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writing_womans_lives_symposium_paper_book_v2

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Furthermore, breaching the norms of public expression, women who speak question this exercise<br />

of power, endangering a male domain, creating knowledge in resistance, not initiated by the “top”,<br />

to a liberation movement now run by black male elites, claiming more “knowledge of dominant”, as<br />

Isabelle Stengers may have defined it (Stengers, 2002).<br />

This approach pushes the exercise of democracy into a corner by promoting de facto freedom of<br />

expression and equality in expressions as two structuring components of a society to create. It<br />

eliminates control (which barricades and legislates) and thus the domination (which uses it to hold),<br />

to account for power (that of subalterns: those who do not speak out).<br />

Economy of transmission<br />

Then, far from wanting to complete the puzzle pieces of a national memory, such as in the case of<br />

the Holocaust, or the one of survivors of the Rwandan genocide, the collection of women’s stories is<br />

more about building an “economy of transmission” 9 within the meaning where it creates its specific<br />

exchange currency – one language 10 , the stories themselves – and its own capital – the knowledge –<br />

and therefore its own modes of wealth distribution, by pooling female collective memory, which is in<br />

turn both black and African, as opposed to the “white Western male”, as outlined by Gilles Deleuze<br />

(Deleuze, 1986).<br />

It is more akin to an attitude of ownership/capitalization of a reality, of a situation taken from life,<br />

real life, as opposed to institutional, rational life, as provided by State rhetoric. This ownership of the<br />

“real” therefore requires methods not theorized that also form knowledge.<br />

An alternative reading of globalization<br />

This approach also runs counter to a global knowledge, which tend to “standardize” thought,<br />

since it clings to each personal identities, borrowed heavily from local culture and socialization<br />

(language, urban/rural, rich/poor...). By following in the footsteps of the foundations of<br />

“ethnoscience” (Nathan, 2005), the process of collecting these memories does not try to adapt these<br />

modes of expression to the dominant knowledge, but rather works to create its own values. As Jean‐<br />

François Bayart invites us to “consider our time in its incompleteness and its fragility” (Bayart, 2004),<br />

this process offers an alternative reading of globalization. For example, the aim is not to rewrite the<br />

struggle against apartheid from female perspective, but rather to create a look of women who have<br />

experienced apartheid, and thus having accumulated specific knowledge on a society in transition,<br />

organized by those who collect.<br />

A revealing intimate<br />

Dealing only with violence, revealing their intimacy, their intimate relationships, these women<br />

witnesses flout all social institutions and other local traditions, which designate sexuality as<br />

masculine domain, and female sexuality as non‐existent, as being only at the service of the male.<br />

Cutting short this trend, this revealed intimacy invents a form of social “legitimacy”, transgressing<br />

traditional modes of communication, reserved and established by men throughout the community. It<br />

establishes a new language that allows discussing, exchanging, developing and disseminating the<br />

thought of equality with men. We can then speak of “revealing intimate.”<br />

A moral of the invisible<br />

Finally, “saying” in public her daily life as a woman, or some of its “elements”, pushing the<br />

boundaries of what is invisible, hidden, latent, may propose a new grid of social reading, a “moral of<br />

the invisible”, breaking all codes that now govern the South African society. As Michelle Perrot<br />

451

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