Blackout_ Remembering the Things I Drank to Forget - Sarah Hepola

I’m in Paris on a magazine assignment, which is exactly as great as it sounds. I eat dinner at a restaurant so fancy I have to keep resisting the urge to drop my fork just to see how fast someone will pick it up. I’m drinking cognac—the booze of kings and rap stars—and I love how the snifter sinks between the crooks of my fingers, amber liquid sloshing up the sides as I move it in a figure eight. Like swirling the ocean in the palm of my hand. I’m in Paris on a magazine assignment, which is exactly as great as it sounds. I eat dinner at a
restaurant so fancy I have to keep resisting the urge to drop my fork just to see how fast someone will
pick it up. I’m drinking cognac—the booze of kings and rap stars—and I love how the snifter sinks
between the crooks of my fingers, amber liquid sloshing up the sides as I move it in a figure eight.
Like swirling the ocean in the palm of my hand.

02.06.2016 Views

we’ll never know long enough to let down. Often they said: I was like you once. I used to think that program was bullshit, too. And hearing they were wrong made me suspect I was wrong, too. AA was a humble program. A program of suggestions, never rules. It was a place of storytelling, which operated on the same principle as great literature: Through your story, I hear my own. I was also beginning to realize that getting sober wasn’t some giant leap into sunlight. It was a series of small steps in the same direction. You say “I’ll do this today,” and then you say the same thing the next day, and you keep going, one foot in front of the other, until you make it out of the woods. I can’t believe I’d once thought the only interesting part of a story was when the heroine was drinking. Because those can be some of the most mind-numbing stories in the world. Is there any more obnoxious hero than a dead-eyed drunk, repeating herself? I was stuck in those reruns for years—the same conversations, the same humiliations, the same remorse, and there’s no narrative tension there, believe me. It was one big cycle of Same Old Shit. Sobriety wasn’t the boring part. Sobriety was the plot twist.

EIGHT

we’ll never know long enough <strong>to</strong> let down.<br />

Often <strong>the</strong>y said: I was like you once. I used <strong>to</strong> think that program was bullshit, <strong>to</strong>o. And hearing<br />

<strong>the</strong>y were wrong made me suspect I was wrong, <strong>to</strong>o.<br />

AA was a humble program. A program of suggestions, never rules. It was a place of s<strong>to</strong>rytelling,<br />

which operated on <strong>the</strong> same principle as great literature: Through your s<strong>to</strong>ry, I hear my own.<br />

I was also beginning <strong>to</strong> realize that getting sober wasn’t some giant leap in<strong>to</strong> sunlight. It was a<br />

series of small steps in <strong>the</strong> same direction. You say “I’ll do this <strong>to</strong>day,” and <strong>the</strong>n you say <strong>the</strong> same<br />

thing <strong>the</strong> next day, and you keep going, one foot in front of <strong>the</strong> o<strong>the</strong>r, until you make it out of <strong>the</strong><br />

woods.<br />

I can’t believe I’d once thought <strong>the</strong> only interesting part of a s<strong>to</strong>ry was when <strong>the</strong> heroine was<br />

drinking. Because those can be some of <strong>the</strong> most mind-numbing s<strong>to</strong>ries in <strong>the</strong> world. Is <strong>the</strong>re any more<br />

obnoxious hero than a dead-eyed drunk, repeating herself? I was stuck in those reruns for years—<strong>the</strong><br />

same conversations, <strong>the</strong> same humiliations, <strong>the</strong> same remorse, and <strong>the</strong>re’s no narrative tension <strong>the</strong>re,<br />

believe me. It was one big cycle of Same Old Shit.<br />

Sobriety wasn’t <strong>the</strong> boring part. Sobriety was <strong>the</strong> plot twist.

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