World Image issue 30 March 2016_1
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Photoart<br />
Gordon Longmead<br />
There is much discussion about the validity of<br />
Photoart as a part of photography. Photography is an<br />
art form, one in which the photographer holds the<br />
same position as any artist in history.<br />
When we look at Constables ‘The Haywain’ no one<br />
ever complains that the cart was not in the river<br />
when the picture was painted. No one ever criticises<br />
the glamorised portraits that hang in galleries across<br />
the world.<br />
Artists paint the scene in their studio from general<br />
sketches and memory, the lighting is created in the<br />
studio, even in the open the lighting is fixed at the<br />
start of the painting but changes during the day, a<br />
change ignored by the artist.<br />
The artist is only interested in the end result. If<br />
painting a portrait, the artist glamorises the subject<br />
to hide the blemishes and make the subject feel good<br />
about themselves.<br />
In this image The main subject is a straight<br />
photograph, but I wanted it to tell a story. In this<br />
instance the story is a simple one, “Here we are on<br />
Earth and just beyond the horizon is the maelstrom<br />
that is space, and it is coming our way.”<br />
Hidden with the view is a second story, “The<br />
maelstrom is of our own making and is slowly but<br />
surely consuming the natural Earth.”<br />
Photoart is the vision you have in your heart at the<br />
moment the image is created, be it a portrait of a<br />
woman or a scene of fire and brimstone.<br />
Do not hide behind the false purist belief that<br />
photography is nothing more then a record of what<br />
is.<br />
Photography has many faces, record photography is<br />
just one of them, any fool can take a picture, a<br />
photographer produces artworks.<br />
Website = photosociety.net Page 16 email = magazine@photosociety.net