Attention! Your ePaper is waiting for publication!
By publishing your document, the content will be optimally indexed by Google via AI and sorted into the right category for over 500 million ePaper readers on YUMPU.
This will ensure high visibility and many readers!
![illustration](https://assets.yumpu.com/release/plUivS0HGRxHllK/v5/img/account/document_privacy_modal/step1.png)
Your ePaper is now published and live on YUMPU!
You can find your publication here:
Share your interactive ePaper on all platforms and on your website with our embed function
![illustration](https://assets.yumpu.com/release/plUivS0HGRxHllK/v5/img/account/document_privacy_modal/step2.png)
writing_womans_lives_symposium_paper_book_v2
writing_womans_lives_symposium_paper_book_v2
writing_womans_lives_symposium_paper_book_v2
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
GENDERED EXPERIENCE, WOMEN’S EXPERIENCE AND SOCIAL HISTORY<br />
602
GENDERED EXPERIENCE, WOMEN’S EXPERIENCE AND SOCIAL HISTORY 602
“A MARTYR OF ART”: ‘STAGING’ ELENI ALTAMURA’S LIFE Ioulia PIPINIA * In 1998, Rhea Galanaki, a well‐known Greek woman writer, published the novel Eleni, or Nobody (Eleni, ē o kanenas), the text that shed a new startling light on Eleni Altamura‐Boukoura’s life, the first, as often considered, woman painter of the modern Hellenic state. Galanaki’s fictional biography was not the first narration of Altamura’s astonishing story; but it was certainly the one that fostered historical research on Eleni and encouraged discussions on Greek women artists of the 19 th century. Moreover, the popularity and critical acclaim Galanaki’s work achieved, prompted a whole new life for Eleni: her transgressive behavior, her achievements but also her sufferings as depicted in the novel made her an iconic figure of women’s conduct in 19 th century Greece. In this <strong>paper</strong>, I want to discuss the ways Eleni Altamura is portrayed in the texts written by three Greek women writers: Kallirhoe Parren, Athina Tarsouli and Rhea Galanaki. Although different in form and purpose (a journal article, a biographical account, a novel) and spread over a long period of time, all three narratives are critical in unveiling Eleni’s life for they explore and construct Eleni’s identities by focusing on performative and theatrical features. The interest, furthermore, these women artists and novelists have shown on the historical figure and their attempt to narrate or rewrite her story maps, as I intend to illustrate, the developments but also the limitations of feminist thought and women’s <strong>writing</strong> in Greece during the past century; for, as I will argue, Altamura’s uncommon attitude and choices are faded away while the dramatization of her sufferings, as a wife and a mother, often set the canvas to the representation of her life. Eleni was born in the island of Spetses in the 1820s. 1 Her father, Yiannis Boukouras (Boukouris or Chrysinis) was a war hero and the owner of the first theatre building in Athens. Eleni was among the very few women who got a formal education just after the Greek War of Independence and studied painting privately. In the late 1840s, she moved to Italy to study at an art school. In order to attend all classes she lived for sometime disguised as a man. While in Rome, she had a love affair with the Italian painter and political refugee Francesco Saverio Altamura (1822‐1897). They had two illegitimate children before getting married in 1853. Prior to the wedding, Eleni had to denounce Orthodoxy and espouse Catholicism. Soon after, the couple had a third child (a second boy) who stayed with his father, when Eleni, reacting to Altamura’s love affair with the painter Jane Benham Hay, left Italy (most probably in 1855), taking with her the two elder children. Eleni never met her husband again. In Greece, she was financially supported by her family but she also worked as a painter and entered into a profession dominated by men. In 1873, shortly after moving to the island of Spetses, her daughter died. Her elder son, Ioannis Altamouras, a promising painter as well, died at the age of 26 in 1878. Her younger son, Alessandro rarely visited his mother. Eleni Altamura died wretched and seriously distressed in 1900. The woman who first dug out Eleni’s story was Kallirhoe Parren‐Siganou (1859‐1940), the editor of The Ladies’ News<strong>paper</strong> (Efimeris ton kyrion) and an advocate of women’s rights in Greece at the turn of the 19 th century. Parren visited Eleni in Spetses to meet the woman who, as she declares, “broke new ground and opened up new horizons for female spirit”. 2 Parren, most probably, looked for Altamura while preparing the first Women Artist Exhibition in Athens (1891). Altamura was in her late sixties at the time and according to a note found by Galanaki in her <strong>paper</strong>s, she was approached in order to participate in the exhibition. 3 Parren published, in her journal in May 1890, two articles based on her meeting and interview with Eleni but also on rumors she apparently heard during her stay on the island. * School of Drama, Faculty of Fine Arts, Aristotle University of Thessaloniki. 603
- Page 1 and 2:
Kadın Hayatlarını Yazmak: Oto/Bi
- Page 3 and 4:
SEMPOZYUM KOORDİNATÖRLERİ / SYMP
- Page 5 and 6:
Suraiya FAROQHI Şefik PEKSEVGEN Ve
- Page 7 and 8:
THE WOMEN'S LIBRARY AND INFORMATION
- Page 9 and 10:
Kadın Hayatlarını Yazmak: Oto/Bi
- Page 11 and 12:
NOTE FROM THE EDITORS Women must wr
- Page 13 and 14:
EDİTÖRLERDEN Kadın kendini yazma
- Page 15 and 16:
AÇILIŞ KONUŞMASI / KEYNOTE SPEEC
- Page 17 and 18:
ve estetik değerleri temsil ettiğ
- Page 19 and 20:
Dolayısıyla Woolf’un saptaması
- Page 21 and 22:
OSMANLI TARİHİNDE VE TARİH YAZIM
- Page 23 and 24:
In Her Day She Broke The Mold: Disc
- Page 25 and 26:
ERKEK‐AKIM TARİH YAZIMINA MEYDAN
- Page 27 and 28:
My efforts in this study have been
- Page 29 and 30:
physician Pakize Tarzi, who was bor
- Page 31 and 32:
From the life stories I have collec
- Page 33 and 34:
SYLVIA PLATH’IN SMITH COLLEGE YIL
- Page 35 and 36:
Sınıfımdaki kızlardan olabildi
- Page 37 and 38:
erkek olsun, kadın olsun, ilgisini
- Page 39 and 40:
16 Sylvia Plath, Bütün Günceleri
- Page 41 and 42:
FARKLI HAYATLAR, FARKLI HİKAYELER:
- Page 43 and 44:
gerçek arkadaşlıkların kurulama
- Page 45 and 46:
koyduğunu ve bu özlemini dindirdi
- Page 47 and 48:
Kendi cezaevi deneyimini anlatan P
- Page 49 and 50:
ÜLKELERİN SAHİPLERİ VE MİSAFİ
- Page 51 and 52:
“Bu uygulama ile insanlar bir şe
- Page 53 and 54:
olduğunu söylüyor. Ayşe ve Ayli
- Page 55 and 56:
13 A.g.e., 6. Kaynakça Birdal, Meh
- Page 57 and 58:
KALBİYE TANSEL (1913‐2001) BİR
- Page 59 and 60:
yine iç bahçede yanyana bulunan m
- Page 61 and 62:
“Ali Nihat Tarlan Metin Şerhi de
- Page 63 and 64:
“Profesör Fuat Köprülü bizi k
- Page 65 and 66:
BİR CUMHURİYET KADINI - ZEKİYE O
- Page 67 and 68:
en çok bahsedenler, haksızlığı
- Page 69 and 70:
arkadaşlarım arasında Kadının
- Page 71 and 72:
1 Nüket Sirman, “Turkish Feminis
- Page 73 and 74:
THE INTERSECTION OF THE PUBLIC AND
- Page 75 and 76:
Oya Baydar (1940) and Melek Ulagay
- Page 77 and 78:
of their political and intellectual
- Page 79 and 80:
I Know Why the Caged Bird Sings fit
- Page 81 and 82:
Therefore, Angelou is indicating th
- Page 83 and 84:
18 Ibid., 192‐193. 19 Ibid., 194.
- Page 85 and 86:
culture”. 2 And if the tragic mes
- Page 87 and 88:
autobiography is wholly inauthentic
- Page 89 and 90:
Conclusion Stories challenge the la
- Page 91 and 92:
REFLECTIONS ON THE ECONOMIC STATUS
- Page 93 and 94:
intervening time she got a job in A
- Page 95 and 96:
Bibliography Narendra, Mohan. “Pr
- Page 97 and 98:
LILO LINKE: A STORYTELLER OF SOCIAL
- Page 99 and 100:
lasted until his death in 1947. Dur
- Page 101 and 102:
who stated, “My girls are good an
- Page 103 and 104:
Notes 1 Veblen, (1899), 2009. 2 Goe
- Page 105 and 106:
Bibliography Goethe, Johann Wolfgan
- Page 107 and 108:
In 1829 Pálsdóttir moved to Reykj
- Page 109 and 110:
the years. While a child Pálsdótt
- Page 111 and 112:
Self Presentation in Personal Corre
- Page 113 and 114:
BADGES OF HONOUR: CAPTURING NARRATI
- Page 115 and 116:
inaugurated with the European City
- Page 117 and 118:
other people, that were there from
- Page 119 and 120:
academic and community learning and
- Page 121 and 122:
I also will analyse my relationship
- Page 123 and 124:
or open to the future, to recogniti
- Page 125 and 126:
4 Ibid. P.4 5 White, pp. 44‐45 6
- Page 127 and 128:
American cinema of the silent perio
- Page 129 and 130:
which now started to be viewed in t
- Page 131 and 132:
Professor Małgorzata Radkiewicz, P
- Page 133 and 134:
KASHMIRI WOMEN’S TESTIMONIOS: LIV
- Page 135 and 136:
the choice of remarriage she makes
- Page 137 and 138:
unaccountable increase in abuses of
- Page 139 and 140:
WOMEN’S ROLE IN THE KHILAFAT MOVE
- Page 141 and 142:
urden and march along with our men,
- Page 143 and 144:
Turkish relief fund. 49 Women, espe
- Page 145 and 146:
KAMU VE İŞ HAYATINDA KADINLAR WOM
- Page 147 and 148:
Türkiye’de üniversite eğitimi,
- Page 149 and 150:
özellikle de “ulusun babası”
- Page 151 and 152:
Notlar 1 Füsun Üstel, “Makbul V
- Page 153 and 154:
TÜRKİYE CUMHURİYETİ’NİN İLK
- Page 155 and 156:
çıkmaya başlar., tahminen 14 ya
- Page 157 and 158:
1951’de kapatıldığında, yerel
- Page 159 and 160:
irlikte gezerler ve bu yakınlık s
- Page 161 and 162:
31 Ann Daly, 1991,Unlimited Partner
- Page 163 and 164:
İnce, Yasemin; Kar , Altan, Yeni G
- Page 165 and 166:
ayrıntılı bilgiler edinmek mümk
- Page 167 and 168:
Günlüklerde, Tansel’in kişili
- Page 169 and 170:
kendini hissettirir. Türlerin iç
- Page 171 and 172:
yazarlığı, ebelik ve bazı nezar
- Page 173 and 174:
şekilde çalışma hayatına girme
- Page 175 and 176:
KADIN YAŞAM ANLATILARINDA FELSEFE
- Page 177 and 178:
onu gasp etmekte veya yok etmektedi
- Page 179 and 180:
özgür olduğunu söylemek çeliş
- Page 181 and 182:
Notlar 1 Simone de Beauvoir, Sade
- Page 183 and 184:
The Correspondence of PrIncess ElIs
- Page 185 and 186:
together with the objections of suc
- Page 187 and 188:
And finally, consistency and resolu
- Page 189 and 190:
Sirven, J. Les années d’apprenti
- Page 191 and 192:
gece, “herhangi bir ışıkta, la
- Page 193 and 194:
görünürde olduğu ama mümkün o
- Page 195 and 196:
felsefecileri gibi hayvani bulduğu
- Page 197 and 198:
Hypatia’nın ondokuzuncu yüzyıl
- Page 199 and 200:
Resim 1 Resim 2 Resim 3 Resim 4 Res
- Page 201 and 202:
OSMANLI TARİHİNDE VE TARİH YAZIM
- Page 203 and 204:
kümülatif birikim” olarak söz
- Page 205 and 206:
da kendisi tercih etmiştir. Fakat
- Page 207 and 208:
da görünen o ki bundan fazlası i
- Page 209 and 210:
OSMANLI HAREMİNİN EN ÇOK SEYAHAT
- Page 211 and 212:
Bu sayede Gülnuş Sultan, haremin
- Page 213 and 214:
Gülnuş Sultan’ın da tıpkı K
- Page 215 and 216:
11 Baer, a.g.e., 246‐247. 12 Paul
- Page 217 and 218:
WOMEN POLITICAL ACTORS IN PUBLIC DE
- Page 219 and 220:
ights violations who worked regular
- Page 221 and 222:
Notes 1 “Turkish families protest
- Page 223 and 224:
woman from Punjab who played a fund
- Page 225 and 226:
procession with hundreds of other g
- Page 227 and 228:
9 FGM 2002, F/501, PMWT, Lahore. 10
- Page 229 and 230:
AUTO/BIOGRAPHY, HISTORY AND HERSTOR
- Page 231 and 232:
She also experienced the difference
- Page 233 and 234:
needs’ and ‘the body’; it rev
- Page 235 and 236:
14 Davis, A Life of learning, 12. 1
- Page 237 and 238:
Smith and Watson maintain that in w
- Page 239 and 240:
and to break the established patter
- Page 241 and 242:
Kutlu’s life‐narrative offers t
- Page 243 and 244:
Anderson, Linda. Autobiography. Lon
- Page 245 and 246:
… that challenges the very logic
- Page 247 and 248:
dominant and often repetitive, clic
- Page 249 and 250:
complex, fragmentary, sound snippet
- Page 251 and 252:
BETWEEN “SEEKING SALVATION IN LIT
- Page 253 and 254:
it is why I is not excluded so radi
- Page 255 and 256:
own stories (and to confirm the fre
- Page 257 and 258:
Estelle C. Jelinek, ed. Women's Aut
- Page 259 and 260:
Her two portraits in 1884 : full fa
- Page 261 and 262:
Joy is an exception. The Flute Play
- Page 263 and 264:
abortion. The suffering is so unbea
- Page 265 and 266:
7.2.2. A drama of Ibsen, “When we
- Page 267 and 268:
THEORY AND CRITICAL READING OF AUTO
- Page 269 and 270:
insights provided by feminist theor
- Page 271 and 272:
As for writing, most people secretl
- Page 273 and 274:
something or someone from the dead.
- Page 275 and 276:
Gönül BAKAY Bahçeşehir Universi
- Page 277 and 278:
WRITING THE OTHER AND TRANSNATIONAL
- Page 279 and 280:
Identity politics: Mosaic or meltin
- Page 281 and 282:
are very different. Meenakshi is a
- Page 283 and 284:
McDonell, Jennifer. “Transgressio
- Page 285 and 286:
definitions of “woman’s place
- Page 287 and 288:
lot […] The labor newspaper jobs
- Page 289 and 290:
Although Friedan had a later evolut
- Page 291 and 292:
The Second Stage, New York: Summit
- Page 293 and 294:
Interestingly, she found in movie f
- Page 295 and 296:
Agustina’s biographies of Paula R
- Page 297 and 298:
SINIF, TOPLUMSAL CİNSİYET VE SOSY
- Page 299 and 300:
eylik zihniyeti) diye nitelediği c
- Page 301 and 302:
sanki sessiz bir anlaşmayla başka
- Page 303 and 304:
Lülü Konağında toplam on beş h
- Page 305 and 306:
itirdikten sonra okumamış, ailesi
- Page 307 and 308:
18 F. Özbay, Türkiye’de evlatl
- Page 309 and 310:
elevant illustrated books present a
- Page 311 and 312:
women’s accomplishments since the
- Page 313 and 314:
“truly belongs” to a district o
- Page 315 and 316:
KADININ HAFIZASI: ÇAYKARALI RUMCA
- Page 317 and 318:
oluşturulduğunu yani hafızanın,
- Page 319 and 320:
Geleneksel olarak da yılbaşını
- Page 321 and 322:
Research Assistant , Gülmelek DOĞ
- Page 323 and 324:
BODRUMLU KADINLARDAN YAŞAM ANLATIL
- Page 325 and 326:
Ya bu elindeki örgü diye soruyoru
- Page 327 and 328:
Kaptan - ŞÜKRİYE ER Şükriye Er
- Page 329 and 330:
Notlar 1 Bodrum Belediyesi ve Anıl
- Page 331 and 332:
deyişiyle, “çocukluktan itibare
- Page 333 and 334:
oturursunuz”. Ben yani şok oldum
- Page 335 and 336:
getirilmesi; bu arada erkeklerin de
- Page 337 and 338:
EV YAPIMI: BİR FOTOĞRAF KUTUSUNDA
- Page 339 and 340:
Filmde ayrıca kalp atışını and
- Page 341 and 342:
vermekten vazgeçtiklerini söyledi
- Page 343 and 344:
GAMZE FİDAN’LA KOP‐ART YOLCULU
- Page 345 and 346:
Fluxus dâhisi Nam JunPaik, kurgula
- Page 347 and 348:
aşlıklı bir sergi açtık mesela
- Page 349 and 350:
Melodram. Hem çok sıradan, hem ç
- Page 351 and 352:
ismimi yok etmek, başka sanatçıl
- Page 353 and 354:
scenes intentionally. Barry also dr
- Page 355 and 356:
and pessimism, she decides to overc
- Page 357 and 358:
two brothers grow in this liminal,
- Page 359 and 360:
HOME IS AN/OTHER? QUEER TRANSNATION
- Page 361 and 362:
These dynamics, in turn, speak to t
- Page 363 and 364:
Israel as a gay haven in darker ton
- Page 365 and 366:
queerness‐and‐homonationalism/.
- Page 367 and 368:
In works such as Spaces of the Past
- Page 369 and 370:
Voicing the everyday - Maternal bei
- Page 371 and 372:
1 The representation of the life ph
- Page 373 and 374:
* Yeditepe University, Faculty of A
- Page 375 and 376:
She would give very interesting fac
- Page 377 and 378:
Magdi not only suffered from Reynau
- Page 379 and 380:
29 Barış Erman is an assistant pr
- Page 381 and 382:
ARŞİVLER, HATIRATLAR VE KADIN TAR
- Page 383 and 384:
Yeni Asır, in which she reveals me
- Page 385 and 386:
Greene (1923-25 and 1945-48), a Wel
- Page 387 and 388:
Notes 1 Semiha Sureya during her yo
- Page 389 and 390:
Karakaya‐Stump, Ayfer. “Debatin
- Page 391 and 392:
anılan Perge’nin kent kurucular
- Page 393 and 394:
heykeller arasında kent kurucular
- Page 395 and 396:
19 Augustus'un imparatorluk ailesi
- Page 397 and 398:
LOVE, MARRIAGE AND FAMILY AFFAIRS 3
- Page 399 and 400:
Community College, CUNY. 399
- Page 401 and 402:
The inclusion of the entirety of Li
- Page 403 and 404:
closely intertwined. Ellen regularl
- Page 405 and 406:
QIYĀN AND SEXUALITY: THE SINGING
- Page 407 and 408:
elations with Ibrāhīm al‐Mawṣ
- Page 409 and 410:
qiyān’s lives, and that is the r
- Page 411 and 412:
RE‐CRAFTING THE PAST: LYDIE ROSTO
- Page 413 and 414:
Rostopchina mère’s observations
- Page 415 and 416:
his letters to family. Quoting Hans
- Page 417 and 418:
(1965): 144‐156; Alexander Nikite
- Page 419 and 420:
SOUND OF SILENCE 1 /SILENCE OF SOUN
- Page 421 and 422:
hills, similar to Fredi Murer’s H
- Page 423 and 424:
Keywords: New Turkish Cinema, Sound
- Page 425 and 426:
NARRATIVES OF WOMEN BY WOMEN ON SCR
- Page 427 and 428:
eginning of the film, without impos
- Page 429 and 430:
Notes 1 Karen Hollinger, Feminist F
- Page 431 and 432:
For ethical considerations the real
- Page 433 and 434:
throughout the journey rather than
- Page 435 and 436:
REMEMBER WHAT YOU CANNOT FORGET!:
- Page 437 and 438:
In “Memory of a Square (perceived
- Page 439 and 440:
WOMEN'S NATRRATIVES AND TESTIMONIES
- Page 441 and 442:
Since 1935 Atria collects the herit
- Page 443 and 444:
documents (diaries, travel reports)
- Page 445 and 446:
4 The history of Atria goes back to
- Page 447 and 448:
SOUTH AFRICA: KNOWLEDGE IN RESISTAN
- Page 449 and 450:
Nelspoort, a small town that got it
- Page 451 and 452:
Furthermore, breaching the norms of
- Page 453 and 454:
(GEAR) which sets the following tar
- Page 455 and 456:
eighteenth century British doctors
- Page 457 and 458:
these intervals she was low‐spiri
- Page 459 and 460:
I will never consult a physician,
- Page 461 and 462:
Wiltshire, John. “Journals and le
- Page 463 and 464:
PİPPA BACCA : “BARIŞ GELİNİ
- Page 465 and 466:
görülmektedir. 14 Haberlerde, “
- Page 467 and 468:
3. Katil zanlısı “Biz” tanım
- Page 469 and 470:
SİYASAL İKTİDARIN CİNSİYETİ:
- Page 471 and 472:
Kadınlığın inşası Bu başlık
- Page 473 and 474:
Eğer kocalar barışmak isterlerse
- Page 475 and 476:
(Diyanet Vakfı Meali). 18 İncil,
- Page 477 and 478:
placed Biography and History togeth
- Page 479 and 480:
Context‐specific writings: As the
- Page 481 and 482:
A1 Pure • A1a Elegy • A1b Obitu
- Page 483 and 484:
“TO WRITE A BIOGRAPHICAL BOOK ON
- Page 485 and 486:
I had prepared an open ended interv
- Page 487 and 488:
and publicising it as a thing which
- Page 489 and 490:
REVEALING SOURCES: HISTORICAL RESOU
- Page 491 and 492:
scholarly endeavors amongst its fac
- Page 493 and 494:
country of origin. These records in
- Page 495 and 496:
RECOVERING WOMEN’S VOICES: THE PR
- Page 497 and 498:
Once again, Chryssoni turned to the
- Page 499 and 500:
Mediterraneans: North Africa and Eu
- Page 501 and 502:
MYTH‐SPINNING and TWO LATE 16 th
- Page 503 and 504:
argues that “the fact that tradit
- Page 505 and 506:
ÖNCÜ KADINLAR PIONEERING WOMEN 50
- Page 507 and 508:
astlanır. Bir kısmı İaşi ‘Ge
- Page 509 and 510:
Portreleri incelendiğinde genel ç
- Page 511 and 512:
Resim 6 Resim 7 Resim 8 Resim 9 Res
- Page 513 and 514:
TÜRKİYE’NİN 20.YÜZYILINDA Bİ
- Page 515 and 516:
...Haçlı Garp, Doğu’dan Batı
- Page 517 and 518:
önemli bir yere sahip olduğunu be
- Page 519 and 520:
YAZAR ESMA OCAK’IN BİYOGRAFİSİ
- Page 521 and 522:
ayrıntılar da ritüelleri, mitik
- Page 523 and 524:
Notlar 1 Yazarın eserleri: Berdel
- Page 525 and 526:
Giriş ’’Arı’nın Yolculuğu
- Page 527 and 528:
Her zaman yolumu aydınlattınız v
- Page 529 and 530:
13 Prof. Dr. Meziyet Arı halen aka
- Page 531 and 532:
Tüm bu zorluklara rağmen Cumhuriy
- Page 533 and 534:
Sayın Çığ kadınların toplumsa
- Page 535 and 536:
getirdiği bir yük var. Aslında
- Page 537 and 538:
A ROBUST CHARACTER WORKING FOR THE
- Page 539 and 540:
If you are going to ask women to ha
- Page 541 and 542:
Dunlop’s speech focused on the re
- Page 543 and 544:
Faison, Seth. “Women’s Meeting
- Page 545 and 546:
SEVGULİ’NİN HİKÂYESİNİ DİN
- Page 547 and 548:
olduğunu bize asla belirtmedi. Sad
- Page 549 and 550:
Sevguli’ye kumasıyla ilişkisini
- Page 551 and 552: yapayacağını bilmiyor olmak” f
- Page 553 and 554: tartışmalı bir durumdur. Bizler
- Page 555 and 556: Verdiği örnek başarılıdır: He
- Page 557 and 558: şekilde marjinalize gruplardan ö
- Page 559 and 560: Kaynakça Akis, Yasemin. 2009. “P
- Page 561 and 562: BİREYSEL GÖRÜŞMELER VE GRUP GÖ
- Page 563 and 564: haline gerçekten geçmeyi sağlaya
- Page 565 and 566: ÖRNEK 4: BU ÖRNEKTE ARAŞTIRMACI
- Page 567 and 568: 3 Uwe Flick, Qualitative Sozialfors
- Page 569 and 570: de bulundu. Bülent Ecevit’in var
- Page 571 and 572: Sen erkek olduğun için senin içi
- Page 573 and 574: HİKÂYELERİMİZİN PEŞİNDEN Fer
- Page 575 and 576: Feminist bakış açısı kuramına
- Page 577 and 578: 2008), 361. 2 Sandra Harding, “Fe
- Page 579 and 580: THE CRITICISM OF MAN‐DOMINATED SO
- Page 581 and 582: It should be noted that Forough doe
- Page 583 and 584: the democratic transition, the retu
- Page 585 and 586: friendship with the French poet Pie
- Page 587 and 588: —— Ώρες του Σινά. At
- Page 589 and 590: Christian spiritual life. It was in
- Page 591 and 592: Na soberana luz da Mãi tão pura,
- Page 593 and 594: the genders has consisted in the di
- Page 595 and 596: IN HER DAY SHE BROKE THE MOLD: DISC
- Page 597 and 598: then‐Viceroy of India, Lord Linli
- Page 599 and 600: Conclusions Is the Hindu goddess a
- Page 601: Feminist? The Politics of South Asi
- Page 605 and 606: Maria abandons her husband and his
- Page 607 and 608: For Galanaki, Eleni’s disguise an
- Page 609 and 610: Varikas, Eleni. I exegersi ton kyri
- Page 611 and 612: The first of these attributes was t
- Page 613 and 614: In his essay “Paris of the Second
- Page 615 and 616: PARA/TEXTS AND THE CONSTRUCTION OF
- Page 617 and 618: When the author speaks out Chen Yun
- Page 619 and 620: erudite woman. 19 In the third poem
- Page 621 and 622: 9 Zuo Chen, in Chen, Xinfangge, “
- Page 623 and 624: ÜÇ KUŞAK KADININ CİNSİYET ROLL
- Page 625 and 626: görüşme ana tema soruları veril
- Page 627 and 628: …Bizim adetlerimizde ev işlerini
- Page 629 and 630: İktidar ilişkileri Bu ana temaya
- Page 631 and 632: HALK EDEBİYATI ANLATI TÜRLERİ KA
- Page 633 and 634: gayet dinç ve sorunsuz olarak akta
- Page 635 and 636: Anlatıcı, masal metninden çıkma
- Page 637 and 638: Assistant Professor Gönül GÖKDEM
- Page 639 and 640: Bildirileri, Halkbilimi (2000): 22
- Page 641 and 642: DENGBÊJLİĞİN ERİLLİĞİ VE K
- Page 643 and 644: Ulus kurucu olarak aktif bir rol ü
- Page 645 and 646: meziyeti varsa dünyaya duyurmalıd
- Page 647 and 648: 1. Sakin, Elif, Gülbeyaz Sert, “
- Page 649 and 650: Bütün bu göndergeler Türkçe Ka
- Page 651 and 652: tarafından temsil edilmiştir. Kon
- Page 653 and 654:
Güllü adların varlığı Hz. Muh
- Page 655 and 656:
Rasonyi, Laslo. ‘‘Türklükte K
- Page 657 and 658:
"Yüksekten atlamayın kızlığın
- Page 659 and 660:
söylemektedir. Aynı genç kadın
- Page 661 and 662:
KADIN DENEYİMLERİ VE OTO/ BİYOGR
- Page 663 and 664:
Yazdıkları çok satan romanlarda
- Page 665 and 666:
Romanlarını büyük, küçük ya
- Page 667 and 668:
eserleriyle aşk filmlerine kaynakl
- Page 669 and 670:
KERİME NADİR Özlem POLAT ATAN *
- Page 671 and 672:
Nadir’i arayarak “Alay mı ediy
- Page 673 and 674:
HİÇLİĞİN RENGİ (ABDÜLHÂK H
- Page 675 and 676:
zaman bir otel odasına tıkılıp
- Page 677 and 678:
yığıldı. Lüsyen ise ne olduğu
- Page 679 and 680:
SURVIVING THE NAKBA: A NARRATIVE OF
- Page 681 and 682:
That night, my father picked up his
- Page 683 and 684:
this period. It was her mother’s
- Page 685 and 686:
OTTOMAN WOMEN’S RESISTANCE TO VIO
- Page 687 and 688:
Zihniyye, “soldier’s son” Nur
- Page 689 and 690:
To sum up, Ottoman women’s resist
- Page 691 and 692:
WOMEN'S EDUCATION 691
- Page 693 and 694:
Nigeria whom he hardly knows withou
- Page 695 and 696:
I am sure, frustration and hardship
- Page 697 and 698:
160. 14 Abdulmajid, Rahama. Mace Mu
- Page 699 and 700:
“an educational development which
- Page 701 and 702:
In every quarter and village or in
- Page 703 and 704:
Leiden, 2001. Szyliowicz, Joseph. E
- Page 705 and 706:
skills.” 9 Iorga also mentioned a
- Page 707 and 708:
Reading periodicals Many princes, i
- Page 709 and 710:
In “Celălalt autentic.” Lumea
- Page 711 and 712:
Taliha started veiling when she tur
- Page 713 and 714:
esilient in the face of setbacks th
- Page 715 and 716:
context of education. In contexts w
- Page 717 and 718:
KAMUSAL TARTIŞMALARDA KADIN SİYAS
- Page 719 and 720:
Siyasal katılımın sadece parlame
- Page 721 and 722:
İnsanlar için bir şeyler yapmak,
- Page 723 and 724:
Beşpınar, seçmen kadınların de
- Page 725 and 726:
İKİNCİ DÜNYA SAVAŞI SONUNDA SA
- Page 727 and 728:
Sertel’e göre faşizm geri bir i
- Page 729 and 730:
September 27, 2013. http://global.b
- Page 731 and 732:
Toplumun dinamikliğini gösteren
- Page 733 and 734:
hemcinsi ile kurduğu duygusal bağ
- Page 735 and 736:
Bütün bunların ‘kurgu’lanara
- Page 737 and 738:
1924 yılına ait Fransızca bir be
- Page 739 and 740:
10 Çalışlar, Biyografisine Sığ
- Page 741 and 742:
sonrası bütün Batılı değerler
- Page 743 and 744:
onun kurumlarına da yönelik olmas
- Page 745 and 746:
6 Huda Shaarawi, Harem Years: The M
- Page 747 and 748:
BİRBİRİNE DEĞEN HAYATLAR Umut B
- Page 749 and 750:
diye değil, okulda yeni bir labora
- Page 751 and 752:
gibi bağırır haykırırlar, acı
- Page 753 and 754:
19 Gottfried Blumenstein, Janis Jop
- Page 755 and 756:
olay olarak ele alınacak üç vaka
- Page 757 and 758:
tarihlerine ışık tutmayı amaçl
- Page 759 and 760:
Sexuality and Museums: A Routledge
- Page 761 and 762:
KADINLARIN ANLATILARINDA SAĞLIK VE
- Page 763 and 764:
ir toplam gibi birikmiş benliğimi
- Page 765 and 766:
Saygınlık uyandıracak bir zarafe
- Page 767 and 768:
ahlaki ve estetik yargılardan bağ
- Page 769 and 770:
WOMEN'S VOICES IN RELIGIOUS DISCOUR
- Page 771 and 772:
contributing to the official corpus
- Page 773 and 774:
to him for a blessing and spiritual
- Page 775 and 776:
The years passed and the monks, fee
- Page 777 and 778:
of Sakkoudion, in Bithynia, in 794
- Page 779 and 780:
POWER AMONG ORTHODOX WOMEN TO CHANG
- Page 781 and 782:
Why? Did she want to capture her an
- Page 783 and 784:
Why did none of her literary charac
- Page 785 and 786:
PLACING A FEMALE PERSON AT THE CENT
- Page 787 and 788:
the pastor, including his wife and
- Page 789 and 790:
(1) polemics and apologetics betwee
- Page 791 and 792:
edited by Maria Heidegger, Nina Kog
- Page 793 and 794:
Michael Benton asks pointedly of th
- Page 795 and 796:
handmaid? 27 That Mary writes at al
- Page 797 and 798:
After years of grief, Mary becomes
- Page 799 and 800:
outside influences, their education
- Page 801 and 802:
Manchester: Manchester University P
- Page 803 and 804:
London for at least two years. In e
- Page 805 and 806:
The second finding of this study is
- Page 807 and 808:
Finch, Janet. “It’s Great to Ha
- Page 809 and 810:
HISTORICISING WOMEN THROUGH FICTION
- Page 811 and 812:
most writers of these texts are men
- Page 813 and 814:
soldiers removed the corpse of the
- Page 815 and 816:
8 The website of the organisation c
- Page 817 and 818:
AUTO/BIOGRAPHY, HISTORY AND HERSTOR
- Page 819 and 820:
I research from a postcolonial pers
- Page 821 and 822:
the way ancient Egypt's Nefertiti (
- Page 823 and 824:
also in a horizontal, present tense
- Page 825 and 826:
of resistance (...) marking disrupt
- Page 827 and 828:
Cooper Albright, Ann. Engaging Bodi
- Page 829 and 830:
produce Islam. In both approaches t
- Page 831 and 832:
also worked in the fields or in sho
- Page 833 and 834:
education and healthcare. 8 Nikki K
- Page 835 and 836:
FICTIONS OF SELVES: AUTO/BIOGRAPHIE
- Page 837 and 838:
egg shell in coffee to clarify. [
- Page 839 and 840:
eality; and the mutual bond between
- Page 841 and 842:
KADINLARIN GÖÇ DENEYİMİ WOMEN
- Page 843 and 844:
Haliçli Köprü romanında, bedeni
- Page 845 and 846:
Wonaym’da ikamet eden ve markete
- Page 847 and 848:
üzerinden ortaya koyduklarının d
- Page 849 and 850:
MUHACİR KADININ ÖMÜR YOLU HATIRA
- Page 851 and 852:
Memuar eserlerinin özelliği şudu
- Page 853 and 854:
Keywords: Migrant, Ummulbanu, Cauca
- Page 855 and 856:
LEYLA ERBİL’ İN YAŞAMI VE ROMA
- Page 857 and 858:
edilemez. Ölümün yarattığı y
- Page 859 and 860:
omanlarında yaratılan klişe kad
- Page 861 and 862:
u sorgulama sonucu ulaştığı do
- Page 863 and 864:
Şair Nigâr Hanım Nigâr bint‐i
- Page 865 and 866:
çıkılmamaktadır. Diğer bir dey
- Page 867 and 868:
Bekiroğlu, Nazan. Şair Nigâr Han
- Page 869 and 870:
they help effect restoration to her
- Page 871 and 872:
narrative (Brontë, 2006: 289).Thor
- Page 873 and 874:
2 Trauma theory in literary and cri
- Page 875 and 876:
Felman Shoshana and Dori Laub, M.D.
- Page 877 and 878:
In 1946, Anna gave birth to a daugh
- Page 879 and 880:
Ph.D. student at the Institute of P
- Page 881 and 882:
WOMEN’S BIOGRAPHIES IN PLAYS Faki
- Page 883 and 884:
addition, this composition forms an
- Page 885 and 886:
iographical plays, takes some of th
- Page 887 and 888:
very well composed and important pl
- Page 889 and 890:
ideolojiyi yaşatma konusunda fark
- Page 891 and 892:
ölçülü, iyi bir yurttaş olmakt
- Page 893 and 894:
Tragedyayı geri dönülmez bir yol
- Page 895 and 896:
Freud, Sigmund. Ruh Çözümlemesin
- Page 897 and 898:
STRATIFICATION IN ARMY NURSING: THE
- Page 899 and 900:
with different educational backgrou
- Page 901 and 902:
family, at school, and at work hind
- Page 903 and 904:
hierarchies. Women have generally h
- Page 905 and 906:
Fry, Sara T., Rose M. Harvey, Ann C
- Page 907 and 908:
The hijab is viewed by Americans as
- Page 909 and 910:
narrative that Muslims are terroris
- Page 911 and 912:
Mahmood, Saba. Politics of Piety: T
- Page 913 and 914:
crossing physical borders, as many
- Page 915 and 916:
confusion as a general state of bei
- Page 917 and 918:
Keywords: Romanian prose, Women wri
- Page 919:
919
Inappropriate
Loading...
Inappropriate
You have already flagged this document.
Thank you, for helping us keep this platform clean.
The editors will have a look at it as soon as possible.
Mail this publication
Loading...
Embed
Loading...
Delete template?
Are you sure you want to delete your template?
DOWNLOAD ePAPER
This ePaper is currently not available for download.
You can find similar magazines on this topic below under ‘Recommendations’.