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World Image issue 30 March 2016_1

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Photoart<br />

Gordon Longmead<br />

There is much discussion about the validity of<br />

Photoart as a part of photography. Photography is an<br />

art form, one in which the photographer holds the<br />

same position as any artist in history.<br />

When we look at Constables ‘The Haywain’ no one<br />

ever complains that the cart was not in the river<br />

when the picture was painted. No one ever criticises<br />

the glamorised portraits that hang in galleries across<br />

the world.<br />

Artists paint the scene in their studio from general<br />

sketches and memory, the lighting is created in the<br />

studio, even in the open the lighting is fixed at the<br />

start of the painting but changes during the day, a<br />

change ignored by the artist.<br />

The artist is only interested in the end result. If<br />

painting a portrait, the artist glamorises the subject<br />

to hide the blemishes and make the subject feel good<br />

about themselves.<br />

In this image The main subject is a straight<br />

photograph, but I wanted it to tell a story. In this<br />

instance the story is a simple one, “Here we are on<br />

Earth and just beyond the horizon is the maelstrom<br />

that is space, and it is coming our way.”<br />

Hidden with the view is a second story, “The<br />

maelstrom is of our own making and is slowly but<br />

surely consuming the natural Earth.”<br />

Photoart is the vision you have in your heart at the<br />

moment the image is created, be it a portrait of a<br />

woman or a scene of fire and brimstone.<br />

Do not hide behind the false purist belief that<br />

photography is nothing more then a record of what<br />

is.<br />

Photography has many faces, record photography is<br />

just one of them, any fool can take a picture, a<br />

photographer produces artworks.<br />

Website = photosociety.net Page 16 email = magazine@photosociety.net

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