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The Illustrated Encyclopedia of Hindusim vol 2

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Prashna (“Question”) Upanishad<br />

Brahmo Samaj, who attempted to<br />

remake the tradition wholesale by<br />

giving it a strong, quasi-monotheistic<br />

emphasis, a quality heavily influenced<br />

by European missionaries. <strong>The</strong><br />

Prarthana Samaj lost its steam by<br />

the early 1920s, when social reform<br />

associations became absorbed into the<br />

Indian National Congress.<br />

Prasad<br />

(“favor”) Prasad is food or drink that has<br />

been <strong>of</strong>fered to a deity as part <strong>of</strong> normal<br />

worship and, having been sanctified by<br />

the deity’s power, is later distributed to<br />

worshipers as a symbol <strong>of</strong> the deity’s<br />

grace. In this process, the deity is<br />

believed to have “consumed” part <strong>of</strong> the<br />

food <strong>of</strong>fering, and thus—in keeping<br />

with everyday ideas about the contaminating<br />

power <strong>of</strong> saliva—to have<br />

“imprinted” the food with its substance.<br />

Since this substance has been “charged”<br />

with divine presence, it is given to devotees<br />

(bhakta) as an emblem <strong>of</strong> the<br />

deity’s grace, and worshipers consume it<br />

in the belief that this sanctifies them. Its<br />

sacred qualities mean that prasad is<br />

treated differently than regular food: It<br />

cannot be refused and can never be<br />

thrown away. If one cannot eat it, the<br />

favored method <strong>of</strong> disposal is to feed it<br />

to a cow. See also jutha.<br />

Prashasta (“Approved”) Marriages<br />

In the dharma literature, or the texts on<br />

religious duty, these are the four<br />

approved forms <strong>of</strong> marriage: the<br />

Brahma marriage, the Daiva marriage,<br />

the Arsha marriage, and the Prajapatya<br />

marriage. <strong>The</strong>se forms are deemed commendable<br />

because in each case the<br />

father <strong>of</strong> the bride is responsible for<br />

arranging the marriage: In the Brahma<br />

form the bride is given as a gift without<br />

conditions, in the Daiva she is given as a<br />

sacrificial fee, in the Arsha she is given in<br />

exchange for a pair <strong>of</strong> cattle for sacrifice,<br />

and in the Prajapatya she is given with<br />

the condition that the husband and wife<br />

perform their duties together. <strong>The</strong><br />

Brahma is the only one <strong>of</strong> these four<br />

practiced in modern India and is the<br />

idealized form <strong>of</strong> marriage. See also<br />

marriage, eight classical forms.<br />

Prashastapada<br />

(5th c.) Author <strong>of</strong> the Padarthadharmasangraha.This<br />

text is the most influential<br />

commentary on Kanada’s Vaisheshika<br />

Sutras, the founding text <strong>of</strong> the<br />

Vaisheshika school, one <strong>of</strong> the six<br />

schools <strong>of</strong> traditional Hindu philosophy.<br />

<strong>The</strong> Vaisheshika school was atomistic,<br />

believing that all things were made<br />

up <strong>of</strong> a few basic constituent substances:<br />

the five elements (earth, fire,<br />

water, wind, and akasha) along with<br />

space, time, mind, and individual selves<br />

(atman). <strong>The</strong> five elements combined to<br />

form the things in the world, though<br />

selves were considered ultimately different<br />

from matter.<br />

Prashna (“Question”) Upanishad<br />

One <strong>of</strong> the later and more developed<br />

upanishads, the speculative religious<br />

texts that form the latest stratum <strong>of</strong> the<br />

oldest Hindu sacred texts, the Vedas. As<br />

with most <strong>of</strong> the upanishads, the Prashna<br />

Upanishad’s underlying concern is to<br />

investigate ultimate questions, in particular<br />

the nature <strong>of</strong> the Self (atman).<br />

Considered one <strong>of</strong> the later upanishads,<br />

the Prashna Upanishad is similar to the<br />

earliest upanishads, the Brhadaranyaka<br />

and the Chandogya, but is far shorter, and<br />

the text is much more focused. Like the<br />

older upanishads, the Prashna is written<br />

as a dialogue. It takes the form <strong>of</strong> a conversation<br />

between the sage Pippalada and<br />

six questioners. In each section (called a<br />

prashna in the text) one <strong>of</strong> the hearers asks<br />

a question, to which Pippalada replies.<br />

<strong>The</strong> six sections all have different themes:<br />

the nature <strong>of</strong> time, prana as the most<br />

important human power, the nature <strong>of</strong> life<br />

after death, sleep, meditation, the sound<br />

Om, and the nature <strong>of</strong> the Self. In this<br />

way, it uses the older dialogue form to<br />

advance a far more developed and<br />

cohesive philosophical perspective.<br />

523

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