Down the Rabbit Hole - Holly Madison
Meanwhile, I was taking Las Vegas by storm. Peepshow had quickly become the Vegas Strip’s new smash hit. Ticket sales skyrocketed, prompting producers to sign me on through the end of the year! I couldn’t believe it! I knew how hard I had worked trying to make the show and my performance as successful as possible—and it actually paid off! Speaking of paying off, I was finally doing well financially. Actually . . . very well. I signed a multimillion-dollar contract with Peepshow (and even my breasts were insured with Lloyd’s of London for a million dollars—not bad for a $7,000 investment!). People assumed I had been rich beyond my wildest dreams at the mansion and that I must be struggling to get by in my post-Playboy life . . . but, in reality, that couldn’t have been further from the truth. I was carving out a pretty unique niche for myself, and the quirkiness of my new showgirl life was becoming hard to ignore. I had been called “one of the most in-demand and beloved celebrities in Las Vegas” by the Los Angeles Times. Performing full time in a live show made me different from all the other talent on E! Most reality-show starlets on TV at that time were L.A. girls with a passion for fashion, so being a new kind of Vegas showgirl at least set me apart from all the others. In the summer of 2009, I began seriously discussing a spin-off with E! I was determined to make Vegas work. Luckily, Brenda gave the idea another chance and we started exploring themes for a potential series. Season six of The Girls Next Door was a total disaster. After viewers saw what they were getting on the season premiere, most never tuned back in. The new girlfriends pulled only about half the ratings we did in previous seasons. When the new season ended in August, E! pulled the plug on what had been, less than a year earlier, their number one series. In an effort to recapture some of the GND loyalists—who were tuning in by droves to Kendra—the network green-lit production for a pilot that would serve as an “E! special” that December called Holly’s World. My initial vision for the show was Legally Blonde meets a PG-rated version of Showgirls. Peepshow wasn’t enough for me. I wanted my day job to be interning at the mayor’s office, learning how to run the city. My pilot centered on a silly plot: me visiting the mayor’s office with a complaint about roadwork, resulting in my friends and me going on several misadventures trying to collect signatures for a petition. It was a roundabout way of introducing the people in my life, what I wanted to do, and taking a tour of some unlikely spots and meeting some strange people in the city. I didn’t necessarily assume that my pilot would rate that well. I wasn’t an energetic, ditsy, madefor-reality-TV blonde like Kendra. I was quiet and reserved and much preferred reading a book to shaking my ass. While I knew my lifestyle was unique, would anyone really care? When I received word that the special had not only done well, but that E! wanted to order an entire season, my jaw hit the floor! Of course that was what I had hoped for, but I certainly hadn’t expected it! It was official: Holly’s World was a go. In my head, I thought it was going to be my version of The Mary Tyler Moore Show —girl moves to a new city post breakup in order to make it on her own. With shooting to begin in early 2010, our first order of business was to lock down the cast. The three friends I had chosen to appear in my pilot were asked back for the full season: Angel Porrino (my bestie and new assistant), Josh Strickland (my charismatic Peepshow costar), and Laura Croft (my crazy roommate) rounded out the crew.
Anxious to begin this Playboy-free chapter of my life, I was eager to sort out contract negotiations as quickly as possible and begin filming. However, like a bad dream, my past continued to haunt me and the contracts we had to sign while at the mansion carried over onto my new spin-off with E!. It was a lot of baggage to move forward with, but I was in a hurry to get going. And, conditioned by all those years at the mansion, I still wasn’t strong enough to hold my ground for long. I had grown a lot in the last year and a half, but I still had a long way to go. At the start of 2010, cameras began following our wild lives in Sin City as sexy singles looking to balance our wild Vegas social calendars with performances six nights a week—and like all reality shows, it wasn’t without its fair share of drama. I was pressured heavily by production to put my dating life on camera and I stubbornly refused. I agreed to film a “blind date” episode, but anyone I dated in real life was strictly off-limits at this point. I was sick of being thought of as “Hugh Hefner’s ex,” and the way I felt like Criss used me for publicity had left a bad taste in my mouth, so I was determined to stand on my own and not publicize my love life. If I was even asked about a rumored romance on camera, I denied it. This resulted in more than one argument between production and me, but I refused to give in. Over the course of the first season, I bought a house and Angel and her new son Roman moved in. We traveled to Mexico to shoot a calendar and went on a road trip with Bridget, and Kendra paid a visit for a baseball episode. The show followed Angel as she got breast implants and Josh as he went to New York to audition for a new Broadway show. Overall, it was a fun, heartwarming season and the three of us had a blast. Viewers connected with Josh and Angel—they loved Angel’s and my chemistry and Josh’s endless energy. Laura was the weakest link of the cast—she was crazy and funny in real life, but on TV she was ordinary. In my time I’ve seen boring, snotty people come off as the life of the party on television, too, which just goes to show that “reality” TV isn’t really reality. Before the show’s June 2010 debut, the cast and I were swept into a photo studio to shoot promotional photos for the series. Each sequence was more fun than the last: the cast strutting down a yellow-brick-road version of the Las Vegas Strip; me being shot from above, twirling in a pink dress atop a large cartoon graphic of the city; and me perched on a larger-than-life disco ball rising from the city’s skyline. E! was rolling out the red carpet . . . for me! It felt like a dream come true. Shortly before the show aired, E! flew me to Los Angeles to shoot video promos for the network. All the network stars were required to shoot: Ryan Seacrest and Giuliana Rancic, the Kardashian sisters, Kendra and Hank, and me. “Everyone’s really excited about your show, they’re all talking about it,” the makeup artist said, putting the finishing touches on my Marilyn-inspired look. “You are the only one who is getting to be in a shot by yourself. You’re so lucky.” She was right. Everyone else was being shot with their costars or coanchors—and I would be the only E! personality featured solo, wearing a black version of the Marilyn Monroe Seven Year Itch windblown gown and elegant opera-length gloves. “Oh my God! It’s like, so nice to meet you,” squealed a young, skinny brunette as she swept into my dressing room, seemingly taking stock of the hair, makeup, and wardrobe paraphernalia thrown everywhere.
- Page 134 and 135: into a thoughtful expression, he sa
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- Page 178 and 179: and rereading the text. So many pet
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- Page 222 and 223: CREDITS Cover design by Amanda Kain
- Page 224: ABOUT THE PUBLISHER Australia Harpe
Anxious to begin this Playboy-free chapter of my life, I was eager to sort out contract<br />
negotiations as quickly as possible and begin filming. However, like a bad dream, my past continued<br />
to haunt me and <strong>the</strong> contracts we had to sign while at <strong>the</strong> mansion carried over onto my new spin-off<br />
with E!. It was a lot of baggage to move forward with, but I was in a hurry to get going. And,<br />
conditioned by all those years at <strong>the</strong> mansion, I still wasn’t strong enough to hold my ground for long.<br />
I had grown a lot in <strong>the</strong> last year and a half, but I still had a long way to go.<br />
At <strong>the</strong> start of 2010, cameras began following our wild lives in Sin City as sexy singles looking<br />
to balance our wild Vegas social calendars with performances six nights a week—and like all reality<br />
shows, it wasn’t without its fair share of drama.<br />
I was pressured heavily by production to put my dating life on camera and I stubbornly refused. I<br />
agreed to film a “blind date” episode, but anyone I dated in real life was strictly off-limits at this<br />
point. I was sick of being thought of as “Hugh Hefner’s ex,” and <strong>the</strong> way I felt like Criss used me for<br />
publicity had left a bad taste in my mouth, so I was determined to stand on my own and not publicize<br />
my love life. If I was even asked about a rumored romance on camera, I denied it. This resulted in<br />
more than one argument between production and me, but I refused to give in.<br />
Over <strong>the</strong> course of <strong>the</strong> first season, I bought a house and Angel and her new son Roman moved<br />
in. We traveled to Mexico to shoot a calendar and went on a road trip with Bridget, and Kendra paid<br />
a visit for a baseball episode. The show followed Angel as she got breast implants and Josh as he<br />
went to New York to audition for a new Broadway show. Overall, it was a fun, heartwarming season<br />
and <strong>the</strong> three of us had a blast. Viewers connected with Josh and Angel—<strong>the</strong>y loved Angel’s and my<br />
chemistry and Josh’s endless energy. Laura was <strong>the</strong> weakest link of <strong>the</strong> cast—she was crazy and<br />
funny in real life, but on TV she was ordinary. In my time I’ve seen boring, snotty people come off as<br />
<strong>the</strong> life of <strong>the</strong> party on television, too, which just goes to show that “reality” TV isn’t really reality.<br />
Before <strong>the</strong> show’s June 2010 debut, <strong>the</strong> cast and I were swept into a photo studio to shoot<br />
promotional photos for <strong>the</strong> series. Each sequence was more fun than <strong>the</strong> last: <strong>the</strong> cast strutting down a<br />
yellow-brick-road version of <strong>the</strong> Las Vegas Strip; me being shot from above, twirling in a pink dress<br />
atop a large cartoon graphic of <strong>the</strong> city; and me perched on a larger-than-life disco ball rising from<br />
<strong>the</strong> city’s skyline. E! was rolling out <strong>the</strong> red carpet . . . for me! It felt like a dream come true.<br />
Shortly before <strong>the</strong> show aired, E! flew me to Los Angeles to shoot video promos for <strong>the</strong><br />
network. All <strong>the</strong> network stars were required to shoot: Ryan Seacrest and Giuliana Rancic, <strong>the</strong><br />
Kardashian sisters, Kendra and Hank, and me.<br />
“Everyone’s really excited about your show, <strong>the</strong>y’re all talking about it,” <strong>the</strong> makeup artist said,<br />
putting <strong>the</strong> finishing touches on my Marilyn-inspired look. “You are <strong>the</strong> only one who is getting to be<br />
in a shot by yourself. You’re so lucky.”<br />
She was right. Everyone else was being shot with <strong>the</strong>ir costars or coanchors—and I would be<br />
<strong>the</strong> only E! personality featured solo, wearing a black version of <strong>the</strong> Marilyn Monroe Seven Year Itch<br />
windblown gown and elegant opera-length gloves.<br />
“Oh my God! It’s like, so nice to meet you,” squealed a young, skinny brunette as she swept into<br />
my dressing room, seemingly taking stock of <strong>the</strong> hair, makeup, and wardrobe paraphernalia thrown<br />
everywhere.