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The Illustrated Encyclopedia of Hindusim vol 2

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Pashupati<br />

the ascetic and his entrance into social<br />

and family life. <strong>The</strong>ir union highlights<br />

the cultural tension between the two<br />

most important Hindu religious ideals:<br />

the householder and the renunciant<br />

ascetic. Perhaps to illustrate the contradiction<br />

<strong>of</strong> being a married ascetic, Shiva<br />

and Parvati have children but not in the<br />

normal way: Skanda develops from<br />

Shiva’s semen, which falls on the ground<br />

during their interrupted love-making,<br />

while Ganesh is formed <strong>of</strong> the enlivened<br />

dirt from Parvati’s body.<br />

Parvati, as with all married Hindu<br />

goddesses, is generally seen as benign<br />

and bene<strong>vol</strong>ent. In some mythic stories<br />

she can be spiteful, but on the whole she<br />

projects a nurturing and motherly presence.<br />

Her mythology is almost completely<br />

connected with that <strong>of</strong> Shiva,<br />

showing her subordination as the model<br />

wife, and her worship is generally connected<br />

with him as well. She occupies<br />

an important position in tantra, a<br />

secret, ritually based religious practice,<br />

since in tantric texts Parvati is usually<br />

portrayed as the person questioning<br />

Shiva and then as the student receiving<br />

his instruction. For more information<br />

on Parvati and all the goddesses <strong>of</strong><br />

Hinduism, see David R. Kinsley, Hindu<br />

Goddesses, 1986.<br />

Paryanka<br />

(“bedstead”) One <strong>of</strong> the postures<br />

(asanas) described in commentaries to<br />

the Yoga Sutras, in which the person is<br />

lying down with the arms stretched<br />

around the knees.<br />

Pasha<br />

(“noose”) In Indian iconography, one <strong>of</strong><br />

the weapons carried by some <strong>of</strong> the<br />

divinities, especially Ganesh and Yama.<br />

For Ganesh, as the “Lord <strong>of</strong> Obstacles,”<br />

the noose signifies his ability to bind<br />

(and release) obstacles, whereas Yama,<br />

the god <strong>of</strong> death, uses the noose to draw<br />

the soul from the body at the time <strong>of</strong><br />

death. In the Shaiva Siddhanta religious<br />

community, pasha is also the name<br />

given to Shiva’s power <strong>of</strong> illusion (maya),<br />

through which he entraps and enthralls<br />

unenlightened people (pashu). <strong>The</strong> triad<br />

<strong>of</strong> pasha, pashu, and Shiva as lord (pati)<br />

are the defining features <strong>of</strong> the Shaiva<br />

Siddhanta school.<br />

Pashu<br />

(“beast”) In the philosophical school<br />

known as Shaiva Siddhanta, and in the<br />

secret, ritually based religious practice<br />

known as tantra, the term for an unenlightened<br />

person, who is said to have a<br />

human form but to be little better than<br />

an animal. This lack <strong>of</strong> awareness<br />

comes not just through inherent dullness,<br />

but through the activity <strong>of</strong> maya,<br />

the power <strong>of</strong> illusion wielded by Shiva<br />

as lord (pati). <strong>The</strong> triad <strong>of</strong> pashu, pati<br />

and the bonds <strong>of</strong> illusion (pasha) are<br />

defining features <strong>of</strong> the Shaiva<br />

Siddhanta school.<br />

Pashupata<br />

An extinct ascetic community, <strong>of</strong> devotees<br />

(bhakta) <strong>of</strong> the god Shiva in his<br />

form as Pashupati, “the Lord <strong>of</strong> Beasts.”<br />

Although the Pashupatas have now disappeared,<br />

according to the Chinese pilgrim<br />

Hsuan Tsang they were once the<br />

most important ascetic sect in northern<br />

India. According to historical reports, its<br />

members would engage in strange and<br />

antisocial behavior intended to bring<br />

disgrace upon themselves, although<br />

without lust or malice in their hearts.<br />

This practice was in imitation <strong>of</strong> one <strong>of</strong><br />

Shiva’s mythic tales, in which he<br />

exposed himself to the wives <strong>of</strong> the<br />

Sages in the Pine Forest but was without<br />

desire for them. For further information<br />

see Daniel H. H. Ingalls, “Cynics and<br />

Pasupatas: <strong>The</strong> Seeking <strong>of</strong> Dishonor,” in<br />

Harvard <strong>The</strong>ological Review, 55, 1962.<br />

Pashupati<br />

(“Lord <strong>of</strong> Beasts”) Epithet <strong>of</strong> the god<br />

Shiva in his form as the “Lord <strong>of</strong> Beasts.”<br />

See Shiva.<br />

505

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