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The Illustrated Encyclopedia of Hindusim vol 2

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Tanmatras<br />

importance <strong>of</strong> grace as the sole means<br />

<strong>of</strong> salvation because human beings were<br />

unable to save themselves. Given this<br />

dire view <strong>of</strong> human capacities, Madhva<br />

divided the beings <strong>of</strong> the world into<br />

three classes: <strong>The</strong> muktiyogas were destined<br />

for final liberation, the nityasamsarins<br />

were destined for eternal rebirth,<br />

and the tamoyogas were predestined for<br />

eternal damnation.<br />

Tandava<br />

Name denoting one <strong>of</strong> the two broad<br />

categories in Indian dance. <strong>The</strong> tandava<br />

style is athletic and dramatic and conveys<br />

violence and power, whereas the<br />

other dance form, lasya, is s<strong>of</strong>t and lyrical<br />

and conveys a mood <strong>of</strong> love. <strong>The</strong> tandava<br />

style received its name from the<br />

tandava dance <strong>of</strong> the god Shiva.<br />

According to tradition, this is the dance<br />

through which Shiva destroys the world<br />

when its time has come. Not all <strong>of</strong> the<br />

dance’s mythic connotations are violent,<br />

since this athletic dance is also said to<br />

be the one through which Shiva vanquished<br />

the goddess Kali in a dance<br />

contest, when her feminine modesty<br />

prevented her from imitating his style.<br />

Tanjore<br />

City and district in the southern Indian<br />

state <strong>of</strong> Tamil Nadu, the eastern boundary<br />

<strong>of</strong> which is the Bay <strong>of</strong> Bengal. <strong>The</strong><br />

Tanjore district lies in the Cauvery River<br />

delta, south <strong>of</strong> the river’s main channel;<br />

even today this extremely fertile area<br />

grows a large percentage <strong>of</strong> India’s rice.<br />

This district was the core homeland <strong>of</strong><br />

the Chola dynasty, and the land’s agricultural<br />

fecundity was the underlying<br />

source <strong>of</strong> the dynasty’s power, which at<br />

one point stretched through most <strong>of</strong><br />

southern India and even extended to<br />

Malaysia. <strong>The</strong> Chola dynasty used<br />

their wealth and power to build<br />

enormous temples throughout Tamil<br />

Nadu, but especially in the Tanjore<br />

district and Tanjore city, their capital.<br />

<strong>The</strong> Chola zenith came with King Raja<br />

Raja (r. 985–1014 C.E.), who built Tanjore<br />

city’s Brhadeshvar temple, and his<br />

son Rajendra (r. 1014–1042 C.E.),<br />

whose greatest monument is the temple<br />

at Gangaikondacholapuran. <strong>The</strong><br />

Brhadeshvar temple is dedicated to<br />

Shiva as the “Great Lord”; some <strong>of</strong><br />

the most notable <strong>of</strong> the other temples<br />

built or improved by the Cholas<br />

were at Kumbhakonam, Thiruvaiyaru,<br />

Chidambaram, and Shrirangam.<br />

Tanka<br />

Name for a small chisel used by stone<br />

workers, one <strong>of</strong> the characteristic<br />

objects in Hindu iconography. <strong>The</strong> tanka<br />

is mainly associated with Shiva and<br />

is a minor artifact because it generally<br />

appears only when the deity has<br />

multiple arms and is holding a number<br />

<strong>of</strong> objects.<br />

Tanmatras<br />

<strong>The</strong> tanmatras are the subtle elements,<br />

the subtle forms <strong>of</strong> the five gross elements<br />

(earth, air, fire, water, and<br />

akasha) from which the gross elements<br />

are derived. <strong>The</strong> senses corresponding<br />

to the subtle elements are gandha<br />

(smell) for earth, sparsha (touch) for air,<br />

rupa (shape) for fire, rasa (taste) for<br />

water, and shabda (sound) for akasha.<br />

<strong>The</strong> tanmatras first appeared in the<br />

account <strong>of</strong> the e<strong>vol</strong>ution <strong>of</strong> the universe<br />

propounded by the Samkhya school,<br />

one <strong>of</strong> the six schools <strong>of</strong> traditional<br />

Hindu philosophy. In the Samkhya<br />

account, the subtle elements are the<br />

stage <strong>of</strong> e<strong>vol</strong>ution preceding the e<strong>vol</strong>ution<br />

<strong>of</strong> the gross elements. <strong>The</strong> Samkhya<br />

school espoused an atheistic dualism in<br />

which the two fundamental principles<br />

were purusha (spirit) and prakrti<br />

(matter); all <strong>of</strong> this e<strong>vol</strong>ution was associated<br />

with prakrti because, according<br />

to the Samkhyas, the purusha<br />

never changed. <strong>The</strong> Samkhya account<br />

<strong>of</strong> e<strong>vol</strong>ution was appropriated by<br />

other groups—although these groups<br />

<strong>of</strong>ten adapted it to reflect theistic<br />

assumptions in which the world<br />

came from God—and thus the notion<br />

687

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