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32 AN ILLUSTRATION FROM THE BALAKANDA: GANESHA ATTENDED BY LADIES MEWAR, NORTH INDIA, CIRCA 1700 Opaque pigments heightened with gold on paper, the elephant-headed god depicted with rotund body, he wears a crown topped with a lotus, leaning against a large purple bolster, he holds various implements, a lady massages his hand, a rat in the foreground, other ladies attend to him, under a canopy, an inscription in black devanagari at top within a yellow cartouche, numbered 3, within black rules and red borders 10º x 15√in. (26 x 40.5cm.) £3,000-4,000 $4,300-5,700 €3,800-5,000 PROVENANCE: Acquired before 1991. The Balakanda or ‘the book of childhood’ is the frst book of Valmiki’s Ramayana. This folio being the third folio was close to the beginning of the manuscript. It is therefore probable that an image of Ganesha was chosen for this illustration to provide the text with auspicious blessings for the start of the text. 31 THE TWO PERSONIFIED ATTRIBUTES OF VISHNU: THE CONCH SHELL AND THE LOTUS BUNDI, RAJASTHAN, NORTH INDIA, CIRCA 1690 A rare depiction of Shanka and Padma, opaque pigments heightened with gold on paper, he with ash-covered body, she with red skin, each with third frontal eye and crescent moon, they sit on a lotus, embracing each other, each holding a conch and a fowering lotus, banana and other trees at either side, with black and white rules and red border, two devanagari inscriptions at top, the reverse with English inscription in pencil ‘God of Love, Kama/ Dev with wife’ 7 x 10ºin. (17.6 x 26cm.) £3,000-5,000 $4,300-7,100 €3,800-6,200 PROVENANCE: Acquired before 1991. 33 A PAINTING FROM A DASAVATARA SERIES: MATSYA AVATARA KANGRA, NORTH INDIA, CIRCA 1830 Opaque pigments heightened with gold on paper, blueskinned Vishnu emerging from his fsh avatar and holding a sutra page, a golden mace, a conch shell, a ring and with a lotus fower in his yellow dhoti, attacking in the water a demon in his conch-shell, bearing a golden mace and a shield, within a black, green and white scroll frame, with pink borders Painting 5 x 8in. (12.8 x 20.4cm.); page 6 √ x 9æ in. (17.3 x 25cm.) £4,000-6,000 $5,700-8,500 €5,000-7,500 PROVENANCE: Acquired before 1991. 24
34 VALLABHACHARYA’S VISION ON THE BANK OF THE YAMUNA NATHDWARA, NORTH INDIA, CIRCA 1850 Opaque pigments heightened with gold on paper, the holy man sits on a white mat trimmed with gold, his face with a gold halo, Krishna as Shri Nathji appears before him together with Balarama and another infant, peacocks and peahens around, surrounded by luxuriant trees inhabited with birds, the silver Yamuna in the foreground, in trimmed yellow borders 9.1/5 x 12¬in. (23.1 x 32.1cm.) £2,000-3,000 $2,900-4,300 €2,500-3,700 PROVENANCE: Acquired prior to 1991 EXHIBITED: Die Welt der hofschen Malerei, Stuttgart LITERATURE: Joachim Bautze, Die Welt der hofschen Malerei, Stuttgart, 1995, p.174, no. 158 Vallabhacharya is the founder of the Pushtimarg, or Path of Grace, a Vaishanava equalitarian sect centered on the life of Lord Krishna as described in 10th book of the Bhagavata-purana. Vallabhacharya was born in a Brahmin family of religious scholars in South India. After his philosophical and religious education he is said to have debated with and defeated scholars and philosophers at the court of Vijayanagara before performing three pilgrimages in India during which he spread the creed of Pushtimarg and experienced an apparition of Shrinatji, a manifestation of Krishna, at Mount Govardhan. In his vision, Vallabhacharya sees three toddlers crawling towards him: the blue-skinned Krishna, a golden-skinned boy who is yet to be born and Balarama, Krishna’s elder brother. Vallabha’s wife gave birth to two sons: Gopinathji, who was believed to be Krishna’s brother Balarama and Vittalnathji, who was said to be Krishna himself. Vittalnathji eventually succeded his father. For a related version of this vision see Madhuvanti Ghose (ed.): Gates of the Lord. The Tradition of Krishna Paintings. Chicago, 2015, p.72, no.9. 35 AN ASSEMBLY OF VAISHNAVA PANDITS NATHDWARA, RAJASTHAN, NORTH INDIA, CIRCA 1850 Opaque pigments heightened with gold, a plump bare-chested priest sits facing forward on a white mat, other devotees around him sit on a large red carpet with gold and white foliage, some recite prayers, a garland of green leaves above, with green borders decorated with silver foliage 13¡ x 15Ωin. (34 x 39.4cm.) £2,000-3,000 $2,900-4,300 €2,500-3,700 PROVENANCE: Sotheby’s, London, 18 October 1996, lot 36. The tilaks (marks on the forehead) indicate that these men and their sons are followers of a certain aspect of Vishnu. One of the manuscripts starts with an invocation (śrī gopījanavallabha) which is common in texts belonging to the Vallabhacharyas or followers of the pushti marg. 36 GARUDA DEVOURS ELEPHANTS PROBABLY UDAIPUR, MEWAR, NORTH INDIA, CIRCA 1760 Opaque pigments on paper, the ferce bird with faming feathers, holding elephants in its beak and claws, standing within a hilly landscape on dark blue ground, within blue, black and silver rules and red borders 8 x 7¿in. (20.4 x 18.3cm.) £2,000-3,000 $2,900-4,300 €2,500-3,700 PROVENANCE: Ex Oscar Leneman Collection Sotheby’s Colonnade, London, 18 October 1996, lot 64 LITERATURE: Patrick Carre, Dieux, tigres et amours, Miniatures indiennes du XVe au XXe siecle, Collection d’Oscar Leneman, Paris, 1993, pp.88-89. 25
Page 1 and 2: ARTS OF INDIA King Street 26 May 20
Page 4 and 5: SPECIALISTS AND SERVICES FOR THIS A
Page 6 and 7: PROPERTY FROM A GERMAN FAMILY COLLE
Page 8 and 9: 5 5 A PORTRAIT OF A FATHER AND HIS
Page 10 and 11: FOUR DOUBLE-SIDED PAGES FROM A DECC
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Page 15 and 16: The complex and dominant technique
Page 17 and 18: RAJPUT PAINTING THE SCHOOL OF PAINT
Page 19 and 20: 21 MAHARANA BHIM SINGH IN PROCESSIO
Page 21 and 22: 25 24 MAHARAO RAM SINGH II OF KOTAH
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Page 25: 29 AN ILLUSTRATION TO A RAGAMALA SE
Page 29 and 30: Rao Indrajit Singhji (1727-1762, r.
Page 31 and 32: 43 A PORTRAIT OF A MARATHA NOBLE GW
Page 33 and 34: 48 A RAMPAGING ELEPHANT SAWAR OR KO
Page 35 and 36: 52 MAHARANA SANGRAM SINGH IN A LAKE
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Page 39 and 40: 56 AN ILLUSTRATION TO THE SAT SAI O
Page 41 and 42: 60 SULTAN IBRAHIM ADHAM VISITED BY
Page 43 and 44: PAHARI PAINTING THE WORD PAHARI TRA
Page 45 and 46: 64 AN ILLUSTRATION TO THE BHAGAVATA
Page 47 and 48: 67 A GOLD MERCHANT STYLE OF SAJNU,
Page 49 and 50: 72 AN ILLUSTRATION TO A KRISHNA SUD
Page 51 and 52: 74 MAHARAJA RANBIR SINGH AND A COUR
Page 53 and 54: VOTIVE TEXTILES FROM NORTH WEST IND
Page 55 and 56: 80 A PICCHVAI FOR THE AUTUMN FESTIV
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Page 59 and 60: 84 A JAIN ILLUSTRATION FROM THE SHR
Page 62 and 63: ~87 A RARE IVORY FIGURE OF PARVATI
Page 64 and 65: ~90 AN INDO-PORTUGUESE IVORY AND BO
Page 66 and 67: 92 TWO LARGE ENAMELLED GOLD FIGURES
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Page 70 and 71: 101 101 A LARGE SILVER REPOUSSÉ BO
Page 72 and 73: 107 SHUJA’ AL-DAWLA AND HIS SON A
Page 74 and 75: 111 111 SIXTEEN PORTRAITS OF RAJPUT
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115 115 A BRAHMINY KITE CALCUTTA SC
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117 118 117 SHIVA AND PARVATI KALIG
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CONDITIONS OF SALE • BUYING AT CH
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SYMBOLS USED IN THIS CATALOGUE The
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