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Encyclopedia of Buddhism Volume One A -L Robert E. Buswell

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M ARTIAL<br />

A RTS<br />

his feet bears close similarity to some <strong>of</strong> the martial exercises<br />

emphasizing balance exhibited in Shaolin martial<br />

forms.<br />

By the seventh century the Shaolin Monastery had<br />

developed the cudgel as its weapon <strong>of</strong> choice. The<br />

heavy cudgel, while capable <strong>of</strong> great devastation, was<br />

neither metal nor sharp, and thereby was rhetorically<br />

legitimated as a nonweapon appropriate to Buddhist<br />

monks. According to popular histories, in 621 the<br />

monastery <strong>of</strong>fered its cudgel-wielding monks, thirteen<br />

in all, to the service and ultimate victory <strong>of</strong> Li Shimin<br />

(d. 649), who became the first emperor <strong>of</strong> the Tang<br />

dynasty (618–907). Whether or not this tale is true, the<br />

monastery seems to have enjoyed imperial favor during<br />

the Tang dynasty, having been granted extensive<br />

land and wealth. Such increased holdings would have<br />

provided even greater incentive to maintain a martial<br />

presence in the monastery. Over the centuries, Shaolin<br />

monks developed other styles <strong>of</strong> combat, both armed<br />

and unarmed. By the fifteenth century, Shaolin had become<br />

synonymous in China with martial arts and has<br />

remained so to the present day.<br />

The existence <strong>of</strong> monastic defense forces can also be<br />

found in Tibet and in medieval Japan, though in very<br />

different political and social circumstances and with<br />

different consequences. Some <strong>of</strong> the more important<br />

Japanese shrine-temple complexes and Buddhist sects,<br />

which were thoroughly integrated into the social and<br />

political ethos <strong>of</strong> the fourteenth and fifteenth centuries,<br />

built legions <strong>of</strong> monks trained in military skills and<br />

maintained militias not only to protect their existing<br />

wealth in land and power but also in some cases to expand<br />

it. The MONASTIC MILITIAS <strong>of</strong> Mount Hiei developed<br />

as a formidable force during this period, not only<br />

defending their own domains but also attacking the<br />

domains <strong>of</strong> neighboring monasteries and even attempting<br />

to intimidate the emperor in his Kyoto<br />

palace. Their existence, however, was abruptly ended<br />

in 1571 when Oda Nobunaga (1534–1582) surrounded<br />

Mount Hiei with his soldiers and slaughtered all the<br />

people associated with the monastery, including every<br />

man, woman, and child living on the mountain. He<br />

subsequently destroyed another Buddhist force, the legions<br />

<strong>of</strong> the Exclusive (Ikko) Pure Land Buddhist sect,<br />

which had used its power to dominate entire provinces.<br />

What emerges from this brief overview <strong>of</strong> early Buddhist<br />

history are two important observations about the<br />

relationship <strong>of</strong> Buddhist monasticism and the martial<br />

arts. First, the phenomenon <strong>of</strong> monastic warriors and<br />

militias, while a historical fact, was nonetheless relatively<br />

isolated in time and place. Second, there is no<br />

compelling evidence in the texts dating from the early<br />

periods to indicate that martial training was carried out<br />

in the context <strong>of</strong> traditional Buddhist ritual or cultivation<br />

practices such as meditation, sutra explication,<br />

or chanting. Rather, martial training in Chinese,<br />

Japanese, and Tibetan monasteries appears to have<br />

been regarded not as a practice leading to awakening<br />

or liberation, but as an expedient deemed necessary in<br />

the circumstances in which many medieval Buddhist<br />

institutions found themselves.<br />

Zen <strong>Buddhism</strong> and martial arts<br />

Although there is little or no Buddhist doctrinal rationale<br />

for the activities <strong>of</strong> the monastic militias <strong>of</strong> the<br />

early period, the modern practice <strong>of</strong> Asian martial arts,<br />

particularly those that developed in Japan, are frequently<br />

characterized in terms that suggest modes <strong>of</strong><br />

spiritual practice directly informed by the <strong>Buddhism</strong><br />

<strong>of</strong> the CHAN SCHOOL (Japanese, Zen). Most contemporary<br />

martial arts have thus taken on a quasi-religious<br />

character. The student is encouraged to strive to attain<br />

a state <strong>of</strong> pure consciousness while in the midst <strong>of</strong> combat.<br />

In a psychological state <strong>of</strong> equanimity and oneness<br />

with the adversary, the student is assured that his<br />

or her actions will flow with effortless spontaneity. Initiations,<br />

practices, and successful progress are generally<br />

marked by formal rituals, including bowing,<br />

processions, and the award <strong>of</strong> certificates or insignia.<br />

These can be seen as stripped-down secularized versions<br />

<strong>of</strong> Asian religious rituals and practice. The distinction<br />

between the achievement <strong>of</strong> a state <strong>of</strong><br />

awakening, understood as the ultimate goal <strong>of</strong> Buddhist<br />

practice, and the effortless defeat <strong>of</strong> an adversary<br />

in battle coalesce. The monk becomes warrior; the warrior<br />

becomes monk. Not surprisingly, many popular<br />

texts on martial arts trace their lineage to the Shaolin<br />

Monastery in China.<br />

By the eight century, Shaolin Monastery had become<br />

identified with the fifth-century semilegendary<br />

figure <strong>of</strong> BODHIDHARMA, popularly regarded as the<br />

person who introduce Chan <strong>Buddhism</strong> to China. According<br />

to legend, Bodhidharma spent nine years meditating<br />

in a cave above Shaolin Monastery. However,<br />

the earliest text to mention Bodhidharma, the sixthcentury<br />

Loyang qielan ji (Record <strong>of</strong> Monasteries in<br />

Loyang), describes him not as a wall-gazing meditation<br />

master, but as a wonder-working thaumaturge from<br />

the Western (barbarian) Lands. The thaumaturgic tradition<br />

in China contains accounts <strong>of</strong> such shamanlike<br />

characters performing prodigious feats <strong>of</strong> physical<br />

516 E NCYCLOPEDIA OF B UDDHISM

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