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Biblical Hermeneutics

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PRINCIPLES OF BIBLICAL HERMENETICS ; M. M. NINAN<br />

anthropomorphisms is thoroughly Palestinian, and reminds one of Targum and Septuagint.<br />

Similarly, The Wisdom of Solomon, another Apocryphal book of the same period, is not<br />

specifically Hellenic in its allegorical symbolism. The explanation of the heavenly ladder in<br />

Jacob's vision, as a symbol of Divine Providence and the super-sensual world, is just as little<br />

Hellenic as the <strong>Biblical</strong> narrative itself, the sense of which is very correctly given (Wisdom, x.<br />

10). The influence of a Palestinian Midrash, preserved in the Mishnah (R. H. iii. 8), is evident<br />

in the explanation of the serpent (Num. xxi. 9), as a "symbol of salvation, while the salvation<br />

itself came from God" (Wisdom, xvi. 5). These and similar interpretations are so clearly of<br />

Palestinian origin that it would be wrong to assume any foreign influence for them. The literal<br />

reality of the Law and of the <strong>Biblical</strong> history is so strongly adhered to by the author of The<br />

Wisdom of Solomon, coming as it does from Pharisaic circles, that one can hardly speak of his<br />

treatment as an allegorization of the Bible.<br />

The Allegorical Interpretation of the Law in the Aristeas Letter exhibits Hellenic influence<br />

more decidedly. It seeks to give ethical motives for all the ritual and ceremonial laws. On the<br />

one hand, the flesh of birds of prey is declared unclean, it says, in order to teach how<br />

violence and injustice defile the soul; on the other, that of animals which chew the cud and<br />

divide the hoof is permitted. For the former characteristic typifies the duty of invoking God<br />

frequently; and the latter signifies the distinction between right and wrong, and the division<br />

to be maintained between Israel and nations practising abominations.<br />

Radical Allegorism.<br />

A further step, but an inevitable one, was taken by those allegorists of whom Philo writes<br />

("De Migratione Abrahami," xvi.; ed. Mangey, i. 450), that they cut loose entirely from any<br />

observance of the Law, and saw in the records of Jewish revelation nothing but a<br />

presentation of higher philosophical truths. Such an extreme step could only provoke<br />

reaction; and the result was that many would have nothing whatever to do with Allegorical<br />

Interpretation, justly seeing in it a danger to practical Judaism. These anti-allegorists were<br />

specially represented in Palestine, where the warning was heard (about 50 B.C.) against<br />

those "evil waters" to be avoided by the young scholars "abroad," i.e. Egypt . Nor were there<br />

wanting in Alexandria itself many determined opponents of this tendency (Philo, "De<br />

Somniis," i. 16; ed. Mangey, i. 635). But the extremists on both sides, allegorists as well as<br />

anti-allegorists, were in the minority; for most teachers held steadfastly to the ancestral faith<br />

as far as actual practise was concerned, and endeavored only theoretically to harmonize<br />

Judaism with the Hellenic philosophy by means of allegory. Philo informs us ("De Vita<br />

Contemplativa," III. ii. 475) that his predecessors in this allegorical tendency (from whom he<br />

quotes eighteen times—see the list in Siegfried's "Philo," p. 26) had committed their<br />

teachings to writing; but beyond those quotations nothing has been preserved. The following<br />

is an illustration: "Men versed in natural philosophy explain the history of Abraham and Sarah<br />

in an allegorical manner with no inconsiderable ingenuity and propriety. The man here<br />

[Abraham] is a symbolical expression for the virtuous mind, and by his wife is meant virtue,<br />

for the name of his wife is Sarah ["princess"], because there is nothing more royal or more<br />

worthy of regal preeminence than virtue" ("De Abrahamo," xx. 8; ed. Mangey, ii. 15).<br />

Josephus.<br />

It would not be just, in the absence of striking proof, to maintain that Josephus, who in his<br />

preface to the "Antiquitates" speaks of the literal sense and the allegorical, was influenced by<br />

Alexandrianism in general or by Philo in particular (Siegfried's "Philo," p. 270). His symbolical<br />

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