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The Illustrated Encyclopedia of Hindusim vol 2

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Pitha<br />

tributaries <strong>of</strong> the Ganges, the Pindara is<br />

considered sacred along its length, but<br />

this region is so mountainous and so<br />

thinly settled that Karnaprayag is the<br />

river’s only noteworthy spot.<br />

Pingala Nadi<br />

One <strong>of</strong> the vertical channels (nadi) in<br />

the traditional conception <strong>of</strong> the subtle<br />

body. <strong>The</strong> subtle body is an alternate<br />

physiological system believed to exist on<br />

a different plane than gross matter, but<br />

with certain correspondences to the<br />

material body. It is visualized as a set <strong>of</strong><br />

six psychic centers (chakras) running<br />

roughly along the course <strong>of</strong> the spine,<br />

connected by three parallel vertical<br />

channels. Above and below these centers<br />

are the bodily abodes <strong>of</strong> the two<br />

divine principles, Shiva (awareness) and<br />

Shakti (power), the latter as the latent<br />

spiritual energy known as kundalini. In<br />

this model <strong>of</strong> the subtle body, the pingala<br />

nadi is the vertical channel on the<br />

right side <strong>of</strong> the body. As with the rest <strong>of</strong><br />

the subtle body, the pingala nadi has<br />

certain symbolic correspondences; in<br />

particular, it is identified with the sun<br />

and is thus visualized as being a tawny<br />

red in color.<br />

Pipa<br />

(15th c.?) Poet-saint in the Sant religious<br />

community. <strong>The</strong> name Sant is an<br />

umbrella term for a group <strong>of</strong> central and<br />

northern Indian poet-saints who share<br />

several general tendencies: focus on<br />

individualized, interior religion leading<br />

to a personal experience <strong>of</strong> the divine;<br />

disdain for external ritual, particularly<br />

image worship; faith in the power <strong>of</strong><br />

repeating one’s patron deity’s name; and<br />

the tendency to ignore conventional<br />

caste distinctions.<br />

According to tradition, Pipa was born<br />

into a Rajput royal family in the Malwa<br />

region but eventually renounced his<br />

throne and went to Benares to become a<br />

disciple <strong>of</strong> the poet-saint Ramananda.<br />

<strong>The</strong> hagiographer Nabhadas reports<br />

that Pipa was a disciple <strong>of</strong> the powerful<br />

goddess Bhavani (an epithet <strong>of</strong> Parvati),<br />

showing the breadth <strong>of</strong> the Sant tradition.<br />

A few <strong>of</strong> Pipa’s verses have been<br />

preserved in the Adigranth, the sacred<br />

text <strong>of</strong> the Sikh community, and in their<br />

language and religious thrust the verses<br />

are consistent with these traditions.<br />

Pipal<br />

Common name for Ficus religiosa, the<br />

fig-tree also known as the ashvattha,<br />

which has a long history <strong>of</strong> being considered<br />

a sacred tree. See ashvattha.<br />

Pippalada<br />

In Hindu traditional lore, one <strong>of</strong> the<br />

ancient sages in the Atharva Veda, one<br />

<strong>of</strong> the oldest Hindu religious texts.<br />

Pippalada is also mentioned in the<br />

Prashna Upanishad, one <strong>of</strong> the speculative<br />

religious texts that forms the latest<br />

part <strong>of</strong> the Vedas, as a religious teacher<br />

who instructs sages such as Sukesha,<br />

Kashyapa, and Bhargava. Pippalada<br />

supposedly gets his name from his<br />

fondness for Pippali fruits, the fruit<br />

<strong>of</strong> the Ficus religiosa, the sacred pipal<br />

(ashvattha).<br />

Pitambara<br />

(“clothed in yellow”) Epithet <strong>of</strong> the god<br />

Krishna, because <strong>of</strong> his penchant for<br />

wearing yellow garments. See Krishna.<br />

Pitavasana<br />

(“yellow-clad”) Epithet <strong>of</strong> the god<br />

Krishna, because <strong>of</strong> his penchant for<br />

wearing yellow garments. See Krishna.<br />

Pitha<br />

(“bench”) In its widest meaning, the<br />

base or foundation <strong>of</strong> any object. It can<br />

denote the material base or foundation<br />

upon which the image <strong>of</strong> a deity is<br />

placed. In some cases the foundation<br />

becomes an integral part <strong>of</strong> the image<br />

itself, as in the linga, the pillar-shaped<br />

object that is the symbol <strong>of</strong> the god<br />

Shiva. <strong>The</strong> form <strong>of</strong> the linga, an upright<br />

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