü romanında, bedeni
Page 845 and 846:
Wonaym’da ikamet eden ve markete
Page 847 and 848:
üzerinden ortaya koyduklarının d
Page 849 and 850:
MUHACİR KADININ ÖMÜR YOLU HATIRA
Page 851 and 852:
Memuar eserlerinin özelliği şudu
Page 853 and 854:
Keywords: Migrant, Ummulbanu, Cauca
Page 855 and 856:
LEYLA ERBİL’ İN YAŞAMI VE ROMA
Page 857 and 858:
edilemez. Ölümün yarattığı y
Page 859 and 860:
omanlarında yaratılan klişe kad
Page 861 and 862:
u sorgulama sonucu ulaştığı do
Page 863 and 864:
Şair Nigâr Hanım Nigâr bint‐i
Page 865 and 866:
çıkılmamaktadır. Diğer bir dey
Page 867 and 868:
Bekiroğlu, Nazan. Şair Nigâr Han
Page 869 and 870:
they help effect restoration to her
Page 871 and 872:
narrative (Brontë, 2006: 289).Thor
Page 873 and 874:
2 Trauma theory in literary and cri
Page 875 and 876:
Felman Shoshana and Dori Laub, M.D.
Page 877 and 878:
In 1946, Anna gave birth to a daugh
Page 879 and 880:
Ph.D. student at the Institute of P
Page 881 and 882:
WOMEN’S BIOGRAPHIES IN PLAYS Faki
Page 883 and 884:
addition, this composition forms an
Page 885 and 886:
iographical plays, takes some of th
Page 887 and 888:
very well composed and important pl
Page 889 and 890:
ideolojiyi yaşatma konusunda fark
Page 891 and 892:
ölçülü, iyi bir yurttaş olmakt
Page 893 and 894:
Tragedyayı geri dönülmez bir yol
Page 895 and 896:
Freud, Sigmund. Ruh Çözümlemesin
Page 897 and 898:
STRATIFICATION IN ARMY NURSING: THE
Page 899 and 900:
with different educational backgrou
Page 901 and 902:
family, at school, and at work hind
Page 903 and 904:
hierarchies. Women have generally h
Page 905 and 906:
Fry, Sara T., Rose M. Harvey, Ann C
Page 907 and 908:
The hijab is viewed by Americans as
Page 909 and 910:
narrative that Muslims are terroris
Page 911 and 912:
Mahmood, Saba. Politics of Piety: T
Page 913 and 914:
crossing physical borders, as many
Page 915 and 916:
confusion as a general state of bei
Page 917 and 918:
Keywords: Romanian prose, Women wri
Page 919:
919
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