writing_womans_lives_symposium_paper_book_v2

BİLDİRİLER / PAPERS
ERKEK‐AKIM TARİH YAZIMINA MEYDAN OKUYAN KADINLAR / WOMEN CHALLENGING
MALE‐STREAM HISTORY WRITING
Following the Traces Of The Union of Turkish Women Delegates to the 1935 Congress - Aslı DAVAZ . .
Sylvia Plath’in Smith College Yılları: Yalnızlık Dolambacı - Duygu DİNÇER. . . . . . . . . . . . . . . . . . . . . . . . . . .
SÖZLÜ TARİH VE TANIKLIKLAR / ORAL HISTORY AND TESTIMONIES
Farklı Hayatlar, Farklı Hikayeler: Kadın Cezaevinde Kadınlık Anlatıları - Sanem KULAK GÖKÇE . . . . . . . . .
Ülkelerin Sahipleri ve Misafirleri: Azınlık ve Göçmen Kadınların “Misafirperverlik”le İmtihanı - Merin
SEVER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
KADIN HAYATLARINA YANSIYAN ULUSAL TARİH / REFLECTIONS OF NATIONAL HISTORY IN
WOMEN'S LIVES
Kalbiye Tansel (1913‐2001) Bir Cumhuriyet Kadını - Aysıt TANSEL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Bir Cumhuriyet Kadını ZEKİYE OLGAÇAY - Bahar TANER, Nihat TANER . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
POLITICAL VOICES IN AUTOBIOGRAPHIES
The Intersection of the Public and the Private in an Autobiography: One Era Two Women: In Each
Other’s Mirror - Nazan AKSOY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Political Voice of Maya Angelou in I Know Why the Caged Bird Sings - Sima JALAL KAMALI. . . . . . . . . . .
Using Autobiographical Narrative to (Re)Conceptualize “Culture”: An Analysis Of Nkunzi Nkabinde’s
Groundbreaking Memoir - Taylor RILEY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Reflections on the Economic Status of Dogra Women through a Study of Padma Sachdeva’s A Drop in
the Ocean: An Autobiography - Jasbir SINGH / Sandhya BHARDHWAJ. . . . . . . . . . . . . . . . . . . . . . . . . .
CROSS‐CULTURAL ENCOUNTERS
Lilo Linke: A Storyteller of Social Change in Turkey - Anita OĞURLU. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
The Unforeseeable Narrative. On Turning a Lifelong Correspondence into a Life Story - Erla Hulda
HALLDÓRSDÓTTIR. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Badges Of Honour: Capturing Narratives of Activism And The Forming Of Campaigning Identities
Through Archiving Ephemera - Adele PATRICK. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Recording A Life: A Work in Progress - Geoff BELLIGOI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
The “Re‐Vision” of Women’s Life Narratives in Photography and Early Cinema - Małgorzata
RADKIEWICZ. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
WOMEN IN POLITICAL ACTIVISM
Kashmiri Women’s Testimonios: Lives in Limbo - Anupama VOHRA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Women’s Role in the Khilafat Movement: A Case Study of Zamindar, 1919 – 1924 - Zahida SULEMAN .
KAMU VE İŞ HAYATINDA KADINLAR / WOMEN IN PUBLIC AND PROFESSIONAL LIFE
1950’lerde Türkiye’de Radyoda Kadın Olmak: Umutlar ve Düş Kırıklıkları - Özlem AKKAYA. . . . . . . . . . . .
Türkiye Cumhuriyeti’nin İlk Tanınmış Dansözü Emine Adalet Pee - Birsen TALAY KEŞOĞLU. . . . . . . . . . . .
Günlükten Otobiyografiye: Fevziye Abdullah Tansel’in Günlüklerinden Yaşam Öyküsünün İzlerini Sürme
Denemesi - Hiclâl DEMİR / HafizeŞAHİN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Osmanlı Toplumunda Kadınların Meslek Edinme Çabaları (1908‐1923) Hayrünisa ALP. . . . . . . . . . . . . . . .
KADIN YAŞAM ANLATILARINDA FELSEFE / PHILOSOPHY IN WOMEN'S LIFE NARRATION
Simone De Beauvoir’ın Otobiyografisinde Kendi – Öteki İlişkisi - Ceylan ÇOŞKUNER. . . . . . . . . . . . . . . . . .
The Correspondence of PrIncess Elisabeth and Descartes: A Reading from the Point of View of
Elisabeth - Aliye KARABÜK KOVANLIKAYA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Kendine Ait (mi?): Kadınların Odası - Meral AKBAŞ. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Tüyler Ürpertici Siyasi Suikastten Romantik Mit Yaratmak: Hypatia ve Resimsel Sunumları - Neşe
YILDIRAN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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