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Culture UPCLOSE: EMAN LAM Dancer and stand-up comedian Eman Lam has performed at some of the biggest clubs in New York, and now she’s launching a bilingual stand-up night in the city, Stand Up HK. She tells Jessica Wei about being a woman in comedy, the stand-up community in Hong Kong, and having to talk about dicks and balls. HK Magazine: When did you start doing stand-up? Eman Lam: I started doing stand-up a little more than four years ago. I started in Hong Kong, but I go to the US once or twice a year, and any time I travel I’ll do stand-up every day. HK: What’s the difference between performing in North America and Hong Kong? EL: There’s a huge difference. People [in North America] are very supportive of stand-up. People actually pay money, there are many, many comedy clubs, and it all goes very well. I did exactly the same set that I do in Hong Kong, and over there I got a lot of laughs. In Hong Kong, it’s tough because everyone’s from somewhere else. The cultural stuff is hard—it’s hard to get people to feel for you and laugh at the same things. I try to write my stuff with fewer cultural differences and more about food, or relationships—stuff everyone gets. HK: So what topics generally do well here for you? EL: I like to talk about relationships a lot. I’m a woman, and a lot of guy comics mostly talk about dicks and balls. I feel like none of the female audience members are interested in balls and dicks, so I just talk about how stupid guys are in general, and how they try to get girls into bed, that kind of thing. And how it’s tough to date anyone in a big city. HK: How big is the stand-up community here? EL: There’s only one comedy club in Hong Kong, and there are two or three companies now doing stand-up comedy. But none of us really have the money to pay the rental to own a comedy club, so it’s just companies finding venues to do events. HK: What inspired you to start Stand Up HK? EL: I got inspired because of the treatment that I’ve been going through. It’s actually super unfair to do stand-up comedy in Hong Kong because I’m a woman. It’s a boy’s club. Maybe the boys are friends, they talk about dicks and balls all the time, but I’m a woman. I don’t talk about these things with them. They’re Compiled by Jessica Wei jessica.wei@hkmagmedia.com very stingy with my performance minutes, and they don’t give me a fair opportunity compared to the other comedians. I don’t know if it’s a sexist thing or I’m just being sensitive, but I feel like the moment I set up Stand Up HK, every female comedian joined my company: so actions speak louder than words. HK: What kinds of differences are there between the Cantonese and English stand-up communities in Hong Kong? EL: I see more and more new local comedians, at least on the Cantonese side. On the English side, people always come and go. Maybe they’re teachers in Hong Kong and their schedules are more flexible to do stand-up, but they come and go. They might not stick to stand-up for even three or six months, they’re just trying it out. Then they get bored with it and move on. Not many people actually stay and keep doing it as a passion. HK: What do you hope to achieve with Stand Up HK that sets it apart from the others? EL: We’re the only platform which does both Cantonese and English sets. The existing comedy companies in SoHo only do English; they stopped doing Chinese [comedy] years ago. I’m from Hong Kong. We need something in our mother tongue, to represent ourselves. Chinese people don’t deserve to laugh now? I want to set up a comedy club for everyone who is here. As long as you’re in Hong Kong, you’ll have an opportunity to have a laugh. Stand Up HK launches with a showcase of eight new Hong Kong performers, hosted by Lam, on June 18, 7:30pm, Culture Club Gallery, 15 Elgin St., Central. English show starts at 7:30pm; Cantonese show at 9:30pm. $160 at the door. standup-hk.com Classical Solomusica: The Face of Mercy In celebration of the Papal year of Mercy, Solomusica has organized two concerts of Mozart’s masterpieces: First his Great Mass in C minor, followed by the seldom-performed “Misericordias Domini,” a sacred work he composed at the age of 19 that’s now considered a minor masterpiece. Featured in this performance by the City Chamber Orchestra of Hong Kong are Francesca Lombardi Mazzulli, Roberta Mameli, and Mirco Palazzi from Italy, as well as Hong Kong’s own tenor Attis Y Chen. Proceeds go to Save the Children and Helping Hand. Jun 16, 23, 7:30pm. St. John’s Cathedral, 4-8 Garden Rd., Central . solomusica. org. $288-1,450 from ticketflap.com/solomusica. Voyage with Anne Queffélec: A tribute to Erik Satie French classical pianist Anne Queffélec is showing her roots and delighting Hong Kong audiences with a musical voyage through 20th century French classics. Inspired by her 2013 album “Satie & Compagnie,” she’ll be playing a fun-filled program comprising works by Satie as well as his contemporaries Debussy, Ravel, Poulenc and Reynaldo Hahn. Jun 24, 8pm. Amphitheatre, Academy for Performing Arts, 1 Gloucester Rd., Wan Chai . $280-380 from hkticketing.com. Paris-Vienna-Budapest: David Greilsammer Plays with the Sinfonietta Israeli conductor and pianist David Greilsammer returns to Hong Kong to perform Mozart’s Piano Concerto No 17 and conduct the Hong Kong Sinfonietta through Haydn’s Symphony No. 3, “Drum Roll,” as well as Rameau’s Orchestral Suite and Ligeti’s “Melodien.” Greilsammer is a virtuoso who’s collaborated with musicians and visual artists from a variety of different musical spectrums, as well as undertaken ambitious classical projects: In 2008, he performed all of Mozart’s piano sonatas in a one-day marathon, and over the 2012/2013 season he played all 27 of Mozart’s piano concertos. Jun 26, 8pm. Concert Hall, City Hall, 5 Edinburgh Place, Central. hksl.org. $150-360 from urbtix.hk. Masterworks: Jaap & Karen Gomyo Japanese-French-Canadian violinist Karen Gomyo and music director of the HK Philharmonic Jaap van Zweden come together for a two-night stint. Selections include Rossini’s “La Gazza Ladra” Overture, Bruch’s Violin Concerto No. 1 and the Asian debut of Dutch composer John Borstlap’s “Solemn Night Music.” There will be free preconcert talks before both concerts. Jun 17-18, 8pm. English pre-concert talk Jun 17, 7:15pm; Cantonese preconcert talk Jun 18, 7:15pm. Concert Hall, Cultural Centre, 10 Salisbury Rd., Tsim Sha Tsui. hkphil.org. $280-680 from urbtix.hk. Bach to the Future The grandaddy of organ music gets the HK Phil treatment with a tribute concert that takes his musical innovations and recontextualizes them within new 20th century masterworks. The orchestra will be playing classic Baroque pieces by Bach, Rebel and Purcell and juxtaposing them with compositions from 20th century masters Arvo Pärt and György Ligeti. The program will feature Hong Kong pianist Colleen Lee and American violinist Caroline Goulding. Prior to the concert, a performance of Ligeti’s “Poème Symphonique for 100 Metronomes” will be performed by volunteers from the audience. Concert-goers are encouraged to bring their own metronomes from home and register for participation at education@hkphil.org. Jun 24-25, 8:15pm, Poème Symphonique for 100 Metronomes by Ligeti in the foyer; 9pm, Bach to the Future concert. Concert Hall, Cultural Centre, 10 Salisbury Rd., Tsim Sha Tsui. $180-380 from urbtix.hk. Arcadi Volodos Piano Recital Russian piano virtuoso Arcadi Volodos returns to Hong Kong for a recital chock-full of German classics, such as Schumann’s “Papillons,” Brahms’ “3 Intermezzi” and Schubert’s “Piano Sonata No. 20 in A.” Volodos has recorded Schubert sonatas and Rachmaninov solo pieces, as well as a Gramophone Award-winning album devoted to Catalonian composer Federico Mompou. Jul 26, 8pm. Concert Hall, City Hall, 5 Edinburgh Place, Central. $180 to $400 from urbtix.hk. Comedy TakeOut Comedy Presents John Robertson Britain-based Australian comedian, TV presenter and columnist John Robertson brings his Youtubehit-turned-live-show “Dark Room,” which merges stand-up comedy with retro gaming into a liveaction videogame, to Culture Club. Jun 17, 8pm. Culture Club Gallery, G/F, 15 Elgin St., Central. $150 from takeoutcomedy.com. Jimmy Carr in Hong Kong One of the biggest comedy names to come out of the UK, Jimmy Carr makes his Hong Kong debut in August. Guaranteed in the show: offensive one-liners, rude anecdotes, and way too many jokes about his knob. Aug 25, 8pm. King George V School, 2 Tin Kwong Rd., Ho Man Tin . $488-888 from hkticketing.com. Dance Carlos Acosta: A Classical Farewell After a 26-year career, legendary Cuban ballet dancer Carlos Acosta is embarking on his final tour, “A Classical Farewell.” He’ll perform excerpts from his favorite ballets, including “Swan Lake,” “La Sylphide,” “Winter Dreams” and “Je ne regrette rien.” Jun 30-Jul 2, 7:45pm. Hong Kong Cultural Centre, 10 Salisbury Rd., Tsim Sha Tsui. $160-520 from urbtix.hk. Springboard Showcase 2016 The Hong Kong Dance Alliance presents a dynamic program of dance performances. Included in the program are two world premieres: “That Day,” by Hong Kong Dance Award-winning dancer, teacher and choreographer Lam Po, and two-time HKDA-winning choreographer Justyne Li’s “Human Internship.” Jun 17, 8pm; Jun 18, 3pm. Kwai Tsing Theatre, 12 Hing Ning Rd., Kwai Fong, hkdanceall.org. $160 from urbtix.hk. Arts Festivals Rising Stars of Cantonese Opera The world of Cantonese opera gets another dose of new blood with the second annual Rising Stars of Cantonese Opera, unrolling over six consecutive nights with performances of classical masterpieces by seven new rising stars. The participating artists have been trained by a virtuoso of the art form: actor and Stephen Chow collaborator Law Ka-ying. Aug 12-17, 7:30pm. “Loyal to Love” Aug 12-13; “The Lady’s Sash” Aug 14-15; “The Immortal Zhang Yuqiao” Aug 16-17. New Wing, Ko Shan Theatre, 77 Ko Shan Rd., Hung Hom, westkowloon.hk. $80-180 from urbtix.hk. 24 HK MAGAZINE FRIDAY, JUNE 10, 2016
Exhibitions Forever Red: The Twelve Months of the Republic In “Forever Red: The Twelve Months of the Republic,” Liu Dahong sprinkled his paintings with images from Chinese folklore along with easter eggs of modern Chinese history— focusing primarily on the Cultural Revolution. The resulting works are paintings that capture the eyes, weaving together a tale starring politicians, revolutionaries, intellectuals and more. Explore Liu’s razor-sharp satire and the intricate tales he spins at Hanart TZ Gallery. Through Jul 16. Hanart TZ Gallery, Room 401, Pedder Building, 12 Pedder St., Central, hanart.com. Korean Voices: On Beauty and Nature In “Korean Voices,” two uniquely introspective Korean artists exhibit their work and share their own perspectives on beauty and nature: In Jeong Myoung-jo’s depictions of Korean women in traditional dress, their faces are turned away and they stand in front of backgrounds signifying their place in the world, from decadent gold to oppressive black. Park Ji-Sook presents her perspective in overlapping, converging lines which sprout into various shapes as part of the continuum of life, death and rebirth. Through Jun 30. Fabrik Contemporary Art, 1102, Nam Wo Hong Building, 148 Wing Lok St., Sheung Wan. fabrik-gallery.com. Floating Perspective Inspired by satellite images of the earth as well as the artist Jessica Fu’s experience during the 2009 tsunami in Japan, “Floating Perspectives” combines elements of photography, drawing and light art to create a series of surreal and intergalactic pieces of work at the new Marble Print & Clay printmaking studio. Through Jul 3. Tue-Sun 10am-7pm. Marble Print & Clay, Flat 05, 7/F, Sing Sin Factory Building, 15-17 Shing Yip St., Kwun Tong. 9080-0321. Shadows of Reality: Yigal Ozeri If a photo is worth a thousand words, then how can we quantify the worth of New York-based Israeli artist Yigal Ozeri’s paintings, painstakingly rendered with millions of tiny brushstrokes? See his minute, millimeter-close views of reality at Opera Gallery. Jun 16-30. Opera Gallery Hong Kong, G/F-3/F, W Place, 52 Wyndham St., Central. operagallery.com. HK MAGAZINE FRIDAY, JUNE 10, 2016 25
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Page 3 and 4: Page 3 COVER STORY Hong Kong in jui
Page 5 and 6: The Week Friday 6/10 Whatever Float
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