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Aziz Art June 2016

History of art(west and Iranian)-contemporary art

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In 1908, she won the League's<br />

William Merritt Chase still-life<br />

prize for her oil painting Dead<br />

Rabbit with Copper Pot.Her prize<br />

was a scholarship to attend the<br />

League's outdoor<br />

summer school in Lake George,<br />

New York. While in the city<br />

in 1908, O'Keeffe attended an<br />

exhibition of Rodin's<br />

watercolors at the gallery 291,<br />

owned by her future husband,<br />

photographer Alfred Stieglitz.<br />

O'Keeffe abandoned the idea of<br />

pursuing a career as an artist<br />

in late 1908, claiming that she<br />

could never distinguish herself as<br />

an artist within the mimetic<br />

tradition which had formed the<br />

basis of her art training.She took a<br />

job in Chicago as a commercial<br />

artist. She did not paint for four<br />

years,and said that the smell of<br />

turpentine made her sick.<br />

She was inspired to paint again in<br />

1912, when she attended a<br />

class at the University of Virginia<br />

Summer School, where she was<br />

introduced to the innovative ideas<br />

of <strong>Art</strong>hur Wesley Dow by Alon<br />

Bement. Dow encouraged artists to<br />

express themselves using line,<br />

color, and shading harmoniously.<br />

From 1912-14, she taught art in the<br />

public schools in Amarillo in the<br />

Texas Panhandle.She attended<br />

Teachers College of Columbia<br />

University from 1914–15, where<br />

she took classes from Dow, who<br />

greatly influenced O'Keeffe's<br />

thinking about the process of<br />

making art.She served as a teaching<br />

assistant to Bement during the<br />

summers from 1913–16 and taught<br />

at Columbia College, Columbia,<br />

South Carolina in late 1915, where<br />

she completed a series of highly<br />

innovative charcoal abstractions.<br />

After further course work at<br />

Columbia in early 1916 and<br />

summer teaching for Bement, she<br />

took a job as head of the art<br />

department at West Texas State<br />

Normal College from late 1916 to<br />

February 1918, the fledgling West<br />

Texas A&M University in Canyon<br />

just south of Amarillo. While there,<br />

she often visited the Palo Duro<br />

Canyon, making its forms a subject<br />

in her work.

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