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The Illustrated Encyclopedia of Hindusim vol 2

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Sushumna<br />

Suryapraksha<br />

(“effulgence <strong>of</strong> the sun”) Name given to<br />

the banner that is the symbolic emblem<br />

<strong>of</strong> the Mahanirvani Akhara, a particular<br />

group <strong>of</strong> the Naga class <strong>of</strong> the<br />

Dashanami Sanyasis. <strong>The</strong> Nagas are<br />

devotees (bhakta) <strong>of</strong> the god Shiva,<br />

organized into different akharas or regiments<br />

on the model <strong>of</strong> an army. Until<br />

the beginning <strong>of</strong> the nineteenth century<br />

the Nagas’ primary occupation was as<br />

mercenary soldiers, although they also<br />

had substantial trading interests; both<br />

<strong>of</strong> these have largely disappeared in<br />

contemporary times. All <strong>of</strong> the akharas<br />

have particular features that signify<br />

their organizational identity, and this<br />

particular banner—one with strong<br />

connections to a martial identity—is<br />

one such feature.<br />

Suryavarman II<br />

(r. 1112–1153) Ruler <strong>of</strong> the Khmer people<br />

in Cambodia, whose reign saw the<br />

construction <strong>of</strong> the massive temple<br />

complex at Angkor Wat. Although<br />

Suryavarman and his people were<br />

native Cambodians, the temples at<br />

Angkor Wat were dedicated to Hindu<br />

deities, showing the vast influence <strong>of</strong><br />

contemporary Indian culture.<br />

Sushruta<br />

(4th c.) Physician and writer who is traditionally<br />

regarded as the author <strong>of</strong> the<br />

Sushruta Samhita. Along with the<br />

slightly earlier Charaka Samhita, the<br />

Sushruta Samhita is one <strong>of</strong> the two<br />

major sources for ayurveda, an Indian<br />

medical tradition.<br />

Sushruta Samhita<br />

Along with the slightly earlier Charaka<br />

Samhita, one <strong>of</strong> the two major sources<br />

for the Indian medical tradition known<br />

as ayurveda. Underlying ayurveda is the<br />

theory <strong>of</strong> the three bodily humors—vata<br />

(wind), pitta (bile), and kapha (phlegm).<br />

Each is composed <strong>of</strong> different elements,<br />

and although everyone has all three<br />

humors, their varying proportions are<br />

used to explain differing body types,<br />

metabolic dispositions, and personalities.<br />

<strong>The</strong> cause <strong>of</strong> disease is an imbalance<br />

<strong>of</strong> these humors—whether<br />

caused by environmental sources or<br />

personal habits—whereas the state <strong>of</strong><br />

this equilibrium is the state <strong>of</strong> health.<br />

<strong>The</strong> Sushruta Samhita has been edited<br />

and translated into various languages,<br />

and served as a source for secondary<br />

studies, such as Debiprasad Chattopadhyaya,<br />

Science and Society in Ancient<br />

India, 1977.<br />

Sushumna<br />

One <strong>of</strong> the vertical channels (nadi) in<br />

the traditional conceptions <strong>of</strong> the subtle<br />

body. <strong>The</strong> subtle body is an alternate<br />

physiological system believed to exist on<br />

a different plane than gross matter but<br />

with certain correspondences to the<br />

material body. It is visualized as a set <strong>of</strong><br />

six psychic centers (chakras) running<br />

roughly along the course <strong>of</strong> the spine,<br />

connected by three parallel vertical<br />

channels. Above and below these centers<br />

are the bodily abodes <strong>of</strong> the two<br />

divine principles, Shiva (awareness) and<br />

Shakti (power)—the latter as the latent<br />

spiritual energy known as kundalini—<br />

conceived in the form <strong>of</strong> a coiled serpent.<br />

In the types <strong>of</strong> yoga that focus on<br />

the subtle body, the ultimate aim is to<br />

awaken the kundalini, and move it up<br />

through the chakras to the abode <strong>of</strong><br />

Shiva. <strong>The</strong> union <strong>of</strong> Shiva and Shakti in<br />

the aspirant’s body mirrors the action<br />

<strong>of</strong> these divine forces in the macrocosm,<br />

and with this union the aspirant<br />

gains bliss and final liberation <strong>of</strong> the<br />

soul (moksha).<br />

<strong>The</strong> sushumna is the middle <strong>of</strong> the<br />

three vertical channels in the subtle<br />

body—the side channels are the ida<br />

nadi and the pingala nadi—and it is by<br />

far the most important <strong>of</strong> the three. <strong>The</strong><br />

sushumna provides the pathway for the<br />

rising kundalini as it awakens and<br />

straightens during the aspirant’s spiritual<br />

exercises, piercing through the<br />

chakras on its way. In most people the<br />

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