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Blackout_ Remembering the Things I Drank to Forget - Sarah Hepola

I’m in Paris on a magazine assignment, which is exactly as great as it sounds. I eat dinner at a restaurant so fancy I have to keep resisting the urge to drop my fork just to see how fast someone will pick it up. I’m drinking cognac—the booze of kings and rap stars—and I love how the snifter sinks between the crooks of my fingers, amber liquid sloshing up the sides as I move it in a figure eight. Like swirling the ocean in the palm of my hand.

I’m in Paris on a magazine assignment, which is exactly as great as it sounds. I eat dinner at a
restaurant so fancy I have to keep resisting the urge to drop my fork just to see how fast someone will
pick it up. I’m drinking cognac—the booze of kings and rap stars—and I love how the snifter sinks
between the crooks of my fingers, amber liquid sloshing up the sides as I move it in a figure eight.
Like swirling the ocean in the palm of my hand.

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sat in Jennifer’s bedroom with a jambox on my lap, sharing details that would haunt me for decades.<br />

“It probably won’t even work anymore,” I said, as Jennifer slotted <strong>the</strong> tape in <strong>the</strong> deck of an old<br />

creaky jambox, once so familiar <strong>to</strong> us and now quaint as an abacus. She pressed rewind, and <strong>the</strong> tape<br />

chugged backward violently, like an unsteady aircraft preparing <strong>to</strong> take off.<br />

She pressed <strong>the</strong> play but<strong>to</strong>n, and <strong>the</strong>re was a buzz, followed by a loud clunk. And <strong>the</strong>n, my voice<br />

floating back <strong>to</strong> me from more than a quarter century ago.<br />

“Hi. I’m over at Jennifer’s house. It’s August 20 -something or <strong>the</strong> o<strong>the</strong>r.” I do not sound two<br />

days away from being 14. My voice sounds more like 17. “There’s really not much <strong>to</strong> say here. I<br />

can’t wait for my birthday. I got a sweater.”<br />

On <strong>the</strong> tape, Jennifer says something from across <strong>the</strong> room I can’t quite make out. It sounds like,<br />

“Tell our friends about your summer.”<br />

“It was <strong>the</strong> best summer of my life,” I start. “I went down <strong>to</strong> visit my cousin in Michigan. I met<br />

this guy named Brad. He was wonderful. A wonderful person.”<br />

Brad was a sweet s<strong>to</strong>ner type with fea<strong>the</strong>red blond hair and a nod that was about two beats slower<br />

than everyone else’s. He was 18. The night I met him, he said, “So you’re Kimberley’s older cousin,”<br />

and I laughed and corrected him. Younger. For weeks, whenever I ran in<strong>to</strong> him, he would pan<strong>to</strong>mime<br />

picking his jaw off <strong>the</strong> floor. “No way you’re 13,” he would say.<br />

I’d smile, blush. Yup, really 13. One afternoon, he kissed me in Kimberley’s room, and I couldn’t<br />

believe it: He had picked me. It was everything <strong>the</strong> movies had promised.<br />

My last night in <strong>to</strong>wn was not. We went <strong>to</strong> a party, had a few drinks, and things got much more<br />

confusing.<br />

The s<strong>to</strong>ry that follows is one I’ve thought about countless times over <strong>the</strong> years. I’ve wrestled with<br />

its meaning, rewrote its nuance, tried <strong>to</strong> erase it from memory. But this was <strong>the</strong> first time in 25 years<br />

I’d sat down and listened <strong>to</strong> myself tell it:<br />

We were in this vacant apartment. There was no furniture whatsoever. There were chairs. A<br />

beanbag. Foldout chairs. We went in<strong>to</strong> this bedroom. I forgot <strong>to</strong> close <strong>the</strong> door. I thought we<br />

were just going <strong>to</strong> talk for a while, but <strong>the</strong> first thing he did when we got in <strong>the</strong> room was <strong>to</strong><br />

take my shirt off. He got down on <strong>the</strong> floor <strong>to</strong> take his shoes off, and I guess he noticed <strong>the</strong> door<br />

was open, and I thought he was going <strong>to</strong> leave. And I was like, Oh my god, what did I do? Do<br />

my feet stink? [Jennifer laughs]<br />

So he closes <strong>the</strong> door, and I go, “Oh I’m sorry,” and he goes, “Oh it’s no problem.” He <strong>to</strong>ok<br />

off his shoes. I don’t know how my pants came off. I never figured it out. I was on <strong>the</strong> ground<br />

somehow. I don’t know how I got <strong>the</strong>re, ei<strong>the</strong>r. He <strong>to</strong>ok my underpants off, and he <strong>to</strong>ok his<br />

underpants off. He was on <strong>to</strong>p of me, and he was trying <strong>to</strong> do it, but it just hurt so much. It was<br />

like a bowling ball stuck up your nostrils. I mean, that is <strong>the</strong> analogy that I have come <strong>to</strong> be at<br />

one with. I mean, it really, really hurt. I started breathing really, really drastically. And I<br />

started making noises, and he <strong>to</strong>ld me <strong>to</strong> be quiet. Well, he didn’t tell me <strong>to</strong> be quiet. He said<br />

“Shhhh.” And I couldn’t exactly be quiet, because when someone’s doing that, you don’t want<br />

<strong>to</strong> just go, “Oh yes, this is nice, real nice.” I mean, he was like, “Shh, be quiet,” and I go, “It<br />

hurts,” and he goes, “I know, I’m sorry,” and I’m like, “You don’t know. You could never<br />

know.”<br />

But he wasn’t hard enough. I don’t know if that’s a personal insult <strong>to</strong> me, or <strong>to</strong> him, whe<strong>the</strong>r

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