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In 1908, she won the League's<br />
William Merritt Chase still-life<br />
prize for her oil painting Dead<br />
Rabbit with Copper Pot.Her prize<br />
was a scholarship to attend the<br />
League's outdoor<br />
summer school in Lake George,<br />
New York. While in the city<br />
in 1908, O'Keeffe attended an<br />
exhibition of Rodin's<br />
watercolors at the gallery 291,<br />
owned by her future husband,<br />
photographer Alfred Stieglitz.<br />
O'Keeffe abandoned the idea of<br />
pursuing a career as an artist<br />
in late 1908, claiming that she<br />
could never distinguish herself as<br />
an artist within the mimetic<br />
tradition which had formed the<br />
basis of her art training.She took a<br />
job in Chicago as a commercial<br />
artist. She did not paint for four<br />
years,and said that the smell of<br />
turpentine made her sick.<br />
She was inspired to paint again in<br />
1912, when she attended a<br />
class at the University of Virginia<br />
Summer School, where she was<br />
introduced to the innovative ideas<br />
of <strong>Art</strong>hur Wesley Dow by Alon<br />
Bement. Dow encouraged artists to<br />
express themselves using line,<br />
color, and shading harmoniously.<br />
From 1912-14, she taught art in the<br />
public schools in Amarillo in the<br />
Texas Panhandle.She attended<br />
Teachers College of Columbia<br />
University from 1914–15, where<br />
she took classes from Dow, who<br />
greatly influenced O'Keeffe's<br />
thinking about the process of<br />
making art.She served as a teaching<br />
assistant to Bement during the<br />
summers from 1913–16 and taught<br />
at Columbia College, Columbia,<br />
South Carolina in late 1915, where<br />
she completed a series of highly<br />
innovative charcoal abstractions.<br />
After further course work at<br />
Columbia in early 1916 and<br />
summer teaching for Bement, she<br />
took a job as head of the art<br />
department at West Texas State<br />
Normal College from late 1916 to<br />
February 1918, the fledgling West<br />
Texas A&M University in Canyon<br />
just south of Amarillo. While there,<br />
she often visited the Palo Duro<br />
Canyon, making its forms a subject<br />
in her work.