Down the Rabbit Hole - Holly Madison
long as I walked my butt down to the office and signed those papers. Still in my pajamas, I trudged down to Mary’s office at the other end of the mansion. Without saying a word, I sat myself in the chair next to her desk and started playing with her white Maltese pup named Miss Kitty. “So,” Mary started, looking over the top of her small-framed eyeglasses. “Did Hef tell you about the contracts?” “Yes,” I grumbled, before pleading my case. “And I’m not thrilled about it. I think it’s wrong.” Mary sat in silence with her arms folded, allowing me my few moments to vent. “Because the show is about Hef’s girlfriends, I feel like I’m signing a contract to be in a relationship,” I whined. I was beyond frustrated. I had my back against the ropes. If I wanted to move forward with the show for a fifth season, I had to bind myself to Hef’s production company. What if I wanted to move out? Or do another show? I felt like this contract might make that impossible. “That’s not really what it’s about, Holly,” Mary reassured me, her voice smooth and calm. “E! is just hesitant to move forward with the show if their talent isn’t under any kind of contract. That’s all.” “I know, but . . .” I allowed my voice to trail off. I’d already had the same argument with Hef and it wasn’t going to result in any different outcome with Mary. I fell silent for a few moments before asking, “Do they have to be signed today?” “Yes,” Mary said very matter-of-factly. “They need them back today.” “Why did we get them so last minute, then?” I asked, my anxiety starting to escalate again. “We don’t even have time to look them over!” “The contracts are with Alta Loma, dear,” Mary went on, sidestepping any explanation as to why we were just now receiving them. “You know if there’s a problem, Hef will release you from it.” But would he? I know that in Mary’s heart, she sincerely thought that Hef was a good man—just as I believed at the time. But a nagging voice in the back of my head kept warning me not to trust this situation. If signing this contract was really so important to everyone, I decided to just get it over with. I knew that ultimately I had no choice. Hef would find a way to corner me into signing it, so I might as well just save myself any further aggravation. “Fine, “I said, grabbing a pen on Mary’s desk. “Where do I sign?” I scribbled my name on the contract that Mary nonchalantly shoved under my nose and handed it back to her. “Now . . . what to do about the Kendra problem,” Mary continued. Kendra was in the Dominican Republic for a paid nightclub appearance, so she could hardly sign the paperwork by E!’s alleged deadline. But Hef and his team must have found some kind of solution, if all three of our signed contracts were indeed delivered to E! that afternoon. I can’t say this with certainty since I never witnessed pen to paper, but the gossip around the mansion was that someone on Hef’s staff must have had to forge Kendra’s contract in order to meet the network’s deadline. Of course it’s also possible that E! never even gave Hef a deadline or that he used a false date to get us to sign without giving us the opportunity to really review the documents. Who knows? All I know is, the whole thing seemed highly unusual to me.
OUR FIFTH CYCLE WOULD end up being a season of growing pains. Looking back, I see that it makes sense that this was our last season as a trio. From an outsider’s perspective, however, everything looked like it couldn’t be going any better. The series had become such a phenomenon, there was even a movie being made about it. Well, sort of. The House Bunny, starring Anna Faris, was a comedy set at the Playboy Mansion, centering on a fictional Playmate who finds herself kicked out of the mansion (upon turning 27) and takes refuge in a sorority house. In the film, Anna plays a mansion resident named Shelley, a character clearly based on Bridget. “You should have been the sporty one,” Kendra teasingly pouted at Anna the first time we met her as she prepared to shoot a scene in the mansion’s backyard. Anna was done up with curly blond hair, a frilly pink outfit, and her character had a grumpy pet cat, similar to Bridget’s cat, Gizmo. Bridget’s pink-striped bedroom was used as Shelley’s room in the movie. Even the high-pitched voice and sunny, Pollyanna attitude Anna affected for her character were very much Bridget’s style. We had cameos in the film, playing ourselves for a few scenes. The movie would hit the number two spot at the box office on its opening weekend. Even I couldn’t believe what a phenomenon this frilly, frothy, girly (and in many ways make-believe) version of the Playboy world had become. Not everything in our world was cotton candy and fluffy bunny tails, however. That year, Kendra started taking Accutane for an acne problem she had grown increasingly self-conscious of. To me, Kendra was a beautiful girl, with acne or without, so on one hand I couldn’t understand her paranoia, but on the other hand I could. Every girl who ever lived at the mansion knew that her entire value, in Hef’s eyes, depended on the way she looked. In fact, in an interview from the previous year for an Elle magazine article, Kendra confessed: “I’m very insecure right now about my face. I get scared with Hef looking at me at the mansion and maybe thinking I’m ugly.” I certainly understood how she felt. In that same article, Hef went out of his way to tell the writer that I had only “become beautiful” and that I “didn’t look the same” as when he first met me, going on to attribute my new acceptability to my nose job. Gee, thanks, Hef! Whether it was an excuse not to have to adhere to the filming schedules she hated keeping or if she really had grown debilitatingly insecure, Kendra often refused to come out of her room to film scenes. I would find out later that this was around the time she started secretly seeing her future husband, Hank Baskett, so maybe that factored into the equation as well. The producers were desperate to find someone to take Kendra’s spot, should she decide to stop coming out completely. No one was talking about adding a new girlfriend or anything, but I was asked to recruit some girls that I thought would be good for the show to stay at the Bunny House for a month or so while we filmed. I chose Laura Croft, a wild and crazy Playmate from Florida; Kayla Collins, the bouncy blonde from the “Go West Young Girl” episode; and Angel Porrino (also from the “Go West” episode), the funny girl with the high-pitched voice from Las Vegas. Having the girls around proved helpful as Kendra refused to participate in quite a few of the episodes (sometimes she would salvage her spot at the last minute by agreeing to film something by herself; other times she was just missing in action). When Bridget produced a campy B movie called The Telling, Kendra didn’t take part, even
- Page 74 and 75: house) for the A-list clubs to be b
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long as I walked my butt down to <strong>the</strong> office and signed those papers.<br />
Still in my pajamas, I trudged down to Mary’s office at <strong>the</strong> o<strong>the</strong>r end of <strong>the</strong> mansion. Without<br />
saying a word, I sat myself in <strong>the</strong> chair next to her desk and started playing with her white Maltese<br />
pup named Miss Kitty.<br />
“So,” Mary started, looking over <strong>the</strong> top of her small-framed eyeglasses. “Did Hef tell you about<br />
<strong>the</strong> contracts?”<br />
“Yes,” I grumbled, before pleading my case. “And I’m not thrilled about it. I think it’s wrong.”<br />
Mary sat in silence with her arms folded, allowing me my few moments to vent.<br />
“Because <strong>the</strong> show is about Hef’s girlfriends, I feel like I’m signing a contract to be in a<br />
relationship,” I whined. I was beyond frustrated. I had my back against <strong>the</strong> ropes. If I wanted to move<br />
forward with <strong>the</strong> show for a fifth season, I had to bind myself to Hef’s production company. What if I<br />
wanted to move out? Or do ano<strong>the</strong>r show? I felt like this contract might make that impossible.<br />
“That’s not really what it’s about, <strong>Holly</strong>,” Mary reassured me, her voice smooth and calm. “E! is<br />
just hesitant to move forward with <strong>the</strong> show if <strong>the</strong>ir talent isn’t under any kind of contract. That’s all.”<br />
“I know, but . . .” I allowed my voice to trail off. I’d already had <strong>the</strong> same argument with Hef<br />
and it wasn’t going to result in any different outcome with Mary. I fell silent for a few moments<br />
before asking, “Do <strong>the</strong>y have to be signed today?”<br />
“Yes,” Mary said very matter-of-factly. “They need <strong>the</strong>m back today.”<br />
“Why did we get <strong>the</strong>m so last minute, <strong>the</strong>n?” I asked, my anxiety starting to escalate again. “We<br />
don’t even have time to look <strong>the</strong>m over!”<br />
“The contracts are with Alta Loma, dear,” Mary went on, sidestepping any explanation as to why<br />
we were just now receiving <strong>the</strong>m. “You know if <strong>the</strong>re’s a problem, Hef will release you from it.”<br />
But would he? I know that in Mary’s heart, she sincerely thought that Hef was a good man—just<br />
as I believed at <strong>the</strong> time. But a nagging voice in <strong>the</strong> back of my head kept warning me not to trust this<br />
situation.<br />
If signing this contract was really so important to everyone, I decided to just get it over with. I<br />
knew that ultimately I had no choice. Hef would find a way to corner me into signing it, so I might as<br />
well just save myself any fur<strong>the</strong>r aggravation.<br />
“Fine, “I said, grabbing a pen on Mary’s desk. “Where do I sign?”<br />
I scribbled my name on <strong>the</strong> contract that Mary nonchalantly shoved under my nose and handed it<br />
back to her.<br />
“Now . . . what to do about <strong>the</strong> Kendra problem,” Mary continued.<br />
Kendra was in <strong>the</strong> Dominican Republic for a paid nightclub appearance, so she could hardly<br />
sign <strong>the</strong> paperwork by E!’s alleged deadline. But Hef and his team must have found some kind of<br />
solution, if all three of our signed contracts were indeed delivered to E! that afternoon.<br />
I can’t say this with certainty since I never witnessed pen to paper, but <strong>the</strong> gossip around <strong>the</strong><br />
mansion was that someone on Hef’s staff must have had to forge Kendra’s contract in order to meet<br />
<strong>the</strong> network’s deadline. Of course it’s also possible that E! never even gave Hef a deadline or that he<br />
used a false date to get us to sign without giving us <strong>the</strong> opportunity to really review <strong>the</strong> documents.<br />
Who knows? All I know is, <strong>the</strong> whole thing seemed highly unusual to me.