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The Illustrated Encyclopedia of Hindusim vol 2

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Surat-Shabd-Yoga<br />

Sun Temple<br />

<strong>The</strong> most famous temple to the sun is at<br />

Konarak in Orissa state, right on the<br />

shore <strong>of</strong> the Bay <strong>of</strong> Bengal. <strong>The</strong> temple<br />

was built by King Narasimhadeva (r.<br />

1238–1264), a monarch in the Ganga<br />

dynasty, and the entire temple was<br />

intended to be a likeness <strong>of</strong> the sun’s<br />

chariot. It has twelve great wheels<br />

carved on the sides at the temple’s lowest<br />

level, and in front, statues <strong>of</strong> several<br />

colossal horses. As at the temples <strong>of</strong><br />

Khajuraho, the lower levels here are<br />

covered with erotic and sexually explicit<br />

carvings, to which people have given<br />

differing interpretations: Some claim<br />

that these sanction carnal pleasure as a<br />

religious path, some interpret them allegorically<br />

as representing human union<br />

with the divine, and still others view<br />

them as teaching that the desire for<br />

pleasure must ultimately be transcended<br />

to attain the divine.<br />

<strong>The</strong> temple was built on a massive<br />

scale; according to one estimate, the<br />

central spire would have been over 200<br />

feet high. It is uncertain whether this<br />

spire was ever actually completed, since<br />

the sandy soil on which the temple platform<br />

was built would have been unable<br />

to support the weight <strong>of</strong> such an enormous<br />

structure. This same unstable soil<br />

has been the greatest contributor to the<br />

temple’s increasing deterioration. <strong>The</strong><br />

primary structure left at the site is the<br />

jagamohan (assembly hall), which was<br />

filled with sand in the nineteenth century,<br />

in an effort to prevent further collapse.<br />

For further information see Roy Craven,<br />

Indian Art, 1997.<br />

Suparna<br />

(“having beautiful wings”) Epithet <strong>of</strong> the<br />

god Vishnu’s vehicle, the divine eagle<br />

Garuda. See Garuda.<br />

Superhuman Powers<br />

Widely believed to be attainable, either<br />

through <strong>vol</strong>untarily suffering harsh physical<br />

asceticism (tapas) or as products <strong>of</strong><br />

high spiritual attainment. See Siddhi.<br />

Surapana<br />

(“liquor-drinking”) In the dharma literature,<br />

one <strong>of</strong> the Four Great Crimes<br />

whose commission made one an outcast<br />

from society. Although in modern<br />

times the word sura is the term for<br />

“wine,” here it was believed to refer to a<br />

particular type <strong>of</strong> spirituous liquor<br />

made from rice flour. For members <strong>of</strong><br />

the three highest social groups—brahmins,<br />

kshatriyas, and vaishyas, the<br />

most commonly prescribed penance<br />

(prayashchitta) for habitually drinking<br />

sura was to drink this same beverage<br />

boiling hot, until one died. Interestingly,<br />

this penalty does not apply to members<br />

<strong>of</strong> the lowest social class, the shudras.<br />

This difference reflected their lower status,<br />

in which they were not held to the<br />

same sorts <strong>of</strong> scrupulous standards as<br />

the “twice-born.” Despite the harsh<br />

penalty for drinking sura, there were<br />

other sorts <strong>of</strong> intoxicants that kshatriyas<br />

and vaishyas could drink without penalty,<br />

although brahmins who drank these<br />

had to perform mild penances.<br />

Surasa<br />

In Hindu mythology, Surasa is the mother<br />

<strong>of</strong> all the Nagas, a class <strong>of</strong> minor<br />

divinities conceived in the form <strong>of</strong> serpents.<br />

In the Ramayana, the earlier <strong>of</strong><br />

the two great Indian epics, Surasa takes<br />

the form <strong>of</strong> a gigantic serpent to test the<br />

fortitude <strong>of</strong> the monkey-god Hanuman,<br />

who jumps over the sea to Lanka to<br />

search for Sita, the god Rama’s kidnapped<br />

wife. Surasa tells Hanuman that<br />

no one can go by without passing<br />

through her mouth, and in response<br />

Hanuman makes himself larger and<br />

larger. Surasa in turn opens her jaws<br />

wider and wider, and finally Hanuman<br />

becomes very small and darts in and out<br />

<strong>of</strong> her mouth. Surasa, pleased with<br />

Hanuman’s ingenuity and courage, gives<br />

him her blessing.<br />

Surat-Shabd-Yoga<br />

Mystical discipline in the Radha Soami<br />

religious community, which stresses the<br />

671

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