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Encyclopedia of Buddhism Volume One A -L Robert E. Buswell

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S HO TOKU, PRINCE<br />

( TAISHI)<br />

have been transmitted by the Buddha Śakyamuni to<br />

his disciple MAHAKAŚYAPA.<br />

SHO TOKU, PRINCE (TAISHI)<br />

CARL BIELEFELDT<br />

Prince Shotoku (taishi, 574–622) was a semilegendary<br />

prince who from the earliest stages <strong>of</strong> Japanese history<br />

has been revered as a cultural hero, as a Buddhist<br />

patron, as a civilizing ruler, and as a Japanese incarnation<br />

either <strong>of</strong> the Chinese TIANTAI SCHOOL monk<br />

Huisi (Japanese, Eshi; 515–577) or <strong>of</strong> the BODHISATTVA<br />

Avalokiteśvara. The earliest written accounts (dating<br />

from the eighth century) credit Shotoku with mastering<br />

<strong>Buddhism</strong> and Confucianism under the tutorage<br />

<strong>of</strong> the Korean teachers Hyeja (Japanese, Eji) and<br />

Kakka (Japanese, Kakuka); serving as regent for his<br />

aunt, Suiko (r. 593–628); establishing a system <strong>of</strong><br />

twelve court ranks to replace ranks based on familial<br />

status; composing a Seventeen Article Constitution that<br />

expresses basic governmental ideals along with pious<br />

Buddhist and Confucian sentiments; constructing statues<br />

<strong>of</strong> the Four Heavenly Kings (shi tenno , gods <strong>of</strong> the<br />

four directions who protect Buddhist kingdoms); as<br />

well as lecturing on or authoring commentaries on<br />

three MAHAYANA Buddhist scriptures: the LOTUS SU TRA<br />

(SADDHARMAPUN D ARIKA-SU TRA; Japanese, Hokekyo ),<br />

the Vimalaklrtinirdeśa (Yuimagyo ), and Queen Śrlmala<br />

Su tra (Sho mangyo ). Significantly, the central figure <strong>of</strong><br />

the Vimalaklrti Su tra is a wise layman (like Shotoku),<br />

and the central figure <strong>of</strong> the Queen Śrlmala Su tra is a<br />

female ruler (like Suiko). In addition, many Buddhist<br />

temples important in early Japanese history traditionally<br />

have claimed Shotoku as their founding patron.<br />

These temples include Shitennoji, Gangoji (also<br />

known as Hokoji or Asukadera), Horyuji, Chuguji,<br />

and countless others. These claims helped to legitimate<br />

the strong relationship between the royal court and institutional<br />

<strong>Buddhism</strong> throughout most <strong>of</strong> premodern<br />

Japanese history. Moreover, reverence for Shotoku<br />

played a significant role in the lives <strong>of</strong> many subsequent<br />

Japanese Buddhist leaders, such as SAICHO<br />

(767–822) and SHINRAN (1173–1263).<br />

In modern times Shotoku has been promoted as a<br />

paradigm <strong>of</strong> ideal Japanese virtues, especially those <strong>of</strong><br />

harmony (wa), nationalism, and a strong imperial rule.<br />

The prominence afforded him by many modern textbook<br />

accounts <strong>of</strong> ancient Japan can sometimes foster<br />

a one-dimensional view <strong>of</strong> the complex process by<br />

which the early Japanese state emerged.<br />

See also: Horyuji and Todaiji; Japanese Royal Family<br />

and <strong>Buddhism</strong>; Kingship; Nationalism and <strong>Buddhism</strong><br />

Bibliography<br />

Deal, William E. “Hagiography and History: The Image <strong>of</strong><br />

Prince Shotoku.” In Religions <strong>of</strong> Japan in Practice, ed. George<br />

J. Tanabe, Jr. Princeton, NJ: Princeton University Press,<br />

1999.<br />

Ito, Kimio. “The Invention <strong>of</strong> Wa and the Transformation <strong>of</strong><br />

the Image <strong>of</strong> Prince Shotoku in Modern Japan.” In Mirror<br />

<strong>of</strong> Modernity: Invented Traditions <strong>of</strong> Modern Japan, ed.<br />

Stephen Vlastos. Berkeley: University <strong>of</strong> California Press,<br />

1998.<br />

Kanaji, Isamu. “Three Stages in Shotoku Taishi’s Acceptance <strong>of</strong><br />

<strong>Buddhism</strong>.” Acta Asiatica (Tokyo), no. 47 (1985): 31–47.<br />

Kusunoki, Masazumi. “The Seventeen Article Constitution <strong>of</strong><br />

Prince Shotoku: Its Contemporary Significance,” tr. Larry L.<br />

Hanson. Ex Oriente (Tokyo), no. 6 (1993): 1–34.<br />

Nishimura, Sey. “The Prince and the Pauper: The Dynamics <strong>of</strong><br />

a Shotoku Legend.” Monumenta Nipponica (Tokyo) 40, no.<br />

3 (1985): 299–310.<br />

O yama, Seiichi. Sho toku taishi to Nihonjin (Prince Shotoku and<br />

Japanese identity). Nagoya, Japan: Fubaisha, 2001.<br />

SHUGENDO<br />

WILLIAM M. BODIFORD<br />

Shugendo is a syncretistic Japanese Buddhist tradition<br />

<strong>of</strong> mountain ASCETIC PRACTICES that incorporates elements<br />

from shamanism, indigenous Japanese folk beliefs<br />

concerning mountains and spirits <strong>of</strong> the dead, and<br />

Daoist magic. The word Shugendo literally translates as<br />

“the way <strong>of</strong> cultivating supernatural power.” Its practitioners<br />

are known as yamabushi (those who “lie<br />

down” in the mountains) or shugenja (ascetics, or<br />

“those who cultivate power”). Although their role has<br />

evolved and changed over the years, these figures were<br />

expected to accumulate religious power by undergoing<br />

severe ascetic practices in the mountains, such as fasting,<br />

meditating, reciting spells or Buddhist texts, sitting<br />

under waterfalls, gathering firewood, abstaining<br />

from water, hanging over cliffs to “weigh” one’s sins,<br />

retiring in solitary confinement to caves, and performing<br />

rituals such as fire ceremonies. Shugenja then<br />

drew on this power to provide services, such as guiding<br />

pilgrims, performing religious rites, and demonstrating<br />

superhuman feats like walking on fire, as well<br />

as divination, exorcism, and prayers.<br />

772 E NCYCLOPEDIA OF B UDDHISM

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