26.04.2016 Views

The Illustrated Encyclopedia of Hindusim vol 2

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Tiruttontar Puranam<br />

the primary to the university level, and<br />

the latter in providing the funds to help<br />

build many <strong>of</strong> the larger Hindu temples<br />

in the United States and Europe.<br />

Tiruppan<br />

(9th c.) One <strong>of</strong> the Alvars, a group <strong>of</strong><br />

twelve poet-saints who lived in southern<br />

India between the seventh and tenth<br />

centuries. All <strong>of</strong> the Alvars were devotees<br />

(bhakta) <strong>of</strong> the god Vishnu, and their<br />

stress on passionate devotion (bhakti)<br />

to a personal god, conveyed through<br />

hymns sung in the Tamil language,<br />

transformed and revitalized Hindu religious<br />

life. According to tradition,<br />

Tiruppan was a foundling who was<br />

adopted by a musician. As he grew up,<br />

he developed deep devotion for Vishnu<br />

in his form as Ranganatha at the temple<br />

<strong>of</strong> Shrirangam, but because his family<br />

status was unknown, he never went into<br />

the temple itself out <strong>of</strong> fear that his presence<br />

might render it impure. Tiruppan<br />

finally gained entrance when one <strong>of</strong> the<br />

temple’s brahmin priests, who had earlier<br />

insulted him, received a divine command<br />

to carry Tiruppan on his<br />

shoulders to Ranganatha’s image. As<br />

with many stories in the lives <strong>of</strong> the<br />

bhakti saints, the lesson here clearly<br />

emphasizes the superiority <strong>of</strong> devotion<br />

over birth. For further information see<br />

Kamil Zvelebil, Tamil Literature, 1975;<br />

and John Stirling Morley Hooper, Hymns<br />

<strong>of</strong> the Alvars, 1929.<br />

Tirupparankunram<br />

Tirtha (sacred site) ten miles southwest<br />

<strong>of</strong> Madurai in central Tamil Nadu.<br />

Tirupparankunram is famous for one <strong>of</strong><br />

the six temples in Tamil Nadu built to<br />

honor Murugan, a hill deity assimilated<br />

into the pantheon as a form <strong>of</strong> Skanda.<br />

It is said to be where he marries<br />

Devasena, the bride given by Indra and<br />

the gods after he has proven his mettle<br />

in battle, and thus reflects his acceptance<br />

into the larger pantheon. Five <strong>of</strong><br />

these temples are definitively identified<br />

and scattered throughout the state, but<br />

the sixth is said to be every other shrine<br />

to Murugan in Tamil Nadu. <strong>The</strong> cult <strong>of</strong><br />

Murugan is thus a symbolic vehicle for<br />

Tamil pride and identity, and because<br />

the number six has connotations <strong>of</strong><br />

completeness—as in the six directions,<br />

or the six chakras in the subtle body—it<br />

also connotes that nothing outside is<br />

needed. For further information see<br />

Fred Clothey, “Pilgrimage Centers in the<br />

Tamil Cultus <strong>of</strong> Murukan,” in Journal <strong>of</strong><br />

the American Academy <strong>of</strong> Religion, Vol.<br />

40, No. 1, 1972.<br />

Tiruttani<br />

Tirtha (sacred site) in the hills <strong>of</strong> Tamil<br />

Nadu, seventy-five miles <strong>of</strong> Madras. It is<br />

famous for one <strong>of</strong> the six temples in<br />

Tamil Nadu built to honor Murugan, a<br />

hill deity assimilated into the pantheon<br />

as a form <strong>of</strong> Skanda. Tiruttani is celebrated<br />

as the place where he marries his<br />

tribal bride Valli, which gives him a family<br />

connection with southern India. Five<br />

<strong>of</strong> these temples are definitively identified<br />

and scattered throughout the state,<br />

but the sixth is said to be every other<br />

shrine to Murugan in Tamil Nadu. <strong>The</strong><br />

cult <strong>of</strong> Murugan is thus a symbolic vehicle<br />

for Tamil pride and identity, and<br />

because the number six has connotations<br />

<strong>of</strong> completeness—as in the six<br />

directions or the six chakras in the subtle<br />

body—it also connotes that nothing<br />

outside is needed. For further information<br />

see Fred Clothey, “Pilgrimage<br />

Centers in the Tamil Cultus <strong>of</strong><br />

Murukan,” in Journal <strong>of</strong> the American<br />

Academy <strong>of</strong> Religion, Vol. 40, No. 1, 1972.<br />

Tiruttontar Puranam<br />

(“history <strong>of</strong> the holy servants [<strong>of</strong> Shiva]”)<br />

Another name for the Periya Purana, a<br />

hagiographical account (an idealizing<br />

biography <strong>of</strong> saints or venerated figures)<br />

<strong>of</strong> the lives <strong>of</strong> the sixty-three Nayanars,<br />

written by the twelfth-century figure<br />

Cekkilar. <strong>The</strong> Nayanars were a group <strong>of</strong><br />

Shaiva poet-saints who lived in southern<br />

India in the seventh and eighth centuries.<br />

See Periya Purana.<br />

703

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!