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The Illustrated Encyclopedia of Hindusim vol 2

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Utkutikasana<br />

a vow <strong>of</strong> celibacy, particularly a lifelong<br />

vow. In the Hindu tradition, celibacy is<br />

important not only for removing one<br />

from enjoying the pleasures <strong>of</strong> the flesh<br />

but because on a more basic level,<br />

semen is considered the concentrated<br />

essence <strong>of</strong> a man’s vital energies.<br />

Expending semen is necessary for procreation,<br />

but otherwise it should be<br />

retained, as a way to conserve one’s vital<br />

forces. In popular belief, when a man<br />

has been celibate for a certain time, the<br />

semen is drawn upward to the brain,<br />

where it nourishes one’s intellectual<br />

and spiritual faculties.<br />

Urushringa<br />

Architectural detail in the temple architecture<br />

<strong>of</strong> Khajuraho, one <strong>of</strong> the major<br />

forms <strong>of</strong> the northern Indian Nagara<br />

style. <strong>The</strong> Nagara style’s primary feature<br />

is a shikhara, or tower. This primary<br />

shikhara is <strong>of</strong>ten surrounded by smaller,<br />

subsidiary towers, to lead the eye up to<br />

the highest point, which is directly over<br />

the image <strong>of</strong> the temple’s primary deity.<br />

<strong>The</strong> urushringas are turrets built on the<br />

sides <strong>of</strong> these towers, whose shape replicates<br />

that <strong>of</strong> the tallest central tower and<br />

that serve to draw the eye upward to the<br />

highest tower.<br />

Urvashi<br />

In Hindu mythology, a particular celestial<br />

nymph (apsara) who is most famous<br />

for her association with King Pururavas.<br />

Urvashi comes to stay with Pururavas<br />

under several conditions, including that<br />

she should never see him naked. When<br />

she has been gone from heaven for a<br />

while, the god Indra notices her absence<br />

and schemes to get her back. One night<br />

he sends several minor deities to steal<br />

two lambs <strong>of</strong> which Urvashi is very fond,<br />

and when Pururavas leaps up to regain<br />

them, a flash <strong>of</strong> lightning reveals him<br />

naked, and Urvashi leaves him. <strong>The</strong>y are<br />

separate for some time but are eventually<br />

reunited—in some accounts for good,<br />

and in others for only one night a year.<br />

Ushas<br />

In the Vedas, the oldest and most<br />

authoritative Hindu religious texts,<br />

Ushas is a goddess associated and<br />

sometimes identified with the dawn.<br />

She is described as lighting the path for<br />

the sun and driving away the darkness<br />

and evil; her presence is thus associated<br />

with the regularity <strong>of</strong> the cosmic order.<br />

Ushas is most notable not for what she<br />

does—she is a minor deity, mentioned<br />

in only a handful <strong>of</strong> the Vedic hymns—<br />

but because she is one <strong>of</strong> the few goddesses<br />

in the Vedas. <strong>The</strong> virtual absence<br />

<strong>of</strong> female divinities in the Vedas is one <strong>of</strong><br />

the factors behind the notion that the<br />

great Goddess, one <strong>of</strong> the three major<br />

deities in later religious life, has her<br />

roots in indigenous goddess worship.<br />

For more information on Ushas and all<br />

the goddesses <strong>of</strong> Hinduism, see David R.<br />

Kinsley, Hindu Goddesses, 1986.<br />

Utkala<br />

Northern Indian brahmin group that<br />

makes up one <strong>of</strong> the five northern brahmin<br />

communities (Pancha Gauda); the<br />

other four are the Kanaujias, the<br />

Maithilas, the Gaudas, and the<br />

Saraswats. Utkala brahmins are found<br />

only in the coastal regions <strong>of</strong> Orissa, on<br />

the Bay <strong>of</strong> Bengal, but their ritual control<br />

over the pilgrimage sites there, particularly<br />

the city <strong>of</strong> Puri, have helped<br />

them remain a significant group.<br />

Utkutikasana<br />

Sitting posture (asana) in yoga practice<br />

in which the legs are contracted, with<br />

the soles <strong>of</strong> the feet pressed against each<br />

other and the outer part <strong>of</strong> the feet and<br />

legs flat on the ground. This posture is<br />

the one in which images <strong>of</strong> the deities<br />

are portrayed in Hindu iconography,<br />

and it seems to be the position called<br />

samasthana in the commentaries to the<br />

Yoga Sutras. This position is also<br />

notable because it appears to be portrayed<br />

on one <strong>of</strong> the seals from the<br />

Indus Valley civilization; the figure in<br />

this position is the mysterious horned<br />

725

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