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The Pebble Issue 1

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letter from the editor<br />

4<br />

and it will be given to you.” and re-edited. Every page, from the extra<br />

Out of context, it’s any petulant 1/16th of an inch in the margins to the picture<br />

of Mr. Leclercq in the Dress to Impress<br />

“Ask,<br />

child’s dream. But it’s also the<br />

statement I’ve grown to appreciate at MPH, a feature, was thought out, re-thought out,<br />

school that provides us with the opportunity debated, consulted, laid out and re-laid out.<br />

and support to pursue what we care about, Everything you see and read is a reflection of<br />

even if it means letting go of something that our deliberate decisions, made right up until<br />

we’ve had since 1927. MPH bets on its students;<br />

it certainly bet on us, when we chal-<br />

go to the printer for publication.<br />

the timer ran out and we were forced to let it<br />

lenged to create something wildly new and This kind of devotion is what made this<br />

unproven, while giving up a long-standing, magazine a reality. I’m thankful that this<br />

award-winning tradition.<br />

year’s staff, from the new members to the senior<br />

seniors and Ms. A, were willing to go on<br />

But we asked, and we received.<br />

A magazine format provides versatility in this journey. This issue is what it is because<br />

students’ expression, more so than a newspaper<br />

format could, both in written word and and sometimes conflicting personalities that<br />

of the humorous, sarcastic, bubbly, genuine<br />

hin design and photography. It was difficult make 2<br />

up this year’s class. I can’t recall a more<br />

for <strong>The</strong> Rolling Stone, published quarterly, to fun and meaningful journalism experience<br />

rightly keep its title of a “newspaper,” especially<br />

in today’s instantaneous news culture. I came full circle by shooting Maddy (who’s<br />

than the final photo shoot for the cover, when<br />

Shifting to a biannual magazine would also been on the paper since her freshman year,<br />

allow for different kinds of features and the longest of all of us) for the cover of my final<br />

issue, as I shot her for my first cover story<br />

exposes as well as more creative and pertinent<br />

photography. After 46 volumes (and too for <strong>The</strong> Rolling Stone.<br />

many issues to count) with the same types of As I recall my journalism beginnings at<br />

spreads, we were ready for some text-bending MPH while I approach the end, it’s humbling<br />

layouts and full-bleed pictures.<br />

to know that our magazine contains the<br />

As the apogee of Upper School-wide same determination, effort and thought that<br />

tutorial discussions, one-on-one interviews was put into <strong>The</strong> Rolling Stone. Despite the<br />

and in-class debates, the new format brings change in size, the article topics have not diminished<br />

in seriousness or relevance, and the<br />

with it new content: MPH By the Numbers,<br />

Ask an Alum, Spotlight, Food, <strong>Issue</strong>s and journalistic integrity with which we approach<br />

Interactive. Even the stuff we’ve kept from the our reporting has not relaxed.<br />

newspaper— Advice, Selfie, Culture and Big In other words, everything’s changed,<br />

Picture—are all reimagined.<br />

except for us. This is <strong>The</strong> <strong>Pebble</strong>.<br />

<strong>The</strong>se changes were, in part, driven by<br />

you. Though a handful of students started<br />

the conversation and executed the plan, this<br />

publication has its foundation in its audience.<br />

But our process has not changed. Every<br />

story, from the Spotlight of Mr. Z to the<br />

Big Picture on cancer masks, was outlined,<br />

re-outlined, discussed, workshopped, edited

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