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Viva Lewes Issue 117 June 2016

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LITERATURE<br />

Talent Pool<br />

Tanya Shadrick, long-hand writer<br />

Tanya Shadrick does a lot of writing. If you went<br />

to the Pells last year, chances are you saw her<br />

there, on the terrace overlooking the deep end of<br />

the pool, pen in hand. This year she’ll be back,<br />

and in an official capacity: she’s been made the<br />

swimming pool’s Writer in Residence.<br />

“Three years ago I got a terrible pain in my<br />

back,” she tells me, over a coffee in the <strong>Lewes</strong><br />

Arms, explaining how her strange lifestyle came<br />

about. “I had to give up my job, at the university,<br />

which I loved.” She couldn’t sit – it was too<br />

painful, “so I had to walk around all the time. By<br />

the summer it got a bit better, so I started going<br />

to the Pells.” She took up swimming lessons, and<br />

when she wasn’t swimming, she started writing.<br />

Though she has to fit this passion within the<br />

strictures of being a mum-of-two, she’s hardly<br />

stopped since.<br />

“I live on Bradford Road and I was upset when<br />

someone vandalised a tree on Baxter’s Field,” she<br />

continues, charting the development of her writing<br />

career. “As a reaction to that, I wrote about it,<br />

mostly sitting in the Grange Gardens. It became<br />

my first published piece.”<br />

She shows me one of her notebooks, filled with<br />

her careful handwriting: half joined up, the small<br />

words sitting neatly on the lines of the notepaper.<br />

But what will she write about all summer? “The<br />

here and now of the pool. Memories, reflections.<br />

I won’t be disturbing anyone’s peace, but I will<br />

invite pool-goers to come talk if what I’m doing<br />

interests them. Most people find the spectacle of<br />

writing in longhand intriguing - it provokes all<br />

sorts of surprising stories. So I’ll be a collector of<br />

tales as much writer of them.”<br />

She will have plenty of paper for all these stories.<br />

Tanya has a 50-yard long Japanese-style scroll<br />

- the length of the pool - as her central project.<br />

“I hope to manage 35 laps by September: a mile<br />

of longhand and a novel-length piece of writing.<br />

It’s title is Wild Patience because I’m wanting to<br />

explore ideas about joy got from routine and<br />

repetition, which writing and swimming share.”<br />

The idea isn’t to publish the final version, but to<br />

display it as an artefact, perhaps on the walls of<br />

the pool. In fact it’s tempting to see the scroll as<br />

much performance art as literary endeavour, and<br />

it’s no surprise that Tanya finds inspiration in the<br />

place-based work of two artists who live locally,<br />

David Nash and Peter Messer. “Can writing in<br />

the open, at this scale, be art too?” she muses. “If<br />

there is genuine absorption and enquiry into what<br />

is being enacted then I think it takes on meanings<br />

wider than just the words, yes.”<br />

Alex Leith<br />

Tanya will be sharing ways for others to get<br />

involved in her residency - by writing and reading<br />

about life in the water and out of doors - on her<br />

Lap/Lines blog at tanyashadrick.com<br />

Photo by Alex Leith<br />

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