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The Illustrated Encyclopedia of Hindusim vol 2

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Sant<br />

596<br />

An illustrated page <strong>of</strong> Sanskrit from the first chapter <strong>of</strong> the Devimahatmya.<br />

<strong>The</strong> illustration depicts the opening episode, in which a king and a merchant visit a hermit.<br />

through the normal process <strong>of</strong> language<br />

learning. In a religious context Sanskrit<br />

has primarily been the province <strong>of</strong><br />

brahmins, serving both as a sacred<br />

language and a common language<br />

through which the brahmins from various<br />

areas could communicate with each<br />

other. Its place <strong>of</strong> pride as the religious<br />

language par excellence has been somewhat<br />

undercut by the influence <strong>of</strong> the<br />

devotional (bhakti) religious movement.<br />

One <strong>of</strong> this movement’s pervasive features<br />

was poetry composed in vernacular<br />

languages, which reflected the conscious<br />

choice to speak in a language that everyone<br />

could understand.<br />

Sant<br />

Literally, someone who has found the<br />

truth, or who is searching for it. <strong>The</strong><br />

word is derived from the Sanskrit word<br />

sat (“truth”). More generally it refers to<br />

two major groups <strong>of</strong> devotional (bhakti)<br />

poet-saints. One group was centered<br />

around the temple <strong>of</strong> Vithoba at<br />

Pandharpur in the state <strong>of</strong> Maharashtra,<br />

and includes saints from the Varkari<br />

Panth community such as Namdev,<br />

Tukaram, Chokamela, and Eknath.<br />

<strong>The</strong> other group included later poetsaints<br />

from various places in northern<br />

India, among them Kabir, Ravidas,<br />

Dadu, and Guru Nanak, the founder <strong>of</strong><br />

the Sikh community.<br />

As a group the sants shared certain<br />

general tendencies rather than an<br />

explicit body <strong>of</strong> doctrine. Sant religion<br />

was inclined to stress an individualized,<br />

interior religion leading to a personal<br />

experience <strong>of</strong> the divine, rather<br />

than participation in established cults.<br />

One <strong>of</strong> the most common sant themes<br />

was their disdain for external ritual,<br />

and the general rejection <strong>of</strong> any worship<br />

using images. <strong>The</strong> northern<br />

Indian sants are the most uncompromising<br />

advocates <strong>of</strong> nirguna devotion,<br />

in which the divine is seen as beyond<br />

conception; but even among the<br />

Pandharpur devotees (bhakta) the<br />

stress was on devotion to the god<br />

Vithoba, rather than actual worship.<br />

<strong>The</strong> sants stressed the power <strong>of</strong> the<br />

divine Name and its ability to remove<br />

all obstacles. <strong>The</strong>y disregarded caste<br />

distinctions, viewing them as an arbitrary<br />

barrier dividing the human community.<br />

<strong>The</strong>y stressed instead the value<br />

<strong>of</strong> satsang, and the transforming<br />

effects that such “good company”<br />

could bring. Satsang thus formed an<br />

egalitarian community through the<br />

common bonds <strong>of</strong> faith and devotion,<br />

as an alternative to the hierarchical<br />

society established by birth.<br />

It is sometimes suggested that all <strong>of</strong><br />

these themes can be traced to the sants’<br />

social background, since many <strong>of</strong> them

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