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126 Recent Books Wolfteich picks this up in her concluding section, but insists on a critique of mysticism, especially from a feminist perspective. Even though Tracy was himself unable fully to develop a practical theology in his own substantive theological writings, he still affirms it as truly ‘the apex of all theology’. Plunging further into the issues, Annemie Dillen, Robert Mager and Thomas Groome examine the intricate questions of methodology and pedagogy that are central to the practical theology enterprise, while Colleen Griffith carries the discussion into its epistemological status—the kind of ‘knowing’ we achieve via practical theology (on which Groome is also very helpful). These essays go much of the way in drilling down to the essential elements of practical theology in itself; but then … the picture somehow loses focus and blurs against the whole luxuriant array of the practical fields of theological enquiry. The enterprise seems to be covering too much. What then is ‘practical theology’? Simply metadisciplinary enquiry into the over-arching goals and methodologies of the practical theologies? Or itself a focused enquiry into ‘practice and practices’—those key practices that embody Christian existence and are constitutive of the Church? Would it then be more properly pastoral theology than practical? Should it in fact be looking further and envisioning all the practices of the humanum within its theological lens? This book does not make any such claim. Rather, as indicated by Kathleen Cahalan’s and Bryan Froehle’s long historical sweep in the opening chapter—from the eleventh-century foundation of the universities to the transformative event of Vatican II, which enshrined a historical theological method—practical theology is today still a ‘developing discipline’, still malleable. These essays suggest an emerging turn to the aesthetic and the mystical as among its primary means of expression, and to spirituality as its key field. Others may wish to lean in a more political direction, more focused on critique of contemporary economic practices and their global and environmental impact. At any rate, this publication reveals practical theology as an enterprise replete with energy. James Sweeney CP Music as Cultural Mission: Explorations of Jesuit Practices in Italy and North America, edited by Anna Harwell Celenza and Anthony B. DelDonna (Philadelphia: Saint Joseph's UP, 2014). 978 0 9161 0180 0, pp.229, $65.00. For the reader interested in Ignatian spirituality this volume, Music as Cultural Mission: Exploration of Jesuit Practices in Italy and North America,
Recent Books 127 will provide interesting historical and scholarly details concerning Jesuit history and spirituality, enriching the understanding of the global Jesuit enterprise. While this book focuses on elements of Jesuit history from a musicological perspective, it certainly reflects the historiographical change that the study of Jesuit history and spirituality have undergone in the last 25 years. Scholars are now asking: what were the Jesuits like? How were they similar or dissimilar to their contemporaries? One could describe contemporary Jesuit historiographical method as vertical rather than horizontal. For example, instead of looking at the Jesuits vis-à-vis the papacy, the Counter-Reformation or ecclesiastical institutions, recent studies—including this one—focus more on Jesuits as part of movements associated with popular religion, confraternities and missions. Included are the pious practices of the various localities Jesuits inhabited. As more and more scholars who are not Jesuits write about the Society of Jesus, these scholars are shaping Jesuit historiography. Scholars far from traditional Jesuit disciplines such as theology, philosophy and spirituality are now writing about Jesuits because they cannot help but encounter them in researching the early modern period. These scholars now include musicologists. In Music as Cultural Mission, Anna Harwell Celenza and Anthony R. DelDonna are typical of the present trends in Jesuit historiography. Their book is divided into two distinct parts. The first consists of an introduction to the Jesuit mission in early modern Italy, while the second shifts the focus of the study to North America. It also forms a bridge from the pre-suppression, North American Jesuit missions outside Europe to the restored Society of 1814 by means of exploring the musical traditions of Georgetown University, founded in 1789. The general reader, and especially someone interested in the history of Western culture, may enjoy the studies of part 1. While it is not kaleidoscopic in its presentation of music in the European context of this cultural mission, several of the articles are thought-provoking and reflect the depth of Ignatian spirituality underpinning the infrastructure of the Jesuit missions. DelDonna’s text, especially, ‘The Society of Jesus and Neapolitan Culture’, also reveals the many possibilities for rich interdisciplinary work which the mission archives not only promise, but indeed invite. Two other chapters in part 1 deserve mention, ‘The Musical and Theatrical Activities of the Jesuits in the Kingdom of Naples: Accounts from the Gazzetta di Napoli (1675–1768)’ by Ausilia Magaudda and Danilo Costantini, and Emmanuele Colombo’s ‘“The Music Must Serve the Poetry”: The Jesuit Oratorio in Eighteenth-Century Milan’. The Gazzetta di Napoli is one of the few extant documentary sources in Naples
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126 Recent Books<br />
Wolfteich picks this up in her concluding section, but insists on a critique<br />
of mysticism, especially from a feminist perspective. Even though Tracy was<br />
himself unable fully to develop a practical theology in his own substantive<br />
theological writings, he still affirms it as truly ‘the apex of all theology’.<br />
Plunging further into the issues, Annemie Dillen, Robert Mager and<br />
Thomas Groome examine the intricate questions of methodology and pedagogy<br />
that are central to the practical theology enterprise, while Colleen Griffith<br />
carries the discussion into its epistemological status—the kind of ‘knowing’<br />
we achieve via practical theology (on which Groome is also very helpful).<br />
These essays go much of the way in drilling down to the essential<br />
elements of practical theology in itself; but then … the picture somehow<br />
loses focus and blurs against the whole luxuriant array of the practical<br />
fields of theological enquiry. The enterprise seems to be covering too<br />
much. What then is ‘practical theology’? Simply metadisciplinary enquiry<br />
into the over-arching goals and methodologies of the practical theologies?<br />
Or itself a focused enquiry into ‘practice and practices’—those key<br />
practices that embody Christian existence and are constitutive of the<br />
Church? Would it then be more properly pastoral theology than practical?<br />
Should it in fact be looking further and envisioning all the practices of the<br />
humanum within its theological lens?<br />
This book does not make any such claim. Rather, as indicated by<br />
Kathleen Cahalan’s and Bryan Froehle’s long historical sweep in the<br />
opening chapter—from the eleventh-century foundation of the universities<br />
to the transformative event of Vatican II, which enshrined a historical<br />
theological method—practical theology is today still a ‘developing<br />
discipline’, still malleable. These essays suggest an emerging turn to the<br />
aesthetic and the mystical as among its primary means of expression, and<br />
to spirituality as its key field. Others may wish to lean in a more political<br />
direction, more focused on critique of contemporary economic practices<br />
and their global and environmental impact. At any rate, this publication<br />
reveals practical theology as an enterprise replete with energy.<br />
James Sweeney CP<br />
Music as Cultural Mission: Explorations of Jesuit Practices in Italy and North<br />
America, edited by Anna Harwell Celenza and Anthony B. DelDonna<br />
(Philadelphia: Saint Joseph's UP, 2014). 978 0 9161 0180 0, pp.229, $65.00.<br />
For the reader interested in Ignatian spirituality this volume, Music as<br />
Cultural Mission: Exploration of Jesuit Practices in Italy and North America,