02.06.2016 Views

Down the Rabbit Hole - Holly Madison

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encouraged me to tell her about my career and plans for <strong>the</strong> future—apparently this was intended to<br />

inspire Kendra to get off <strong>the</strong> couch and build her own career, a story arc <strong>the</strong>y hoped to follow<br />

throughout <strong>the</strong> season.<br />

When I arrived at her house in Calabasas, I was genuinely eager to catch up. We hadn’t seen<br />

each o<strong>the</strong>r since filming Hef’s Runaway Bride Lifetime special. She took me on a tour of her home,<br />

barking at Hank to stay out of <strong>the</strong> shot as we passed him in <strong>the</strong> hall. I talked at length about my life in<br />

Las Vegas, including my plans for Peepshow, o<strong>the</strong>r opportunities I was considering, and wanting to<br />

get out of <strong>the</strong> shadow of Playboy to continue to do things on my own.<br />

As <strong>the</strong> conversation wore on, Kendra seemed to be getting more and more annoyed. It was<br />

becoming clear that she didn’t like <strong>the</strong> idea that she wasn’t <strong>the</strong> only Girls Next Door graduate to find<br />

success.<br />

We wrapped our scene, hugged good-bye, and I jumped back into my Range Rover for <strong>the</strong> fivehour<br />

drive back to Las Vegas—after all, I had a show that night!<br />

Before pulling out of <strong>the</strong> driveway, I shot her a quick text:<br />

Thanks for having me over to your house! It was fun catching up!<br />

She didn’t respond, which was odd. Usually she was pretty quick in responding to my texts or<br />

tweets, but I didn’t give it too much thought beyond that.<br />

A few weeks later, a field producer for <strong>the</strong> series asked me to place a phone call to Kendra.<br />

They wanted to film her receiving <strong>the</strong> call from me to set up <strong>the</strong> idea that I was coming over for <strong>the</strong><br />

visit we had filmed. After being rescheduled countless times because Kendra was “not answering her<br />

phone,” “not coming out of her room,” or “not showing up to film,” it became clear what was going<br />

on.<br />

I spent five seasons on a reality show with Kendra—and her habits hadn’t changed much. Instead<br />

of addressing <strong>the</strong> issue or having a mature conversation with producers, Kendra’s go-to method was<br />

passive-aggressive avoidance.<br />

Oh well, I thought. If she didn’t want <strong>the</strong> scene on her show, that was her business.<br />

Despite <strong>the</strong> fact that <strong>the</strong> producers couldn’t coax Kendra into shooting a phone call with me, <strong>the</strong>y<br />

continued pressing <strong>the</strong> Peepshow understudy idea. In <strong>the</strong> beginning, I was told “<strong>the</strong> network loves <strong>the</strong><br />

idea for <strong>the</strong> premiere” . . . <strong>the</strong>n it became “<strong>the</strong> network loves <strong>the</strong> idea for <strong>the</strong> season finale.”<br />

And each time I said no.<br />

“Besides,” I said <strong>the</strong> last time we discussed it, “I’m just uncomfortable with it. Something is<br />

wrong with Kendra. She doesn’t answer my texts or tweets anymore—I think she’s pissed at me or<br />

something.”<br />

My concerns were dismissed. “That’s just Kendra. You know how she is—she never gets back<br />

to anybody.”<br />

“Not really,” I said. “Actually, she used to always answer my texts right away. Anyway, <strong>the</strong><br />

answer is no. It just doesn’t feel right.”<br />

When <strong>the</strong>y showed me <strong>the</strong> premier episode of <strong>the</strong> horribly titled Kendra on Top, it was clear<br />

what she was so irritated about.<br />

As I rattled on to Kendra about my career, <strong>the</strong>y cut to her interview:

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