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The Illustrated Encyclopedia of Hindusim vol 2

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Samkhya<br />

Appar, Sambandar actively opposed the<br />

unorthodox sects <strong>of</strong> the times, particularly<br />

the Jains, whom he reviles in his<br />

poems. <strong>The</strong> depth <strong>of</strong> his hatred can be<br />

seen in a well-established tradition<br />

that, after converting the king <strong>of</strong><br />

Madurai, <strong>of</strong> the Pandya dynasty, from<br />

Jainism to Shaivism, Sambandar was<br />

instrumental in having eight thousand<br />

Jain ascetics executed by impalement.<br />

<strong>The</strong> collected hymns <strong>of</strong> the three most<br />

important Nayanars—Appar, Sambandar,<br />

and Sundaramurtti—comprise the<br />

Devaram, the most sacred <strong>of</strong> the Tamil<br />

Shaivite texts. See also Shaiva.<br />

Samharakrama<br />

(“destruction method”) Ritual in the<br />

Shrividya school <strong>of</strong> the secretive religious<br />

practice known as tantra. This ritual<br />

uses the shrichakra, a symbolic diagram<br />

used in worship. <strong>The</strong> adept’s ritual<br />

journey starts at the outer edges <strong>of</strong> the<br />

shrichakra, which represents the apparently<br />

“real” everyday world, and gradually<br />

moves toward the center, where a<br />

single point (bindu) represents absolute<br />

unity. This process is called “destruction”<br />

because the ritual process systematically<br />

deconstructs the notion <strong>of</strong> the<br />

dualistic world and destroys the notion<br />

<strong>of</strong> a Self that is separate from the<br />

Absolute Reality. For further information<br />

see Douglas Renfrew Brooks, <strong>The</strong><br />

Secret <strong>of</strong> the Three Cities, 1990.<br />

Samhita<br />

(“collection”) <strong>The</strong> most archaic textual<br />

layer in the Vedas, comprising hymns to<br />

the Vedic deities, benedictions, prayers,<br />

spells, and litanies. <strong>The</strong> term indicates<br />

that this group <strong>of</strong> texts is a collection <strong>of</strong><br />

various things important, not only for<br />

their cognitive meaning, but for their<br />

power as mantra (sacred sound). <strong>The</strong><br />

samhitas were chanted during rites <strong>of</strong><br />

sacrifice and remain the oldest living<br />

part <strong>of</strong> the Hindu tradition. Following<br />

the samhitas are the three later textual<br />

levels: the Brahmanas, which are<br />

essentially manuals detailing correct<br />

performance <strong>of</strong> the sacrifice, and the<br />

Aranyakas and the Upanishads, which<br />

ask speculative questions about the<br />

power behind the sacrifice.<br />

Samkalpa<br />

(“intention”) Important ritual sequence<br />

at the beginning <strong>of</strong> many religious rites<br />

in which the person performing the rite<br />

states his or her identity, the time and<br />

place at which the action is being performed,<br />

the performer’s intention to<br />

carry out this particular ritual act,<br />

and the benefits desired from the action.<br />

<strong>The</strong> samkalpa is important as the<br />

formal commitment to perform the<br />

stated action. For ritual actions that<br />

promise several different possible<br />

benefits—for example, birth in heaven<br />

or final liberation—performing the<br />

samkalpa is believed to give one the<br />

result one desires.<br />

Samkhya<br />

(“enumeration”) One <strong>of</strong> the six schools<br />

<strong>of</strong> traditional Hindu philosophy, whose<br />

founding text is the Samkhyakarikas,<br />

written by Ishvarakrishna in the third<br />

century B.C.E. Samkhya espouses an<br />

atheistic philosophical dualism positing<br />

two fundamental principles as the<br />

source <strong>of</strong> all things. <strong>The</strong> first <strong>of</strong> these is<br />

called purusha (“person”), which is conscious,<br />

but completely inactive and<br />

unchanging. It is seen as a passive witness<br />

to the transformations going on<br />

around it. As the source <strong>of</strong> consciousness,<br />

purusha is ultimately identified<br />

with an individual’s true and eternal<br />

Self. Purusha is inferred as plural, given<br />

the plurality <strong>of</strong> conscious beings, combined<br />

with the fact that one person can<br />

gain enlightenment while all the rest<br />

remain in bondage.<br />

<strong>The</strong> other fundamental principle is<br />

prakrti, (“nature”), which provides the<br />

object to the purusha’s subject. Prakrti is<br />

better conceived <strong>of</strong> as force or power<br />

rather than a specific material object.<br />

Prakrti contains within it forces with three<br />

different primordial qualities (gunas):<br />

587

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