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120 Recent Books<br />
accompanied by a shift towards the quest for the historical Jesus that has<br />
so dominated Christian thought in more recent times, and many Christians<br />
will feel that this latter quest constitutes a more meaningful approach for<br />
them. It is worth pointing out, though, that this book is not necessarily<br />
directed at the mainstream Christian believer. Those who describe themselves<br />
as ‘spiritual but not religious’ will find much that is intriguing and<br />
challenging here—precisely because of the even-handed and sympathetic<br />
way in which various alternative beliefs and therapies are considered.<br />
Speaking personally, I find the author most illuminating in the areas of<br />
music, dance and liturgy, for here one can really appreciate the power of<br />
an analysis that is centred on a cosmic cross, stretching out in six, rather<br />
than four, directions: past and future, above and below, in the dimensions<br />
of the earth itself, and in the network of human societies. The symbolism<br />
of musical tones and ritual movement really does take on a new<br />
significance when seen in this light, and one feels that the author is<br />
correct in characterizing the loss of this cosmic knowledge as a loss of<br />
Wisdom. One tiny, but telling, example of such a loss is the way that the<br />
boy-dancers of the Blessed Sacrament in Seville (the so-called ‘Seises’)<br />
exchanged the angel costumes that they wore in medieval times for the<br />
garb of conquistadors at the start of the seventeenth century. A whole<br />
cosmological, spiritual and even ecological shift is implied in this change.<br />
This is a timely book because, confronted by what many mainstream<br />
Christians might see as an infuriating syncretism in contemporary spiritualities,<br />
Dominic White plunges in with infectious enthusiasm, dismissing nothing<br />
out of hand, but seeking to understand and integrate them within a wider<br />
Christian knowledge. Such enthusiasm bears two fruits in particular: a<br />
more serious consideration of the arts at the centre of Christian life and<br />
worship, and a deeper engagement with what it is really to know Christ.<br />
Ian Coleman<br />
William James and the Transatlantic Conversation: Pragmatism, Pluralism,<br />
and Philosophy of Religion, edited by Martin Halliwell and Joel D. S.<br />
Rasmussen (Oxford: OUP, 2014). 978 0 1996 8751 0, pp.256, £69.00.<br />
William James was the first professor of psychology at Harvard University<br />
and is widely credited with taking an innovative approach to religion—in<br />
particular in his landmark study The Varieties of Religions Experience, which<br />
offered a systematic but non-reductive examination of religious experience.