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84<br />
A JAIN ILLUSTRATION FROM THE<br />
SHRIPALARASA: A GIANT DEMON<br />
ATTACKS A SHIP<br />
NORTH WEST <strong>INDIA</strong>, CIRCA 1800<br />
Opaque pigments on cotton, the large ship<br />
attacked by a blue demon brandishing a sword and<br />
wearing a necklace of severed heads, numerous<br />
fgures seated within large structures at the ship’s<br />
bow and stern, fsh and nautical beasts in the sea<br />
below, the top with fgures in carriages, with foral<br />
borders, laid down on green panel<br />
33º x 38Ωin. (84.5 x 97.8cm.)<br />
£4,000-6,000 $5,700-8,500<br />
€5,000-7,500<br />
Our textile depicts the moment when the ship<br />
of Prince Sripala is attacked by a demon during<br />
his long journey in search of trade and riches in<br />
faraway lands. For a comparable textile panel<br />
with similar iconography see P. Pal, The Peaceful<br />
Liberators, Jain Art from India, Thames and<br />
Hudson and LACMA, 1994.<br />
85<br />
A VIEW <strong>OF</strong> THE MOUNTAIN TEMPLES <strong>OF</strong><br />
JUNAGARH<br />
PROBABLY RAJASTHAN OR GUJARAT,<br />
NORTH <strong>INDIA</strong>, SECOND HALF 19TH/EARLY<br />
20TH CENTURY<br />
Opaque pigments on cotton, the ground painted<br />
with an overview of a holy site within a lush<br />
mountainous landscape, a city on a river bank<br />
and ritual ablution basins in forest clearings<br />
dominated by seven peaks, each topped with a<br />
shrine, identifed as Junagarh in devanagari script<br />
on the border<br />
46¿ x 47√in. (117 x 121cm.)<br />
£4,000-6,000 $5,700-8,500<br />
€5,000-7,5000<br />
Girnar is a group of mountains in the Junagarh<br />
district of Gujarat, sacred to both Hindus and<br />
Jains. It is home to a large number of Jain<br />
temples, the largest of which is the Neminath<br />
temple. A large map of pilgrim sites along the<br />
Ganges valley used similar conventions to depict<br />
mountains, with rounded pink boulders and was<br />
probably made in Rajasthan (sold at Christie’s<br />
South Kensington, 12 June 2014, lot 196). The<br />
depiction of the city is typical of Jaipur cityscapes<br />
of the mid 19th century (see for instance four<br />
Jaipur illustrations ofered at Christie’s South<br />
Kensington, 11 October 2013, lot 565).<br />
57