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Culture<br />

UPCLOSE: EMAN LAM<br />

Dancer and stand-up comedian Eman Lam<br />

has performed at some of the biggest clubs in<br />

New York, and now she’s launching a bilingual<br />

stand-up night in the city, Stand Up HK. She tells<br />

Jessica Wei about being a woman in comedy, the<br />

stand-up community in Hong Kong, and having<br />

to talk about dicks and balls.<br />

HK Magazine: When did you start doing stand-up?<br />

Eman Lam: I started doing stand-up a little more than four<br />

years ago. I started in Hong Kong, but I go to the US once or<br />

twice a year, and any time I travel I’ll do stand-up every day.<br />

HK: What’s the difference between performing in<br />

North America and Hong Kong?<br />

EL: <strong>The</strong>re’s a huge difference. People [in North America] are<br />

very supportive of stand-up. People actually pay money, there<br />

are many, many comedy clubs, and it all goes very well. I did<br />

exactly the same set that I do in Hong Kong, and over there I<br />

got a lot of laughs. In Hong Kong, it’s tough because everyone’s<br />

from somewhere else. <strong>The</strong> cultural stuff is hard—it’s hard to<br />

get people to feel for you and laugh at the same things. I try to<br />

write my stuff with fewer cultural differences and more about<br />

food, or relationships—stuff everyone gets.<br />

HK: So what topics generally do well here for you?<br />

EL: I like to talk about relationships a lot. I’m a woman, and a lot<br />

of guy comics mostly talk about dicks and balls. I feel like none<br />

of the female audience members are interested in balls and<br />

dicks, so I just talk about how stupid guys are in general, and<br />

how they try to get girls into bed, that kind of thing. And how<br />

it’s tough to date anyone in a big city.<br />

HK: How big is the stand-up community here?<br />

EL: <strong>The</strong>re’s only one comedy club in Hong Kong, and there are<br />

two or three companies now doing stand-up comedy. But none<br />

of us really have the money to pay the rental to own a comedy<br />

club, so it’s just companies finding venues to do events.<br />

HK: What inspired you to start Stand Up HK?<br />

EL: I got inspired because of the treatment that I’ve been going<br />

through. It’s actually super unfair to do stand-up comedy in<br />

Hong Kong because I’m a woman. It’s a boy’s club. Maybe the<br />

boys are friends, they talk about dicks and balls all the time, but<br />

I’m a woman. I don’t talk about these things with them. <strong>The</strong>y’re<br />

Compiled by Jessica Wei<br />

jessica.wei@hkmagmedia.com<br />

very stingy with my performance minutes, and they don’t give<br />

me a fair opportunity compared to the other comedians. I don’t<br />

know if it’s a sexist thing or I’m just being sensitive, but I feel<br />

like the moment I set up Stand Up HK, every female comedian<br />

joined my company: so actions speak louder than words.<br />

HK: What kinds of differences are there between<br />

the Cantonese and English stand-up communities in<br />

Hong Kong?<br />

EL: I see more and more new local comedians, at least on the<br />

Cantonese side. On the English side, people always come and<br />

go. Maybe they’re teachers in Hong Kong and their schedules<br />

are more flexible to do stand-up, but they come and go. <strong>The</strong>y<br />

might not stick to stand-up for even three or six months, they’re<br />

just trying it out. <strong>The</strong>n they get bored with it and move on.<br />

Not many people actually stay and keep doing it as a passion.<br />

HK: What do you hope to achieve with Stand Up HK<br />

that sets it apart from the others?<br />

EL: We’re the only platform which does both Cantonese and<br />

English sets. <strong>The</strong> existing comedy companies in SoHo only do<br />

English; they stopped doing Chinese [comedy] years ago. I’m<br />

from Hong Kong. We need something in our mother tongue,<br />

to represent ourselves. Chinese people don’t deserve to laugh<br />

now? I want to set up a comedy club for everyone who is here.<br />

As long as you’re in Hong Kong, you’ll have an opportunity to<br />

have a laugh.<br />

Stand Up HK launches with a showcase of eight new<br />

Hong Kong performers, hosted by Lam, on June 18, 7:30pm,<br />

Culture Club Gallery, 15 Elgin St., Central. English show starts<br />

at 7:30pm; Cantonese show at 9:30pm. $160 at the door.<br />

standup-hk.com<br />

Classical<br />

Solomusica: <strong>The</strong> Face of Mercy<br />

In celebration of the Papal year of Mercy,<br />

Solomusica has organized two concerts of Mozart’s<br />

masterpieces: First his Great Mass in C minor,<br />

followed by the seldom-performed “Misericordias<br />

Domini,” a sacred work he composed at the age<br />

of 19 that’s now considered a minor masterpiece.<br />

Featured in this performance by the City Chamber<br />

Orchestra of Hong Kong are Francesca Lombardi<br />

Mazzulli, Roberta Mameli, and Mirco Palazzi from<br />

Italy, as well as Hong Kong’s own tenor Attis Y<br />

Chen. Proceeds go to Save the Children and<br />

Helping Hand. Jun 16, 23, 7:30pm. St. John’s<br />

Cathedral, 4-8 Garden Rd., Central . solomusica.<br />

org. $288-1,450 from ticketflap.com/solomusica.<br />

Voyage with Anne Queffélec:<br />

A tribute to Erik Satie<br />

French classical pianist Anne Queffélec is showing<br />

her roots and delighting Hong Kong audiences<br />

with a musical voyage through 20th century<br />

French classics. Inspired by her 2013 album “Satie<br />

& Compagnie,” she’ll be playing a fun-filled<br />

program comprising works by Satie as well as<br />

his contemporaries Debussy, Ravel, Poulenc and<br />

Reynaldo Hahn. Jun 24, 8pm. Amphitheatre,<br />

Academy for Performing Arts, 1 Gloucester Rd.,<br />

Wan Chai . $280-380 from hkticketing.com.<br />

Paris-Vienna-Budapest: David Greilsammer<br />

Plays with the Sinfonietta<br />

Israeli conductor and pianist David Greilsammer<br />

returns to Hong Kong to perform Mozart’s<br />

Piano Concerto No 17 and conduct the Hong<br />

Kong Sinfonietta through Haydn’s Symphony No.<br />

3, “Drum Roll,” as well as Rameau’s Orchestral<br />

Suite and Ligeti’s “Melodien.” Greilsammer is<br />

a virtuoso who’s collaborated with musicians<br />

and visual artists from a variety of<br />

different musical spectrums,<br />

as well as undertaken<br />

ambitious classical projects:<br />

In 2008, he performed all<br />

of Mozart’s piano sonatas<br />

in a one-day marathon, and<br />

over the 2012/2013 season he<br />

played all 27 of Mozart’s piano<br />

concertos. Jun 26, 8pm.<br />

Concert Hall, City<br />

Hall, 5 Edinburgh<br />

Place, Central.<br />

hksl.org. $150-360<br />

from urbtix.hk.<br />

Masterworks: Jaap & Karen Gomyo<br />

Japanese-French-Canadian violinist Karen Gomyo<br />

and music director of the HK Philharmonic Jaap<br />

van Zweden come together for a two-night stint.<br />

Selections include Rossini’s “La Gazza Ladra”<br />

Overture, Bruch’s Violin Concerto No. 1 and the<br />

Asian debut of Dutch composer John Borstlap’s<br />

“Solemn Night Music.”<br />

<strong>The</strong>re will be free preconcert<br />

talks before<br />

both concerts. Jun<br />

17-18, 8pm. English<br />

pre-concert talk<br />

Jun 17, 7:15pm;<br />

Cantonese preconcert<br />

talk Jun 18,<br />

7:15pm. Concert<br />

Hall, Cultural Centre,<br />

10 Salisbury Rd.,<br />

Tsim Sha Tsui.<br />

hkphil.org.<br />

$280-680<br />

from<br />

urbtix.hk.<br />

Bach to the Future<br />

<strong>The</strong> grandaddy of organ music gets the HK<br />

Phil treatment with a tribute concert that takes<br />

his musical innovations and recontextualizes<br />

them within new 20th century masterworks. <strong>The</strong><br />

orchestra will be playing classic Baroque pieces<br />

by Bach, Rebel and Purcell and juxtaposing them<br />

with compositions from 20th century masters Arvo<br />

Pärt and György Ligeti. <strong>The</strong> program will feature<br />

Hong Kong pianist Colleen Lee and American<br />

violinist Caroline Goulding. Prior to the concert, a<br />

performance of Ligeti’s “Poème Symphonique for<br />

100 Metronomes” will be performed by volunteers<br />

from the audience. Concert-goers are encouraged<br />

to bring their own metronomes from home and<br />

register for participation at<br />

education@hkphil.org.<br />

Jun 24-25, 8:15pm,<br />

Poème Symphonique<br />

for 100 Metronomes by<br />

Ligeti in the foyer; 9pm,<br />

Bach to the Future<br />

concert. Concert Hall,<br />

Cultural Centre,<br />

10 Salisbury Rd.,<br />

Tsim Sha Tsui.<br />

$180-380 from<br />

urbtix.hk.<br />

Arcadi Volodos Piano Recital<br />

Russian piano virtuoso Arcadi Volodos returns<br />

to Hong Kong for a recital chock-full of German<br />

classics, such as Schumann’s “Papillons,” Brahms’<br />

“3 Intermezzi” and Schubert’s “Piano Sonata<br />

No. 20 in A.” Volodos has recorded Schubert<br />

sonatas and Rachmaninov solo pieces, as well as<br />

a Gramophone Award-winning album devoted to<br />

Catalonian composer Federico Mompou. Jul 26,<br />

8pm. Concert Hall, City Hall, 5 Edinburgh Place,<br />

Central. $180 to $400 from urbtix.hk.<br />

Comedy<br />

TakeOut Comedy Presents John Robertson<br />

Britain-based Australian comedian, TV presenter<br />

and columnist John Robertson brings his Youtubehit-turned-live-show<br />

“Dark Room,” which merges<br />

stand-up comedy with retro gaming into a liveaction<br />

videogame, to Culture Club. Jun 17, 8pm.<br />

Culture Club Gallery, G/F, 15 Elgin St., Central.<br />

$150 from takeoutcomedy.com.<br />

Jimmy Carr in Hong Kong<br />

One of the biggest comedy names to come out of<br />

the UK, Jimmy Carr makes his Hong Kong debut<br />

in August. Guaranteed in the show: offensive<br />

one-liners, rude anecdotes, and way too many<br />

jokes about his knob. Aug 25, 8pm. King George<br />

V School, 2 Tin Kwong Rd., Ho Man Tin . $488-888<br />

from hkticketing.com.<br />

Dance<br />

Carlos Acosta: A Classical Farewell<br />

After a 26-year career, legendary Cuban ballet<br />

dancer Carlos Acosta is embarking on his final<br />

tour, “A Classical Farewell.” He’ll perform excerpts<br />

from his favorite ballets, including “Swan Lake,”<br />

“La Sylphide,” “Winter Dreams” and “Je ne<br />

regrette rien.” Jun 30-Jul 2, 7:45pm. Hong Kong<br />

Cultural Centre, 10 Salisbury Rd., Tsim Sha Tsui.<br />

$160-520 from urbtix.hk.<br />

Springboard Showcase 2016<br />

<strong>The</strong> Hong Kong Dance Alliance presents a<br />

dynamic program of dance performances.<br />

Included in the program are two world premieres:<br />

“That Day,” by Hong Kong Dance Award-winning<br />

dancer, teacher and choreographer Lam Po, and<br />

two-time HKDA-winning choreographer Justyne<br />

Li’s “Human Internship.” Jun 17, 8pm; Jun 18,<br />

3pm. Kwai Tsing <strong>The</strong>atre, 12 Hing Ning Rd.,<br />

Kwai Fong, hkdanceall.org. $160 from urbtix.hk.<br />

Arts Festivals<br />

Rising Stars of Cantonese Opera<br />

<strong>The</strong> world of Cantonese opera gets another<br />

dose of new blood with the second annual Rising<br />

Stars of Cantonese Opera, unrolling over six<br />

consecutive nights with performances of classical<br />

masterpieces by seven<br />

new rising stars. <strong>The</strong><br />

participating artists<br />

have been trained<br />

by a virtuoso of the<br />

art form: actor and<br />

Stephen Chow<br />

collaborator Law<br />

Ka-ying. Aug 12-17,<br />

7:30pm. “Loyal to<br />

Love” Aug 12-13;<br />

“<strong>The</strong> Lady’s Sash”<br />

Aug 14-15; “<strong>The</strong><br />

Immortal Zhang<br />

Yuqiao” Aug 16-17.<br />

New Wing,<br />

Ko Shan<br />

<strong>The</strong>atre, 77<br />

Ko Shan Rd.,<br />

Hung Hom,<br />

westkowloon.hk.<br />

$80-180 from<br />

urbtix.hk.<br />

24 HK MAGAZINE FRIDAY, JUNE 10, 2016

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