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The Illustrated Encyclopedia of Hindusim vol 2

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Parinamavada<br />

need, he will forget everything he has<br />

learned as his student.<br />

Parashurameshvar Temple<br />

Temple constructed about 750 C.E. in<br />

the city <strong>of</strong> Bhubaneshvar in the state<br />

<strong>of</strong> Orissa, dedicated to the god Shiva<br />

in his aspect as the “Lord <strong>of</strong><br />

Parashuram.” This title refers to<br />

Parashuram’s long period <strong>of</strong> asceticism,<br />

in which he worshiped Shiva as<br />

his chosen deity and was rewarded<br />

with Shiva’s grace. <strong>The</strong> temple is an<br />

early example <strong>of</strong> the Orissan variant<br />

<strong>of</strong> the northern Indian Nagara temple<br />

style. <strong>The</strong> Nagara style emphasizes<br />

verticality, with the whole temple<br />

building culminating in a single high<br />

point, and the Orissan variant <strong>of</strong> this<br />

style has a single enormous tower<br />

(deul) over the image <strong>of</strong> the temple’s<br />

primary deity, with shorter subsidiary<br />

buildings leading up to it. <strong>The</strong><br />

Parashurameshvar temple is the first<br />

example <strong>of</strong> this basic pattern—a low,<br />

flat assembly hall (jagamohan), followed<br />

by a much taller and narrower<br />

tower (deul), in this case about forty<br />

feet high. Although later Orissan temples<br />

are much larger—some <strong>of</strong> the<br />

deuls tower over 200 feet—and <strong>of</strong>ten<br />

include additional buildings and structures,<br />

they all retain this basic pattern.<br />

Parashuram Jayanti<br />

Festival marking the birthday <strong>of</strong><br />

Parashuram avatar, Vishnu’s sixth<br />

avatar. This takes place on the third<br />

day <strong>of</strong> the bright (waxing) half <strong>of</strong> the<br />

lunar month <strong>of</strong> Baisakh (April–May),<br />

the same day as the festival <strong>of</strong><br />

Akshaya Trtiya.<br />

Parikshit<br />

Mythic king in the Lunar Line, who<br />

serves as an example that one’s fate cannot<br />

be escaped. Parikshit is the grandson<br />

<strong>of</strong> Arjuna, one <strong>of</strong> the five Pandava<br />

brothers who are the protagonists in the<br />

Mahabharata, the later <strong>of</strong> the two great<br />

Hindu epics.<br />

Parikshit inherits the throne from<br />

Yudhishthira, Arjuna’s elder brother,<br />

and according to tradition rules righteously<br />

for sixty years, but it is his death<br />

that is best remembered. Fond <strong>of</strong> hunting,<br />

Parikshit one day comes across a<br />

meditating sage while he is chasing a<br />

wounded deer. When the sage refuses to<br />

answer to his inquiries about the deer,<br />

Parikshit grows angry and, with his bow,<br />

drapes a dead cobra around the sage’s<br />

neck. <strong>The</strong> sage remains unaware <strong>of</strong> this,<br />

but his son finds out about it when his<br />

playmates jeer at him. Furious, the son<br />

lays a curse that the person responsible<br />

will be fatally bitten within seven days<br />

by the great serpent Takshaka. When he<br />

discovers that the king is responsible,<br />

the son repents his curse to the King.<br />

Parikshit takes all possible precautions<br />

to avoid his fate. He builds a house<br />

on a huge pillar, has anything brought<br />

into the house carefully searched, and<br />

surrounds himself with physicians who<br />

can cure snakebite. After six days without<br />

incident, the king begins to relax his<br />

vigilance. As the seventh day is ending,<br />

Takshaka conceals himself as a worm in<br />

a piece <strong>of</strong> fruit, changes into his real<br />

shape when the fruit is cut open, and<br />

bites the king, killing him.<br />

Parinamavada<br />

(“transformation-relationship”) Philosophical<br />

perspective that explains the<br />

relationship between the Ultimate<br />

Reality or realities and the perceivable<br />

world, and describes the world as a genuine<br />

transformation <strong>of</strong> this reality.<br />

This position is espoused by proponents<br />

<strong>of</strong> the Samkhya, Vishishthadvaita<br />

Vedanta, and Bhedabhada philosophical<br />

schools. All three <strong>of</strong> these are<br />

proponents <strong>of</strong> a causal model called<br />

satkaryavada. <strong>The</strong> satkaryavada model<br />

assumes that effects preexist in their<br />

causes, and that, when these effects<br />

appear, they are transformations (parinama)<br />

<strong>of</strong> those causes. <strong>The</strong> classic<br />

example for this model is the transformation<br />

<strong>of</strong> milk to curds, butter, and clarified<br />

butter: each <strong>of</strong> these effects was<br />

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