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The Illustrated Encyclopedia of Hindusim vol 2

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Veshara<br />

the pillar-shaped image that is his<br />

symbolic form, and the Ghrneshvar<br />

linga is one <strong>of</strong> the twelve jyotirlingas, a<br />

network <strong>of</strong> sites deemed especially<br />

sacred to Shiva, and at which Shiva is<br />

uniquely present.<br />

Vena<br />

In Hindu mythology, a wicked king<br />

who prohibits all religious rites and giftgiving<br />

except those dedicated to him. He<br />

is finally killed by a group <strong>of</strong> outraged<br />

sages, who through their magic powers<br />

transform blades <strong>of</strong> sacred kusha grass<br />

into spears. After Vena has been killed,<br />

the problem <strong>of</strong> the royal succession arises.<br />

<strong>The</strong> sages first churn from his thigh a<br />

small, malformed, dark-skinned man<br />

named Nishada, who is believed to be<br />

the ancestor <strong>of</strong> the tribal people known<br />

as the Nishadas. Nishada takes upon<br />

himself all Vena’s manifold sins, thus<br />

purging them from Vena. After Vena has<br />

been cleansed, the sages churn his right<br />

hand, from which emerges a radiant and<br />

shining boy, who is King Prthu.<br />

Venkateshvara<br />

(“the Lord <strong>of</strong> Venkata [Hill]”) Presiding<br />

deity <strong>of</strong> the Venkateshvara temple near<br />

the town <strong>of</strong> Tirupati in the state <strong>of</strong><br />

Andhra Pradesh; the temple is north<br />

and east <strong>of</strong> Madras. Venkateshvara is a<br />

local deity who has been assimilated<br />

into the larger pantheon as a form <strong>of</strong> the<br />

god Vishnu. <strong>The</strong> temple is in the<br />

Tirumalai hills, a cluster <strong>of</strong> seven hills<br />

believed to represent the seven cobra<br />

hoods <strong>of</strong> Shesha, the mythic serpent<br />

who serves as Vishnu’s couch.<br />

Venkateshvara’s image is unusual, in<br />

that his forehead is covered with a plate.<br />

<strong>The</strong> two branches <strong>of</strong> the Shrivaishnava<br />

community, the Tengalais and the<br />

Vadagalais, each wear distinctive sectarian<br />

markings, and this plate conceals<br />

these markings on the image and thus<br />

allows both communities to claim him<br />

as their own.<br />

Venkateshvara is also famous for<br />

having the single richest temple in<br />

India. People come to Tirupati from all<br />

over the country, largely because <strong>of</strong> the<br />

popular belief that any wish made in the<br />

deity’s presence will invariably be granted.<br />

Aside from significant monetary<br />

<strong>of</strong>ferings, it is also very common for pilgrims<br />

to have their heads shaved, as a<br />

sign <strong>of</strong> their visit and to make an <strong>of</strong>fering<br />

<strong>of</strong> the hair, as well. In the time since<br />

independence the temple’s wealth has<br />

been administered by a trust, which has<br />

been particularly attentive in fostering<br />

publishing, educational institutions,<br />

and in helping to build Hindu temples<br />

outside India.<br />

Venu<br />

(“bamboo”) A bamboo flute, which is<br />

an important instrument in Indian<br />

classical music. In Hindu iconography,<br />

it is the characteristic instrument <strong>of</strong><br />

the god Krishna, who used its sweet<br />

sounds to summon his devotees<br />

(bhakta) to him, to spend their<br />

nights dancing on the shores <strong>of</strong> the<br />

Yamuna River.<br />

Venus<br />

In Hindu astrology (jyotisha), a planet<br />

associated with love and pleasure. It is<br />

considered a strong planet, with pronounced<br />

bene<strong>vol</strong>ent qualities, although<br />

like all the other planets, its powers will<br />

vary according to context. Venus presides<br />

over Friday, and its positive qualities<br />

make this an auspicious day.<br />

Veshara<br />

One <strong>of</strong> the three developed styles in<br />

medieval Hindu temple architecture,<br />

the others being the Nagara and the<br />

Dravida. <strong>The</strong> Veshara style is primarily<br />

found in western India and the Deccan<br />

and was the least significant and widespread<br />

<strong>of</strong> the three styles. Whereas the<br />

Nagara style was characterized by vertical<br />

uplift achieved by a temple’s towers<br />

(shikharas), and the Dravida style by<br />

lower temples covering enormous tracts<br />

<strong>of</strong> ground, the Veshara style’s most identifiable<br />

feature is a barrel ro<strong>of</strong> above the<br />

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